December 16, 2018 § 2 Comments
Shhhhh. The final post for my 2018 Gift Guide is here, but I don’t want my husband to know. (And not just because he would like me to start doing things around the house again—sheesh.) You see, I’ve written to Santa and asked him to put this book into my husband’s stocking. (And not just because the kids would fight over it.) If there was ever a guaranteed Christmas Morning Crowd Pleaser, this book is it. I simply cannot wait to read this (oh right, let my husband read this) to our group as the tissue paper flies. Mwahahaha!
Adam Rex is hands down one of the cleverest and funniest contemporary picture book creators. (Our family’s favorites are too numerous to list here, but The Legend of Rock, Paper, Scissors and Chloe and the Lion would be at the top.) But taking on Darth Vader? Now that seems a bit risky. Or gimmicky. Or, at least, not worth time on a blog about fine literature.
Turns out it was a risk worth taking. Are You Scared, Darth Vader? (Ages 5-100) wasn’t even on my radar until a week ago, when the great Betsy Bird included it on her list of 2018 Funny Picture Books, describing it as Darth Vader meets The Monster at the End of This Book (remember that throw-back Little Golden Book with everyone’s favorite Sesame Street monster on the cover?). Well. I took the bait and got my hands on it.
Are You Scared, Darth Vader? is not just one of the funniest books of the year. I would venture to say it is the funniest. You can almost hear Adam Rex cracking himself up as he writes it. Darth Vader emerges every bit the Scrooge we love to hate.
An off-page narrator heckles Darth Vader, determined to find something which scares him. (“I DO NOT GET SCARED. NO ONE HAS THE POWER TO FRIGHTEN LORD VADER.”) Oh yeah? How about a vampire? Or a ghost? How about a wolfman? (“I AM NOT AFRAID OF A WOLF, AND I AM NOT AFRAID OF A MAN. SO NO, I AM NOT AFRAID OF A WOLFMAN.” “It could bite you.” “IT COULD NOT. I AM WEARING ARMOR.”)
Well then, a witch. A witch could curse you. (So sorry, but I’m about to give up the best spread.) Wait for it…
The Dark Lord may have a deadpan comeback for all the usual suspects our narrator puts in front of him, but he fails to anticipate the oldest trick in the book. Who can topple such surliness, such moroseness, such darkness? An entourage of exuberant kids, of course.
Especially the kid (or husband) reading the book. After all, reading is its own form of the Force.
Published by Disney and Lucasfilm Press. All opinions are my own. Amazon.com affiliate links support my book-buying habit and contribute to my being able to share more great books with you–although I prefer that we all shop local when we can!
That concludes my 2018 Gift Guide! I’ll see you one more time next week (when I tell you about the chapter book we’re reading aloud this holiday break) and then I’ll take a few weeks off before seeing you again in the New Year. In the meantime, I always stay active on Facebook (What To Read To Your Kids), Twitter (@thebookmommy), and as of today (!) Instagram (@thebookmommy). Happy gift giving, and I hope you’ve found what you needed in my posts! (If not, do let me know.)
December 13, 2018 § Leave a comment
Kids know they’ve got a captive audience in us when bedtime nears, and they’ve been known to milk it well beyond that second glass of water. At least in me, they also have a sucker for a good bedtime story, or two.
This year has seen two spirited additions to the bedtime repertoire. While they do so in vastly different tones, Stop That Yawn! and Time for Bed, Miyuki bring fresh energy and racially-diverse characters to the theme of bedtime procrastination. Both celebrate a special grandparent-grandchild relationship. And both will have your children yawning—in a good way—by the final page.
In Stop That Yawn! (Ages 4-7), written by Caron Levis and illustrated by LeUyen Pham, our young protagonist takes her grandmother on a raucous, riotous romp to Never Sleeping City, in an effort to ward off sleepiness. (“Gabby Wild had had enough of bedtime. Yawn, curl, snuggle, snore—what a bore!”) The two don driving goggles and, with Gabby at the wheel of a flying bed (think Chitty Chitty Bang Bang, with wings and a propeller), they “jetted out,” determined not to stop “until they reached a place where beds are for bouncing, hushes are shushed, and it’s never too late for ice cream.”
Told in swiftly-moving comic panels, the strength of this book lies in Pham’s wildly energetic, wonderfully detailed illustrations. (I’ve always liked her art in The Princess in Black series, but she completely blows me away here.) Never Sleeping City is full of neon lights, carnival rides, and streets packed with marching bands and vaudeville performers. Study these pages for hours and you might not see everything.
