2023 Gift Guide: The Picture Books

November 14, 2023 § 1 Comment

Welcome to the second installment of this year’s Gift Guide, a collection of the giftiest picture books of the year! (If you missed the first installment on Browsable Non-Fiction & Novelty Books, you can catch up here. And stay tuned for lots more posts, including graphic novels and older kid favorites, coming soon!)

It has been another banner year for picture books, and I didn’t have to work hard to find a wide array of memorable stories, unique executions, and beautiful art. The challenge was how to narrow them down! (And then on Instagram y’all pleaded with me not to leave any out…which is why this list includes a few additional titles beyond what I’ve curated for Old Town Books.) I don’t envy you your decisions!

Most of these books are newly published, though there are a handful that came out earlier in the year, without my giving them proper due on the blog. Suggested age ranges are included in every headline, and for those hankering for more photos of interior spreads, my Instagram feed is always good for that.

If you’re near Alexandria, Virginia, I’d love to see you at Old Town Books, where I’ve got all of these picks stocked. And if you have a wonderful indie near you, I’d love for you to support them, too.

Happy reading, happy gifting, happy golden age of picture books! (OUR CHILDREN ARE SO LUCKY.)

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A (Literal) Train of Thought

May 11, 2023 § 2 Comments

When I was almost ten, our family moved from a large, ramshackle house in the lush green suburbs of Milwaukee, Wisconsin, to the fifteenth floor of an apartment building in Manhattan, and I did not handle it well. My parents adored New York City—they had lived there before having kids and couldn’t wait to return—but all I saw was no backyard, a shared bedroom with my younger sister, and more people and noise in a single day than I’d known in the decade I’d been alive. In a memory that still makes me cringe—though I was a deeply feeling child I prided myself on my poise—I pitched a fit in front of our realtor, yelling to my parents about how dirty and smelly and noisy the city’s streets were, while we rode an elevator to another prospective apartment, from which the sounds of car horns and ambulance sirens and buses pulling away from the curb would only be slightly dampened.

Kids generally underestimate their ability to adapt, and I quickly grew to love the city. But I never entirely shed the feeling that I was an outdoor kid living in an indoor city, and I sought out changes of scenery whenever I could. Sometimes, the escape was literal, like the summers I spent at sleepaway camp in Vermont. Mostly, I escaped through books—or through my imagination, spurred on by the stories I read. A handful of tap water before bed was the icy, life-saving stream water from My Side of the Mountain. The six-block concrete walk to school was an enchanted yellow-brick road, visible only when I looked down at my quickly advancing feet. I was a dreamy child, something I’ve never been sorry about passing along to my daughter, even when her liberal interpretations of reality have been known to try my patience.

With it being Asian American Pacific Islander Heritage Month, the timing seems perfect to share one of the most beautiful picture books of the year, as it is both written and illustrated by Dan-ah Kim, born in Seoul, South Korea and now living in Brooklyn, New York. I dare you not to gasp aloud as you page through these glorious spreads. But I don’t only adore the book for its artwork. Its story speaks directly to that child I once was, the one who never kicked and screamed in an elevator again but definitely felt like it, even as she found love and belonging and wonder in city life. That the book is inspired by real subway stops in New York City doesn’t hurt, either, though its message of creativity and imagination is undoubtedly universal.

The Train Home (ages 4-8) is an inventive story about a girl who conjures up a train for a magical journey away from the noisy reality of her city apartment. Along the way, amidst the alluring, refreshing, fantastical scenery of her imagination, she surprises herself by yearning for the home she has left behind. Ultimately, like the dichotomy that exists in the art—some spreads fancifully populated, others pared way back—the story is a reassuring validation that the desire to escape and the desire to return home are never mutually exclusive. Rather, they exist in a tug-of-war dance alongside our own journeys of growing up.