By all appearances, Never Sleeping City should be Gabby Wild’s dream-come-true—only there’s one problem. Beginning with her grandmother on the coffee-cup ferris wheel, everyone here is fighting the urge to yawn. And Gabby knows all too well the dangerous domino effect of the yawn. The yawn takes no prisoners.
What commences is a kind of manic showdown (parents who have tried keeping a baby awake on a car ride home will relate all too well) between Gabby, her grandmother, and the residents of Never Sleeping City, as Gabby tries every trick in her book—“the tickliest feathers, wettest water, and funniest jokes”—to keep the yawns at bay. She rings bells from the highest towers, shines searchlights down on the street, and slams every door in city hall, all to find “someone, anyone, to stay up with.”
Eventually—after she has scolded even us readers for letting her down (guilty as charged)—Gabby herself gives in. As she climbs into Granny’s “cozy and quiet and peaceful” arms, we are reminded: if can’t beat ‘em, join ‘em.
If Stop That Yawn! leaves us dazzled and a bit dizzy, Time for Bed, Miyuki (Ages 4-7) immerses us in a Zen garden—albeit a slightly surreal one, with larger-than-life plants and animals ornamented in colorful patterns. The exquisite French team of Roxane Marie Galliez and Seng Soun Ratanavanh have cast a young girl every bit as precocious as Gabby Wild, “busy playing and trying to push back time,” while her grandfather tries to convince her to go to bed. “What do you have to do that cannot wait until tomorrow, Miyuki?”
What Miyuki has to do before settling in for the night is to create order and harmony in her natural surroundings. For one, the Dragonfly Queen is coming to visit tomorrow (“it’s a very big deal”), and a canopy must be made “to honor her, there, under the cherry tree.” Two, her garden of oversized radishes and carrots must be watered. Three, a family of snails must be led home. Four, a blanket must be knit for the cat. Grandfather patiently helps Miyuki with each of these tasks, braiding poppy stems and leading snail parades, before asking if she might finally be ready for bed.
But no, now there are bedtime rituals to be performed! “Oh, Grandfather, we must dance the last dance of the day, to thank the sun for shining so nicely.” There’s also bathing and brushing and brandishing of “best pajamas,” because “what will the stars say if I am not in my best pajamas when they visit me?” Again, Grandfather obliges with patience and tenderness.
If Gabby Wild had to reject her make-believe world of Never Sleeping City to find her peaceful sleep, Miyuki has only to sink deeper into hers. This is a world of Dragonfly Queens. A world where a girl sleeps in a red shoe under snowdrops, while a frog hangs from a tree in a bucket. A world where it’s not clear where reality ends and dreams begin.
Published by Atheneum Books for Young Readers and Princeton Architectural Press, respectively. All opinions are my own. Amazon.com affiliate links support my book-buying habit and contribute to my being able to share more great books with you–although I prefer that we all shop local when we can!
This holiday season, I’m running a series of daily mini-posts, each highlighting a different book from 2018 which I love, which has mad gift potential, and which I have not had occasion to write about…yet. A range of ages and interests and formats. Be sure to subscribe with your email address if you want to be guaranteed to see them. Otherwise, take your chances on Facebook (What To Read To Your Kids) or Twitter (@thebookmommy); I kindly beg you to “like” as many posts as you can to increase the chances that others see them.
December 5, 2018 § Leave a comment
For the next few weeks (or until I keel over), I’ll be running a series of daily mini-posts, each highlighting a different book from 2018 which I love, which has mad gift potential, and which I have not had occasion to write about…yet. A range of ages and interests and formats. Be sure to subscribe with your email address if you want to be guaranteed to see each one. Otherwise, take your chances on Facebook (What To Read To Your Kids) or Twitter (@thebookmommy); I kindly implore you to “like” as many posts as you can to increase the chances that others see them.
“EVERY SINGLE EARLY READER BOOK IS BORING! NOT ONE OF THEM IS FUNNY!” my daughter blurted out in the middle of a (completely unrelated) dinner conversation two years ago. For months, she had been reluctant to practice reading and even more reluctant to talk about her reluctance. (True story: it wasn’t until her soul sister, Dory Fantasmagory, started going through a similar struggle that my Emily began to find words for hers.)
Never underestimate the power of humor to captivate a budding reader. I credit Mo Willems’ “Elephant and Piggie” series with kindling my older son’s desire to learn to read, but its seduction was largely lost on my daughter, who by the time it was her turn had been hearing those books read aloud (by her brother) for years. Thankfully, Willems went on to create an imprint of similarly-toned readers; and funny, offbeat stories by the likes of Laurie Keller, Charise Mericle Harper, and Dan Santat did bring a novel respite to my daughter’s gripes.