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2022 Gift Guide: The Picture Books

November 10, 2022 Comments Off on 2022 Gift Guide: The Picture Books

With so many spectacular stories, every year it gets harder to narrow down a list of picture books for my Gift Guide. I’ve weighted this year’s list towards fall releases, hoping to ensure that the titles will be new to you or your gift recipient. But I also made exceptions. There were a few books published in the first half of the year that stand the test of time, and I couldn’t imagine a 2022 favorites list without them (Bathe the Cat, Knight Owl, and Endlessly Ever After).

I’ve also concentrated on books that feel inherently gifty. These are books you could gift to almost any child, regardless of how well you know them, and be confident that they’d be charmed and you’d be heroic. If I was strictly making a “best of” list, I would have added titles like Blue: A History of the Color as Deep as the Sea and as Wide as the Sky.

If space and time permitted, I’d remind you of all the books I’ve already blogged about this year (because I only blog about books I love). As well as others I’ve highlighted on Instagram, like Mina, Does a Bulldozer Have a Butt?, Izzy and the Cloud, and Poopsie Gets Lost.

Finally, before we get started, I’ll remind you that I kicked off the Gift Guide a few weeks ago with My Favorite Picture Book of the Year: Mac Barnett and Jon Klassen’s fresh telling of The Three Billy Goats Gruff. I won’t repeat myself here, but don’t forget that if you really want to wow your audience, that’s the ticket.

But, of course, these others are incredibly special, too. Presented here from youngest to oldest. (As always, links support the lovely indie where I work as the kids’ buyer. We ship!)

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Poetry to Re-Frame Our World

April 28, 2022 § 2 Comments

You didn’t actually think I’d let National Poetry Month go without loving on a few new poetry books, did you? Now wait. I know poetry scares some of us—or scares our kids—but, like with everything from green vegetables to voting, early and often are the keys to success. National Poetry Month will always be a great excuse to infuse our shelves with a new title or three—and maybe re-visit a few that have been languishing. Getting kids comfortable around poetry means deepening their relationship with language, especially figurative language, which will carry them far in any creative pursuit, not to mention the non-linear thinking increasingly rewarded in business.

My greatest parenting win around the subject of poetry remains the year we read a poem from this gorgeous anthology every morning over breakfast. I heartily recommend forgoing conversation for poetry in the mornings! (I hear caffeine’s good, too.) When a new title came out in this same series last fall, I had high hopes we’d rekindle this ritual, but with my teen out the door so much earlier than his sister, this hasn’t happened.

So, consider today’s post as much about my own need to recommit to poetry—something my kids rarely gravitate towards without a nudge—as about inspiring you to do the same. In that vein, I’ve got two vastly different new poetry picture books: one for the preschool crowd and the other for elementary kids. The first is an absolute delight to read aloud, while the second is perhaps better left for independent readers to contemplate privately.

Take Off Your Brave: The World Through the Eyes of a Preschool Poet (Ages 3-6) is a collection of poems written by an actual four-year-old boy named Nadim, using his Mom as a “dictaphone.” Talk about making poetry feel accessible to kids! Here, Nadim gives us a window into the way he sees the world: his dream school, his best things, his “scared-sugar” feelings. Each poem is playfully brought to life by award-winning illustrator, Yasmeen Ismail.

Ted Kooser and Connie Wanek’s Marshmallow Clouds: Two Poets at Play Among Figures of Speech (Ages 8-12, though adults will love this, too) is one of the most simultaneously quirky and powerful poetry collections I’ve encountered, a look at what happens when we unleash our imaginations on the natural elements around us. And it’s as much an art book as a poetry book! Artist Richard Jones is already getting Caldecott buzz for his gorgeous, full-bleed illustrations that accompany each of the 28 poems.

Both of these special books speak to the magic of poetry: the way it enables us to process the creative, off-kilter, silly, sometimes contradictory ways we see or experience the world. For as many hang-ups as we have around poetry—its perceived obtuseness, its relegation to the realm of intellectuals—these books remind us that poetry is as simple as conjuring a moment and penning it in a non-traditional way. These poems celebrate the poets in all of us.

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Party Time! (Or Not)

January 27, 2022 § 3 Comments

With so many posts devoted to serious books lately (not to mention all the awards excitement), I decided we were overdue for a recommendation high on the fun(ny) meter. As it turns out, 2022 has given us a delightful one right out of the gate, as perceptive as it is entertaining. (Plus, if you order from Old Town Books, you’ll get a copy that’s signed by the author-illustrator in the most fitting way. Just wait until you see it!)

Apart from being a total hoot, this story is going to resonate deeply with anyone out of practice at social gatherings. That would be all of us, in case your math skills have also gotten fuzzy.

Our family will attend a dear friend’s bar mitzvah in a few weeks, and as much fun as I know I’ll have, I’m already fretting about how I’m going to wedge my feet into heels, my out-of-shape body into an old cocktail dress, and do I even have lipstick anymore? And then I wonder, how am I going to be vertical at 8pm? What are we going to talk about? Are we going to discuss the pandemic, or will we remember other topics of conversation? And if I’ve got all these worries, what about my kids?

Those of us who were a tiny bit reserved two years ago are now completely overwhelmed by the prospect of hanging out with more than one or two friends at the same time. We’ve lost ground, our social muscles have atrophied. And yet, society’s expectations haven’t adjusted. We’re supposed to want to go back to attending birthday parties and backyard parties and weddings and fundraisers. And we do…but maybe only sort of?

I remember when my dad threw a surprise party for my mom’s 40th birthday. She had an inkling moments before she opened the door that our apartment was full of people, and she shot my dad a look. There was actual menace in that look, and while I don’t remember her exact words, they were something along the lines of, “You’re a dead man.” As soon as she opened the door, she was all smiles and laughter and grace—the hostess with the mostest, as she says—but I’d had a peek into something else. She wasn’t entirely comfortable surrounded by all these people, despite her obvious affection for them. Parties can be a complicated thing, is what I’m saying.

Enter Bina Bear, the large, purple, slightly stiff, certainly awkward protagonist of Mike Curato’s new picture book, Where is Bina Bear? (Ages 3-8, though my 11 year old is obsessed with it). Bina is attending a party thrown by her best bunny friend, Tiny. There are balloons! Cake! Punch! Lots of friendly faces! Bina Bear loves Tiny, so she has come to the party. But Bina Bear doesn’t like parties. She doesn’t do crowds.

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Taking Our Cue from Them

June 17, 2021 Comments Off on Taking Our Cue from Them

Is that a naked boy on the cover? Why, yes. Are you mostly just posting about books with neon pink themes this year? Um, maybe.

For me, the biggest challenge of parenting continues to be taking the lead from my kids—and not the other way around. It’s seems simple enough—to guide, not instruct; to support, not push; to listen more and talk less—but it becomes intensely complicated when my own biases, fears, and failures get in the way of seeing my kids for who they are in the moment. Labels are comforting; they help us feel like we’re making sense of the chaos and uncertainty that is our children’s becoming. Look, he’s good at swimming—yes, swimming is his sport! He’s got brains, but she’s got compassion. He’ll never agree to that—he hated it last year. Wait, you want to wear a dress? I thought you hated dresses!  

Being a parent can feel a lot like being tied to the end of a yo-yo that someone else is operating, and the whiplash isn’t always pleasant. But when we manage to extricate ourselves from that emotional tether, when we take a step back and observe the messy evolution unfold, we make space for wonder, joy, and acceptance—on both sides.

Upholding traditional gender roles is a trap most of us parents fall into at one time or another (regardless of how many feminist classes we took in college). It starts when our babes are in utero, as we fantasize about the mother-daughter shopping trips or decorate the nursery in a baseball theme, and it continues each time we measure our child against others of the same gender. Shyness in girls is sweet, but shyness in boys might be a sign of weakness. A boy who shows an interest in math confirms what everyone expected, but a girl who shows an interest in math is intriguingas long as she’s not a dork, because then she’ll struggle socially. It’s OK for her to pick dance as a sport, but he needs a “real” workout. And so the dialogue goes, even if we never utter the words aloud.