When I received a copy of Sergio Ruzzier’s Fox and Chick: The Party and Other Stories (Ages 5-7) earlier this year, my daughter—now a mature and prolific reader—snatched it up and announced, “Where was this book when I was learning to read? Mommy, do you remember how I told you there were NO funny early readers?” Yes, honey. Yes, I do.
As an early reader masquerading as a picture book, Fox and Chick has just about everything going for it: three short stories are illustrated as comic strips with occasional double-page spreads; the text is delivered entirely through speech bubbles; the vocabulary is largely phonetic; there’s sufficient repetition; and, best of all, it’s ripe with dry humor. (I would recommend it for a child who has been learning to read for a little while, but isn’t ready to move into early chapter books.) It also stars a pair of anthropomorphized animals every bit as quirky and different from one another as some of children’s literature most memorable duos (after all, before there were Elephant and Piggie, there were Frog and Toad and George and Martha).
The first story, “The Party,” serves as a perfect introduction to Fox and Chick’s personalities, best showcased when played off one another. Fox—restrained, meticulous, and borderline cantankerous—is less than thrilled when his book reading is interrupted by Chick’s incessant knocking. Chick—exuberant, impulsive, and stater of the obvious (“How can you be reading that book if you are talking to me?”)—is merely asking if he can use the bathroom. “Of course you may.” “Thank you, Fox. Very kind of you.”
Fox attempts to lose himself in his reading once again, though he can’t help but notice the ticking of the clock: Chick has been in the bathroom for some time. “Chick, are you okay?…Chick, I am coming in!” Fox is horrified by the chaos he finds on the other side of the door. It turns out “May I use your bathroom?” meant “May I use your bathroom to have a party with my friends?” “In my bathroom?!” roars Fox. Chick responds, “Oh, I see…,” and he and his pals quickly exit stage left.
Though he may play the part of the party pooper, later stories reveal Fox has a wonderfully droll sense of humor. My favorite story has to be “Good Soup,” where Chick follows Fox around his garden as the latter collects vegetables for soup. Fox’s vegetarianism offends Chick’s world order. “Fox, foxes are supposed to eat field mice, not carrots!” To which Fox responds, “I don’t like to eat field mice.”
The more exotic the vegetable, the more adamant Chick’s protests become, until he walks himself straight into the trap which a clever reader will have been anticipating all along: “And they’re supposed to eat squirrels…lizards…and little birds.” “Little birds?” says Fox (is that a sly grin?). “Yes, Fox, little bir…Uh-oh.” Later, the two sit down to enjoy Fox’s soup. “I’m glad you don’t like to eat little birds, Fox.” To which Fox responds, “At least not today.”
If the success of series like Elephant and Piggie are any indication, there’s huge appeal in early reader texts that make use of conversational banter to tell their story. Kids like knowing that the hard-earned words coming out of their mouth have entertainment, even comedic, value. Now add in Ruzzier’s always charming, expressive illustrations, and I say, thank goodness Fox and Chick are only getting started.
Review copy by Chronicle Books. All opinions are my own. Amazon.com affiliate links support my book-buying habit and contribute to my being able to share more great books with you–although I prefer that we all shop local when we can!
February 1, 2018 § 8 Comments
Compared to last week, this week’s book may a lighter pick, but it will do no less to make better parents out of us. In fact, it’s possible I needed this reality check more than my kids.
There are days when it feels like my children leave a trail of oopses in their wake. Days when my daughter—at seven, I tell you!—can’t seem to get a single forkful to her mouth without losing some of it down her shirt and onto the floor. When my son leaves his aircraft carrier outside his sister’s door and she steps on it with bare, now-bloodied feet. When just-poured glasses are knocked over by careless elbows; when Christmas ornaments become dislodged and shatter to pieces on the floor as running feet whiz by; when HOW ABOUT NO ONE MOVE BECAUSE THE HOUSE WAS JUST CLEANED AND I CAN’T TAKE IT ANYMORE!
Of course, I exaggerate. My children are calm, careful, tidy little people who are aware of how much space they take up. Just not all/most/much of the time.
Cartoonist Andrea Tsurumi’s new picture book, Accident! (Ages 5-8), explodes with hyperbole on every page, gently poking fun at the way we—children and parents alike—invoke unnecessary drama around the most common occurrences in life: oopses. By the time we are finish the story, Tsurumi has us wondering, what if we take the emphasis off the mistake itself and ask instead, how do we make it better? It is not an exaggeration to say that this book has become something of a rallying cry for our family in recent weeks.