And a boy who likes pink? Who wears make-up? What does that imply? What does that signal about the future?

Must it mean anything?

I’m thirteen years into this parenting gig, and the only thing I know for certain is that kids change. They change their minds, their habits, their styles. Sometimes it’s awesome, and sometimes it’s nerve-wracking. Sometimes, it’s along traditional gender lines, and sometimes it’s not. Sometimes it’s a signal of what’s to come, but just as often, it’s not. Most of the time, it has nothing to do with us, though how we react can be everything.

The supremely talented Peter Brown—creator of picture book favorites like Mr. Tiger Goes Wild, My Teacher is a Monster (No, I Am Not), and Creepy Carrots, and author of the equally brilliant chapter series The Wild Robot —has a new picture book out, and it brings the biggest smile to my face every time I read it. It’s also his most personal book to date, based on an incident when Brown was five years old and got into his mother’s make-up drawer. In many ways, it’s a tribute to his mother, whom he credits as being ahead of her time in her ability to validate who he was at every changing moment.

Fred Gets Dressed (Ages 2-6) may be a simple story about self-expression, but its execution is anything but ordinary. Design reigns, characters glow, and nakedness abounds. There’s the supportive mother, joined by a father who plays a small but mighty role. There’s a warm, inviting home, with books, dog, plants, and oversized throw pillows. But at the center of the story, stealing the show, is Fred. Fred is pure exuberance. Fred is that kid whose unbridled enthusiasm you want to bottle. Fred is that kid who prefers to air-dry au naturel (and who doesn’t, really?).

Fred is a boy who, on a whim, dresses up in his mom’s clothes and make-up. And because of his parents’ reaction, there’s no labeling, there’s no foreshadowing, there’s no shame. He’s simply allowed the freedom that comes with non-traditional gender roles. And his beaming smile says it all.

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Cicada Frenzy (A Father’s Day Post)

June 10, 2021 § 1 Comment

(Past years’ Father’s Day ideas can be found here, here, here, and here.)

The list of things my kids will someday recount to their wide-eyed grandchildren has gotten a lot longer in the past year. First, there was the pandemic. Then, the election (including an insurrection). And now, here in Virginia, we can add the seventeen-year cicada, a rare breed of cicada that hibernates deep underground for seventeen years and then emerges by the billions, filling the air with an incessant, high-pitched siren that could be (if you’re me) initially mistaken for an air raid. These cicadas, living and dead, now line our front steps and cover our shrubs and trees. When they’re not pelting our car windshields or dive-bombing into our hair, their orange-veined wings, protruding red eyes, and undeniable resiliency do inspire something resembling awe.

At least, if you’re my daughter. My teenage son isn’t having any of it. I still shriek every time one lands on me. But my ten-year-old daughter fancies herself something of a Cicada Whisperer. She rescues them from puddles (and my hair). She invites them to crawl on her finger, holds up their two-inch body to her eyes, and examines them closely, reassuring them that she won’t do them harm. As far as I can tell, she spent the last two weeks of the school year setting up hospital wings for cicadas on school grounds and presiding over funerals for the unfortunate ones who didn’t make it.

Not only do I have the perfect new picture book for the budding entomologist in your life, but with Father’s Day around the corner, Ben Brashares and Elizabeth Bergeland’s The Great Whipplethorp Bug Collection (Ages 5-9) does double duty, celebrating a boy, his stay-at-home father, and the globe-trotting grandfathers who came before. It’s a story about summer boredom, the transports of imagination, and the inspiration of backyard bugs. But it’s also a story about a boy questioning his place in a long line of achievers, a boy weighing his own idea of masculinity against that set by traditional gender roles. The writing is pitch perfect, and the art is awesome: quirky and unexpected, a visually enticing combination of tiny pen lines and washes of color that sits somewhere between real life and imagination. Children will love pouring over these pages, and they’ll grow in their understanding of the story’s broader messages with every reading.

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Have You Ever Seen a Flower? (Part One)

May 4, 2021 Comments Off on Have You Ever Seen a Flower? (Part One)

It’s another special week here on the blog, with a two-part post featuring one of my favorite picture books of the year, destined to become a read-aloud favorite. Award-winning illustrator, Shawn Harris, is making his authorial debut with Have You Ever Seen a Flower? (Ages 3-6), an imaginative, sensory-filled, hue-tastic journey inside flowers, starring an ebullient, neon-haired child. Today, I’m sharing why I love this energetic romp, which celebrates the connection between childhood and nature. Then, on Thursday, I’ll be back with my interview with the mastermind behind it, mister Shawn Harris himself. (I’ll also be running a giveaway on Instagram, so make sure you’re following me!)

As you may remember from previous posts, we are big fans of Shawn Harris, who created the delightfully unique cut-paper illustrations for Mac Barnett’s A Polar Bear in the Snow and, before that, Dave Eggers’ Her Right Foot, a speculative non-fiction picture book about the Statue of Liberty that’s still a favorite of my son. With Have You Ever Seen a Flower?, Shawn not only tries his hand at writing, but he trades cut-paper collage for stencils and colored pencils (seven-in-one colored pencils, to be precise). He’ll talk more about his inspiration and process in our interview, but suffice it to say that this departure makes him quite the creative chameleon, a true force to be reckoned with in picture book creation.

Have You Ever Seen a Flower? also proves that the best picture books are often a little trippy. (Think about greats like Maurice Sendak, Ruth Krauss, and James Marshall.) With a psychedelic intensity, Shawn plays with perspective, color, and language to blur the line between reality and fantasy, fusing his character with the vibrant nature around her and reminding us how much fun it is to see the world through the eyes of a child brimming with wonder and possibility.

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2020 Gift Guide: Picture Book Round-Up

October 29, 2020 Comments Off on 2020 Gift Guide: Picture Book Round-Up

Last week, I told you about my two verrrrry favorite picture books of the year: The Bear and the Moon (Ages 2-6) and Girl on a Motorcycle (Ages 5-9). Today, I’m telling you about others I like a whole heck of a lot. I’ve selected titles, both fiction and non-fiction, for a range of ages, from two to ten years old. Some of them are jaw-droppingly beautiful; others elicit laughter; many invite wonder and compassion. All of them are deserving of a permanent home, where they can be enjoyed again and again and again.

Before we start, there are several I’ve already blogged about this year. Rather than repeating myself, I’m going to link to my original posts. The ones with mega gift potential from earlier in the year are Me and Mama (Ages 2-6), The Ocean Calls (Ages 4-8), Madame Bedobedah (Ages 5-9), Swashby and the Sea (Ages 3-7), The Fabled Life of Aesop (Ages 5-9), In a Jar (Ages 4-8), and The Oldest Student (Ages 6-10).

And now, here are ones new to these pages:

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The Stories We Tell Ourselves

August 27, 2020 § 2 Comments

My aunt used to hold an annual Christmas Eve party at her apartment on the eighth floor of a building just two blocks from ours in New York City. It was a small group, rarely more than twelve, and we were the only relatives ever invited. We only saw these friends of my aunt once a year, but before the elevator reached the bottom floor at the end of the evening, I was already looking forward to next year’s gathering. My aunt had been the editor in chief of a major magazine, and her friends were artistic, eccentric, and alluringly mysterious.

There was one woman in particular whom I adored. Always the last to arrive, she would come through the door shrouded in a floor-length black fur coat. Her perfect coif of white hair was sharply angled at her chin, and she moved in a cloud of exotic perfume. Her raspy smokers’ voice was fond of the word “darling,” and she always addressed me as if I was an adult. Perched on the sofa sipping my ginger ale, I inched as close to her as I could, throwing back my head with laughter as she did.

She lived downtown where the artists were, and I knew little about how she spent her days, other than that she and her husband had never had children. What I wouldn’t give to go back in time and ask her any number of questions! As children, we’re content with the stories we tell ourselves, the ones we make up in her head, and I fashioned endless stories for this larger-than-life woman in black, who seemed to float effortlessly around my aunt’s apartment, captivated by everything and nothing at the same time.