In order to write a book illustrating how life doesn’t have to fall to pieces every time we unintentionally break, bump, or spill something, it is necessary to fill pages with breaks, bumps, and spills. Tsurumi accomplishes this with a chain-of-events storyline which begins small—cleverly, on the title page itself—and crescendos into complete chaos. A young, high-energy, anthropomorphized armadillo (named Lola) cartwheels across the floor and inadvertently knocks over a pitcher of orange liquid, which spills to cover nearly every inch of an upholstered white chair. Her reaction is one of sheer horror: “Oh No! I’ve ruined everything!”
Presumably fearing the wrath of her parent, the armadillo quickly decides she will run away to her public library (“they have books and bathrooms”) and “stay there until I’m a grownup.” As Lola races headfirst down the block, all she knows is that she’s running from her problem. What she doesn’t yet realize—but what our wise narrator informs us—is that she’s running “right into everyone else’s.”
Sure enough, everywhere Lola turns, there are cries of “Oh no!” A bear sits on a swing and breaks it. An anteater runs her grocery cart into a lamb, who flies up and lands in a freshly-baked cake being delivered by a blowfish. A giraffe slips while carrying a tray of hot cookies. A hairdresser momentarily looks away and ends up scissoring off the entirety of her (equine) client’s mane. Cars crash. Garden hoses get pointed in the wrong direction. Baseballs smash through windows. Both the absurd and the commonplace intersect in visual abundance.
I’ll admit I suffered from a case of visual overload when I first read this book. It took my daughter taking me back through the different pages, pointing out and chuckling over sub-plots too numerous to count, that sold me on the endless opportunities for creative engagement and repeated perusal. (Once again, I am reminded of what visual learners this generation is.)
The cries of dismay and outrage on all sides—victim and offender—become more extreme with every page: “We’re so unlucky!” “Ruined!” “Disaster!” “Big bad trouble!” “Mayhem!” “Fiasco!” “Calamity!” “Catastrophe!” (Talk about a fun lesson on synonyms.) Perhaps the expletive to ring the truest with our little ones—and, if you’re anything like me, may elicit a tiny twinge of guilt: “I AM THE WORST!”
As Lola races through the chaos erupting around her, she pauses three times to invite others facing similar retribution or retaliation to join her in escaping to the library. Soon, she and four others are storming the library doors.
Here, author-illustrator Tsurumi does something wittily unexpected. Conventional literature has taught us to see libraries as sanctuaries: indeed, that’s precisely why Lola has chosen to go to one. And yet—perhaps reminding us readers just how pervasive, how common, accidents are—Tsurumi extends the very chaos of the outside world into the library itself. Shelves tumble like dominoes, and books and office supplies soar into the air. (My favorite detail: the owl, meant to be stamping books, is instead stamping someone’s head.)
Lola again flees the scene, more frantic than ever. Until she comes face to face with a small reddish-orange bird—coincidentally (or not?) the same hue as the liquid spilled in the story’s opener. Repeated readings will reveal that the bird has been there all along, witnessing Lola’s oops and then trailing alongside her, like a quiet guardian. The bird lands on the armadillo’s tail and seems to call a kind of forced time out. In response to Lola’s insistence of “Disaster! Fiasco! Mayhem! Calamity! Cat-as-tro-phe!” the bird replies, simply, “Accident.”
Under the curious gaze of what has now become a crowd of onlookers, the bird gently nudges, “And now we make it better.” At once, brooms and mops are procured, helping hands are offered, and sincere apologies are delivered. Our children are given a road map for what to do following their inevitable oopses: what comes next? and how do you say it?
When Lola returns home, cleaning supplies in hand, she finds her mother has just provoked a minor catastrophe of her own: she is surrounded by scattered papers, an overturned coffee mug, and spilled doughnuts. This time, Lola is able to offer some perspective. “An accident,” she reassures her mother. And, as Lola removes a doughnut from her mother’s ear, the latter responds, “Exactly.”
I remember a particular dinner at our house. It took place years ago, but I still remember it like it was yesterday. Dinner preparation had run long, bedtime loomed, my husband was traveling, and all I wanted was to sit and enjoy the steaming plate of pasta I held in my hands. But, as I carried my plate and glass into the dining room, where my children already sat bent over their food, my socked foot slipped on the hardwood floor and my glass tumbled to the ground. The glass (because I have learned) was super-duper thick and didn’t break, but the water spilled everywhere. I think I must have looked like I was going to cry, because my son jumped up from the table and said without hesitating, “You sit down, Mommy. I will wipe it up.” Oh, how many times I have remembered this incident too late, after I have already barked at one of my children to “Be careful!” “Pay attention!” “Look where you’re going!”