Sophie Dahl’s marvelous picture book, Madame Badobedah (Ages 5-9), told in three chapters over 53 pages and amply accentuated with retro illustrations by Lauren O’Hara, stars a young protagonist spellbound by an eccentric stranger who shows up for an unlimited stay at her parents’ hotel by the sea. This stranger barely opens her mouth before Mabel has developed theories about the feathers draped around her neck, her stacks of weathered trunks, and her prized pet tortoise. But warm to her from the start Mabel does not. Resentful of the woman’s haughty demeanor, Mabel quickly convinces herself that, rather than a solitary woman healing from heartbreak, she’s a jewel thief on the run. What follows is a riotous narrative, ultimately giving way to a warm intergenerational friendship perched somewhere in the middle of fiction and reality.

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Adventures in Siblinghood, Quarantine Edition

May 28, 2020 § 7 Comments

It was the best of times, it was the worst of times…it was the sibling relationship during quarantine. My daughter spent last Saturday night at her aunt’s house, and while my husband and I enjoyed a peaceful night with our son, it dawned on me: it’s not my children who have been sucking up all the oxygen in our house, it’s their relationship.

I’m grateful my children have each other at a time when they have no one else. But because they have no one else, they’ve pinned all their hopes and dreams and frustrations and jealousies on one another. Everything they’ve always done is now executed with a new level of intensity. They tear into each other over the smallest offenses (“Stop whistling!” “Stop looking at me!” “I can’t sit hit here because your feet smell!”), only it escalates into poking and clawing and just-plain-mean yelling, like they haven’t done since they were much younger. If I separate them (“This house may be small, but there is enough room for you to spread out”), they’re back together again before I can get down the stairs. Only, suddenly, they’re curled up in a teeny tiny fort of their own design, a tangle of limbs impossible to tell where one stops and the other begins, giggling and scheming and reveling in the giant mess they’ve strewn across the upstairs.

Four whole hours before my daughter was scheduled to come home from her sleepover last weekend, my son was already watching for her from the window.

The only thing that could make this current state of affairs any more intense would be an elevator button. If there is one small consolation to not being able to go places right now, it’s that we can at least avoid the universal sibling fight over who gets to push the elevator button. There has never been a harmonious moment of siblinghood that wasn’t ruined by a gosh darn elevator button.

Lest we forget about life with elevator buttons, Minh Lê and Dan Santat have teamed up to create a comics-inspired picture book to remind us. And yet, Lift (Ages 4-8) isn’t about ordinary elevator buttons. Well, at first it is. But then that button becomes something magical. Something illuminating and insightful and spectacularly fun. Something which drives siblings apart—but then brings them back together, united in a common purpose. All without leaving the house.

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Friendship is Not Wasted on the Young

March 12, 2020 § 1 Comment

My daughter has had the same best friend for nine years. She met her when she was just beginning to run and climb, when I used to swing by our local playground—what we called the “Tot Lot”—after dropping her brother off at preschool. It was an instant connection, the likes of which I had never experienced with my son, and it stopped me in my tracks. Child development literature would have placed my daughter squarely in the realm of “parallel play.” So how to explain that she never let fall the hand of this other little girl, that they climbed and descended the small slide, crawled through plastic boulders, and scampered up and down artificial hills as one?

After spending nearly every day together for years, the girls don’t see each other as often now; they live about an hour apart. Still, when they get together, they pick up like no time has passed. They disappear into their own world: talking in whispers, inventing elaborate games, often so wrapped in each other’s arms that it’s hard to tell where one stops and the other begins. To witness their togetherness feels like being in the presence of something magical, something almost miraculous.