When the pitcher overturns, when the ornament falls, when they mess up the world around them, our children don’t need fingers pointed at them. They don’t need eyes rolled, voices raised, or insults thrown. What they need is the opportunity to “make it better.” And sometimes they even need us to roll up our sleeves and get down in the trenches with them. After all, what goes around comes around, and goodness knows we all make mistakes.
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Book published by Houghton Mifflin Harcourt. All opinions are my own. Amazon.com affiliate links support my book-buying habit and contribute to my being able to share more great books with you–although I prefer that we all shop local when we can!
May 25, 2017 § 3 Comments
It never fails to astonish me how long my kids can withstand a game of Rock, Paper, Scissors. Earlier this spring, we waited in line for three hours to get tickets to an art exhibit, and they entertained themselves for at least an hour playing this hand game. Long after myself—and every adult around us—was ready to banish the words “rock,” ‘paper,” and “scissors” from the English language, my kids kept going. Alas, this is not a quiet game.
Perhaps when I could have been pondering nobler pursuits, I have instead been asking myself: What is it about this highly repetitive game (“Rock, paper, scissors, shoot! Rock, paper, scissors, shoot!”) that lends itself to such welcome repetition? The answer, I’ve decided, is larger than simply immediate gratification or the apparent thrill of saying “shoot” over and over. RPS is the perfect game of chance. Rock trumps scissors trumps paper trumps rock. (That’s all the Trumps you’ll get out of me.) It’s an equilateral triangle—a closed system, if you will–where each opponent has an equal shot at winning and losing. (Apparently, this is not strictly true, as some professional players—yup, they exist—are able to “recognize and exploit unconscious patterns in their opponents’ play.”)
Apparently, I am not the only one spending quality time contemplating a greater meaning behind this mundane game. Two of the cleverest, funniest, and most subversive children’s book creators—Drew Daywalt (author of the wildly popular The Day the Crayons Quit) and Adam Rex (illustrator of Chloe and the Lion and How This Book Was Made, to name a few musts)—have teamed up to imagine what the backstory to this age-old game might look (and sound) like. Let’s just say it didn’t take me more than half a second to decide we needed to own The Legend of Rock, Paper, Scissors (Ages 5-10). (It’s also a beautiful reminder that elementary children are not too old for picture books.)
Long before they make one another’s acquaintance, the anthropomorphized Rock, Paper, and Scissors have a taste for battle. Each spends his or her days seeking out opponents. Rock, for example, who lives “in an ancient and distant realm called the Kingdom of Backyard,” baits a clothespin on the laundry line: “Drop that underwear and battle me, you ridiculous wooden clip-man!” To which the clothespin replies, “I will pinch you and make you cry, Rock Warrior!”
A battle ensues—and yet, despite Clothespin’s big talk, Rock is quickly victorious.
As we quickly understand, no matter whose buttons Rock pushes (“You, sir, look like a fuzzy little butt,” he says to an apricot, to which the latter responds, “What?! I challenge you to a duel!”), Rock always dominates. And yet—as anyone who has antagonized a younger sibling will understand—rather than feeling satisfied with this predictable turn of events, Rock finds himself disheartened by what he realizes are not “worthy challenges.” “Smooshing you has brought me no joy,” he mutters atop a squashed apricot.
A similar search for a worthy foe is simultaneously taking place in both the “Empire of Mom’s Home Office” and the “tiny village of Junk Drawer,” where Paper and Scissors respectively take on computer printers (“Noooo! Not a paper jam! Paper is victorious!”) and adhesive tape.
Probably because I’m always asking my children to lower their voices, they think my reading a book which demands shouting and taunting and battle noises is absolutely hysterical (puts me in mind of this). But I must admit: with writing like this, I kinda do, too. If you can’t beat ‘em, sometimes you have to join ‘em. (Plus, the scene where Scissors forges into “the frigid wastes of Refrigerator/Freezer” and refuses to bow down before a bag of cocky dinosaur-shaped chicken nuggets—she spears them to bits instead—is sheer brilliance.)
Like mine, your children will relish the anticipation of the inevitable: Rock, Paper, and Scissors at last meet (in the “great cavern of Two-Car Garage”) and discover worthy opponents in one another. The battles are “epic and legendary” and the trash talk even better. Says Scissors, “I hope you’re wearing your battle pants, rock warrior.” Replies Rock: “If by ‘battle plants’ you mean ‘no pants, but I’m willing to fight you,’ then yes…yes, I am wearing my battle pants, weird scissory one!”
The surprise comes when each in turn is finally beaten. Where we might expect sorrow from the defeated, instead there is elation. “You have made me so happy by beating me!” cries Scissors to Rock. The latter (not having challenged Paper yet, to whom he will fall) responds, “I wish I felt your joy, Scissors, for I have yet to meet a warrior who can beat me.”
There’s pride to be taken in a hard-fought loss to a worthy opponent. And perhaps this message is not all that foreign to our children. After all, they beg and plead for “one more minute” of playtime—sweaty and grassy, they chase each other back and forth across the backyard—but when we bring down the parental “That’s enough,” when we guide them through the front door and into the bathroom and over to the dinner table and into the bath and into bed, they know they’ve lost. They’re free at last to give up the good fight and surrender—with a sleepy smile on their face.
And prepare for Round Two tomorrow.
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Book published by Balzer & Bray, an imprint of HarperColllins. All opinions are my own. Amazon.com affiliate links support my book-buying habit and contribute to my being able to share more great books with you–although I prefer that we all shop local when we can!
December 13, 2016 § 2 Comments
Before my kids were in school full time, we used to spend the occasional rainy day at the airport (or, as my son would call it, the “airplane port”). We would drop the car in long-term parking, ride the shuttle bus to the terminal (itself an experience), and enjoy a picnic lunch while pressed against the floor-to-ceiling windows that looked out onto the runway. After a few hours, we’d toss our trash, head back to our car, and return home.
Before becoming a parent, I had always done my best to avoid air travel unless absolutely necessary. If you had told me that parenting would drive me willingly into the throes of a cavernous space with crowds of people and humming machines—plus two toddling kiddos in tow—I would have thought, thanks, but I’ll stick with raincoats and a quick jaunt around the block. But I discovered: take away the stress of travel and the cumbersome bags, and the airport is like a built-in babysitter.
For children, the multisensory experience of an airport is nothing short of enthralling. It’s not just the giant steel cylinders roaring down the runways before effortlessly lifting into the air. It’s also the conveyor belts that whisk bags into secret rooms behind rubber flaps; the moving walkways that shuttle people around like giant chess games; the horns from golf carts that fly by on glossy floors with collapsed wheelchairs in the back; and the fuel trucks and food trucks and baggage trains, which together descend on waiting air crafts outside the window.
It’s not just the smell of coffee, which intermingles with re-warmed pizza, brake grease, and pink liquid soap. It’s also the sounds of loudspeakers and wailing babies and cell phone users, which intensify to a drumming buzz in the back of our heads. And it’s the dazzling rainbow of clothes and skin colors, the amalgamation of sizes and accents, which teaches our children about the diversity that inhabits their planet.
Short of regularly taking your kids to the airport to get their fix, you can read them Lisa Brown’s The Airport Book (Ages 2-6), the newest—and, especially if you’re a parent, loveliest—picture book on the subject. If visiting an airport in real life is an assault on one’s senses, then experiencing Brown’s book is anything but. Don’t get me wrong: my children used to beg me multiple times a day to read them Richard Scarry’s A Day at the Airport or Brian Biggs’ Everything Goes: In the Air (which I blogged about here); but while I would oblige, I secretly prayed for someone to write and illustrate something that wouldn’t make my head spin. It turns out what I really yearned for were Lisa Brown’s soft India ink and watercolors, her subtle humor, and her refreshing portrayal of contemporary jet setters.
The Airport Book follows a mixed-race family of four on a day of travel to and from the airport, beginning in a taxi outside their city apartment and concluding on a tropical beach in their grandfather’s car. Despite the personal connection we feel to the family—when, say, the mother notices that her daughter’s beloved stuffed monkey is missing and glares daggers at the father, “Did you forget to pack Monkey?”—the narrative itself feels universal, designed as a kind of step-by-step introduction to air travel from the mouth of the girl’s knowing older brother.
Targeted at the preschool and kindergarten crowd, the boy’s narrative is matter of fact, but it’s also oddly comforting, almost lyrical, in its ability to impose order on the surrounding chaos.
You drive on the highway to where the ground is really flat. There are lots of people saying lots of goodbyes. Sometimes they hug. Sometimes they cry. They have big bags on wheels and smaller bags on their shoulders and backs. Sometimes you can tell exactly what is packed inside the bags. Sometimes it is a mystery.
Despite its title, several pages of the book are spent inside the commercial airplane that’s bound for the family’s (unnamed) tropical destination. As with the airport scenes, Brown’s pictures are more than just a backdrop for the boy’s descriptions of safety announcements and turbulence: they provide countless opportunities (phew, since you’ll be reading the book countless times) to notice what’s happening with the different passengers, from dozing business travelers to squirming babies. Speech bubbles peppered throughout give further clues about these sub-plots.