Julie Fogliano and Jillian Tamaki’s my best friend (Ages 3-7) came out only a week ago, but so enthusiastic has the response been from the kid lit world, I feel like the last person to sing its praises. (Still, wild horses couldn’t keep me from joining in the fun.) An homage to the giddy abandon exhibited in early childhood friendships—particularly those born on the playground—the book has all the makings of a classic. Fogliano’s free verse sings and soars with the stream of consciousness of a child tasting the deliciousness of friendship for the first time. (i have a new friend/ and her hair is black/ and it shines/ and it shines/ and she always laughs at everything) Tamaki’s muted palette of rusty pink and olive green lends the book a timeless, vintage feel, while the figures themselves spill and explode off the page, their excitement literally uncontainable.

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2019 Gift Guide: For The Littlest Ones

December 3, 2019 § 2 Comments

The three and under set doesn’t get a lot of love on the blog these days, probably because my own kids are aging so darn quickly. But that’s no excuse. These early years are where we plant the seeds in our children for a love of stories. Plus, if you’re anything like me, these early years are when books sometimes feel like our only lifeline to sanity: no matter how much we’ve been spit up on or yelled at, falling under the spell of a story alongside our little one makes us feel like all is right with the world. If you do have a toddler, be sure to follow me on Instagram; that’s where I first reviewed many of these and where you’ll see more.

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2019 Gift Guide: Favorite Picture Book of the Year (and How Family Should Be)

November 21, 2019 § 6 Comments

How it’s almost Thanksgiving I’ll never know, but the season of giving will soon be upon us. Seeing as I’ve read more this year than any other, I think it’s fair to say my 2019 Gift Guide won’t disappoint. I’m aiming to include something for every child and teen on your list. As has become tradition on this blog, I begin with my favorite picture book of the year (although spoiler: this year I have TWO, so stay tuned). Past years have seen this, this, and this. It has been hard keeping this one a secret…although timing for today’s reveal feels especially fitting.

Growing up, I always preferred Thanksgiving to Christmas. I would never have admitted this; it seemed odd as a child to prefer a holiday of sitting around, eating off formal china, and making conversation with grown-upsover one with presents and candy and caroling. But there was something about the warmth and coziness of Thanksgiving which seduced me: returning home frozen after the Macy’s Thanksgiving Day Parade to an apartment abounding with hissing radiators and the smell of roasting turkey. There was the comfort of looking around the room and seeing the people I loved and not having the distraction of which gifts might be under the tree and which, disappointingly, might not.

It’s not lost on me that the timing of Thanksgiving plays a role in its appeal. After all, Thanksgiving kicks off the Holiday Season. It’s a time of anticipation, and there’s nothing more alluring to a young child than possibility. It may not be the holiday of presents, but it’s a road sign pointing towards the presents. Pointing towards the twinkling lights and crackling fires and colorful wrappings.

Still, there can be a kind of magic in and of itself created by family—and, if we’re lucky, it becomes almost tangible on Thanksgiving Day. For a few short hours, the world outside falls away, and the inside jokes and knowing glances and lingering hugs take center stage. Dishes are prepared with love and displayed in beautiful ways, and we relish the bounty of this precious togetherness.

In her exquisite new picture book, Home in the Woods (Ages 4-8)one of the finest examples of bookmaking I’ve ever encountered—Eliza Wheeler invokes her grandmother’s childhood to tell the story of a family who manages to make magic for themselves, even in the toughest of times. (You might remember Wheeler from this long ago favorite. Since then, she has mostly illustrated others’ texts. So happy to see her back in the seat of author and illustrator, because her writing is every bit as evocative as her art.)

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In the Eye of the Beholder

April 11, 2019 Comments Off on In the Eye of the Beholder

One of the superpowers young children possess is the ability to transfer human qualities onto inanimate objects. My Emily might be eight years old—well versed in the impossibility of stuffed animals coming to life—but she still likes to tell me about the skydiving adventures her plush lamb has at home while she’s off at school (apparently in cohorts with my stuffed bear). When I tuck her in at night, it’s not uncommon for Emily to inform me that Baba will be keeping watch for bad dreams. Whenever her pride is bruised or her tears are flowing, Emily predictably runs to her room, snatches up Baba, and presses the soft frayed body to her cheek. (Baba has also been known to “peck at” prime offenders, otherwise known as Older Brothers.)

It’s remarkable, this ability of children to draw entertainment, companionship, and comfort from non-living things. It certainly plays a part in why children are naturally resilient, even or especially when the humans around them fall short. After all, an object can be whatever a child wants or needs it to be. It can be a kind of “stand in,” or a bridge to a time when that child might reliably find that entertainment, companionship, or comfort in another living being.

Lubna and Pebble (Ages 4-8), an impossibly gorgeous and profoundly moving new picture book about the refugee experience, takes at its center the conceit of a young girl’s redemptive friendship with a pebble, which she finds on the momentous night she arrives with her father at the “World of Tents.”

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Gift Guide 2018: Bedtime Procrastination

December 13, 2018 Comments Off on Gift Guide 2018: Bedtime Procrastination

Kids know they’ve got a captive audience in us when bedtime nears, and they’ve been known to milk it well beyond that second glass of water. At least in me, they also have a sucker for a good bedtime story, or two.

This year has seen two spirited additions to the bedtime repertoire. While they do so in vastly different tones, Stop That Yawn! and Time for Bed, Miyuki bring fresh energy and racially-diverse characters to the theme of bedtime procrastination. Both celebrate a special grandparent-grandchild relationship. And both will have your children yawning—in a good way—by the final page. « Read the rest of this entry »

Gift Guide 2018: The Elephant in the Room

December 12, 2018 Comments Off on Gift Guide 2018: The Elephant in the Room

This is mixed-media artist Pamela Zagarenski’s third year appearing on my Gift Guide (previously for this and this) and for good reason: there is a jewel-box quality to her picture books, their pages adorned with surreal and scintillating spreads destined for endless discovery. Her newest, Zola’s Elephant (Ages 4-7), written by Randall de Seve (whom I fell for long ago, when I used to sell The Duchess of Whimsy at my store), is every bit the treasure we’ve come to expect: a story of two girls, their pathway to friendship, and the phantom elephant which bonds them. « Read the rest of this entry »

Gift Guide 2018: Wondering What Was

December 7, 2018 § 1 Comment

And the award for the 2018 picture book that I will never tire of reading aloud goes to “A House That Once Was” (Ages 4-7), written by Julie Fogliano and illustrated by Lane Smith. This book is pure loveliness. As always, Fogliano’s contemplative, free-verse lyricism makes us feel at one with our subject—in this case, the mysteries of an abandoned house. As always, Smith’s inventive, breathtaking art transforms the everyday into the extraordinary. (These two brilliant creators have a special claim-to-fame in my blog, as this gem by Fogliano and this one by Smith were the very first books I ever wrote about.) « Read the rest of this entry »

Gift Guide: Moon Nibbles

December 4, 2018 § 1 Comment

On the list of books published this year which make me wish my children were little(r), Grace Lin’s A Big Mooncake for Little Star (Ages 2-5) is at the top. How I used to love reading stories about the moon to my kids (like this, this, and this). For our littlest ones, the world outside their windows is big and new and constantly changing. When they tuck inside the crooks of our arms and listen to us read, they’re seeking reassurance as much as understanding. In that vain, perhaps it’s not surprising that the ever-shifting moon is such a popular subject for children’s book creators, representing as it does the mystery, vastness, and allurement of the universe. « Read the rest of this entry »

Gift Guide 2018: Neighborhood Superheroes

December 2, 2018 § 2 Comments

To say that Chad Sell’s graphic novel, The Cardboard Kingdom (Ages 7-10), has developed a cult following among my children and their friends might be an understatement. In the week we got it, each of my kids read it five times, conservatively. Then they introduced it to friends on a beach trip, where the book was passed back and forth among all five children every morning on our way to the beach and every afternoon on our way home. A few weeks after we left, my friend texted me a picture of her girls wearing handmade costumes. “They told me you would understand?” she wrote. I needed a little help from my daughter, who didn’t hesitate for a second: “Animal Queen and Big Banshee!” « Read the rest of this entry »

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