Many of the best picture books ask the child to do some work, and Brown’s readers will be rewarded for following the fate of the little sister’s stuffed monkey in a parallel plot. It turns out that the striped monkey is not forgotten (as the parents suppose) but packed in the checked baggage. In moments reminiscent of Mo Willems’ well-known Knuffle Bunny, only the toddler herself spies Monkey’s tail sticking out of the suitcase, as it is being sent down the conveyor belt and later loaded into the cargo hull; and yet, her refrain of “Monkey Monkey Monkey!” is mistaken for one of bereavement. Only the reader is privy to the monkey’s secret and the little girl’s delight.
Whether your holiday travel takes you down a runway or not, here’s hoping that the unexpected delight of air travel follows your children all year long.
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Book published by Roaring Book Press. All opinions are my own. Amazon.com affiliate links support my book-buying habit and contribute to my being able to share more great books with you–although I prefer that we all shop local when we can!
November 17, 2016 § 11 Comments
In light of last week’s election results, I am struggling, like so many millions of Americans, with the question of what I can and should do to combat the rhetoric of hate and intolerance that has prevailed in this unfathomable reality, where someone running on a platform of racism, misogyny, and xenophobia would be awarded the highest position of power in our country.
What do we do now? Specifically, how do we advocate—and inspire our children to advocate—on behalf of those who are afraid, of those who are on the receiving end of vitriolic slurs and physical threats, of those whose place in our communities is suddenly threatened?
In the first 48 hours following the shocking results, I was unable to turn away from the news, inhaling every editorial or opinion piece that I could find—as if, taken together, all those words could fill the chasm that I felt breaking open inside me. Two common refrains did provide some element of sense-making—at the very least, something I could echo to my children: one, that many of the people who voted for our president-elect do not support his hateful rhetoric but did so because they or their communities are hurting in very real ways; and two, that with a country so vehemently divided, we have to start listening to one another if we are going to find a productive and peaceful way forward.
Eventually, though, the news just made my head hurt more. (I then went through a period of emotional eating, but we’ll leave that out…plus, it hasn’t completely ended and, come to think of it, I think I’m getting low on peanut butter ice cream…)
Ultimately, though—as has been true so many times in my life—it is books that are serving as my therapy, books that are giving me hope. In my alone time in the car, I am listening to Sissy Spacek’s beautiful recording of To Kill a Mockingbird and taking heart in everything that comes out of the mouth of Atticus Finch. Immediately following the election, I read to the kids Debbie Levy’s new picture book biography, I Dissent: Ruth Bader Ginsburg Makes Her Mark, mostly so I could reassure myself that there are still people in power fighting for decency and justice. Then, over the weekend, the kids and I cozied up and rejoiced in Ratpunzel, the latest in the deliciously feminist “Hamster Princess” series, because, well, escapist therapy feels pretty great right now.
But the most fortuitous book-related turn of events came when the kids and I stumbled upon a collection of books about the very heroes from our past who can inspire us to stand up in our future. These are true stories that address many of the very prejudices and injustices that I believed were mired in our country’s past, but which I am now painfully aware were not all that deeply buried after all.
As kismet would have it, last week’s election was immediately followed by the arrival of our Scholastic mail-order books, which my kids have been eagerly anticipating ever since they turned in their orders at school a few weeks ago (the newsprint circulars from Scholastic are another thing that has not changed in this country).
I had been pleasantly surprised when my six year old originally picked out a “starter set” of five titles in Brad Meltzer’s “Ordinary People Change the World” series, seeing as she has shown zero interest in biographies to date (or, if I’m being honest, in most non-fiction). Of course, she’s exactly the reader that Meltzer intended to target when he decided to introduce historical figures through conversation, cartoons, and a child-centric view of the world, in such titles as I am Abraham Lincoln, I am Rosa Parks, I am Albert Einstein, I am Jackie Robinson, and I am Amelia Earhart. (In less than a week, we have since added I am Jane Goodall, I am Martin Luther King Jr., I am George Washington, and I am Helen Keller to our collection. And I am Lucille Ball and I am Jim Henson are on our list.)
If I was originally surprised by my daughter’s selection, I am even more surprised that, in the days following our initial reading of the first five books, my daughter has carried them everywhere. She reads them in the bathroom. She reads them at night by flashlight. And, since she can’t actually read, she asks me to read them aloud to her again and again.
I am even more surprised that my third grader has stopped what he’s doing—every single time—to look over our shoulders as we read them. As if he too can’t get enough. He even took three to bed with him last night.
I am even more surprised by how animated and excited I become while reading these books, as if optimism—and not outrage or heartbreak—is raining down upon us for a few precious minutes.
I am even more surprised that I’m saying this about these particular books. Because I have, admittedly, been slow to get on the bandwagon of Brad Meltzer’s popular series, which launched almost three years ago. There’s much about Christopher Eliopoulus’ illustrations—the oversized heads, the gaping black mouths, the blunt backgrounds—that I initially mistook for crude (the adult-in-a-kid’s-body still kind of freaks me out). I preferred reading about Einstein through the sublime art of On a Beam of Light, or Lincoln through the abstract palette of Looking for Lincoln. But, of course, my six year old doesn’t.
So, while I’ve recommended the “Ordinary People Change the World” series to schools, even brought them into my kids’ classrooms from the library, I never really saw them as worthy to own. Of course, I hadn’t ever sat down and read one cover to cover. Until now.
Now, I get it. Because Meltzer’s writing is utterly captivating. The choice to write in the first person is unique (“It’s like I’m hearing their real voices, Mommy!”), and the choice to directly address the child reader makes it impossible to look away.
Each book is a living and breathing example of what it looks like to stand up for what you believe, to stand up for what you love, to stand up for what is right. Each book showcases obstacles that had to be overcome, nay-sayers that had to be denied, and courage that had to be summoned. Each book demonstrates the way in which determination, combined with hard work, a hefty dose of creativity, and serious guts, fuels ordinary people to make the extraordinary happen.
It turns out that Eliopoulus’ blend of cartoons and comics perfectly complements the tone of the narrative, heightening the indignance of the voices, the unfairness of the situations, and the celebration of expectations overturned. As a bonus, his pictures lend humor to many of the pages (and if there’s one thing that will get my youngest interested in history, it’s humor).
When Rosa Parks talks about how she used to wonder if rainbows would come out of the “colored” drinking fountains—the ones that were outside and around the building from the “white only” fountains—we want to reach through the page and hold her little hand.
When the character of Jackie Robinson confides to the child reader about bravery, we lean in to listen. Jackie was not by most definitions a brave kid: “In fact, as a kid, I didn’t like sleeping alone. I used to sleep in my mom’s bed. Even when she tried to bribe me, I wouldn’t leave.” And yet, years later, his passion for baseball—and for winning at baseball—led him to persevere against all odds, despite pitchers throwing fastballs at his head and catchers spitting on his shoes and letters that threatened to hurt his family.
These books are much more sophisticated than I presumed at first glance—scintillating for a kindergartener, yet still plenty meaty at 30-40 pages for a third and fourth grader. Neither do they shy away from hard truths. In I am Abraham Lincoln, Lincoln watches as a boat sails down the Ohio river carrying slaves chained to one another (“I didn’t do anything that day, but for years, the memory of those people…it haunted me.”).
In I am Martin Luther King Jr., many of the nonviolent protests of the Civil Rights Movement—and the violent reactions they sometimes spurred—are vividly brought to life, including the Children’s Crusade (“The chief of police told the firemen to spray the children with water hoses and attack them with dogs.”).
Defiance comes in many forms. Both my kids were fascinated to learn that General George Washington used invisible ink and code names to draw up plans that the British couldn’t read (“How’d we win? We were smarter. We were sneakier. We were fighting for a cause. For freedom!”).
Helen Keller, mocked for her “dumbness” and initially told she couldn’t attend college—even after she had taught herself to speak—went on to fight for the access of public universities for all people, regardless of disabilities. Because activism breeds activism, she also went on to become a suffragist, an early advocate for free speech, and a fighter for equal rights for black Americans. And she did so by making sure that she met with every president from Grover Cleveland to Lyndon Johnson (“But let’s be honest. They met her.”)
Jane Goodall’s love for the planet and the animals with whom we share that planet feels especially poignant right now; and the undeniable cuteness of the chimps in I am Jane Goodall doesn’t hurt. (“Listen to the feelings in your heart. We are responsible for the animals around us. We must take care of them. When one of us is in trouble—be it human, creature, or nature itself—we must reach out and help.”)
It’s hard to say how much my daughter understands about this presidential election and its ramifications. Probably not a whole lot. In the 48 hours that followed, while her older brother was busy listing off organizations that we should give money to and describing signs he wants to make for the yard (Peace for All), Emily just kept asking, “Can’t they have a do-over?”
But I wonder if, perhaps on some subconscious level, she was drawn to these books because they carry with them a note of hope in a time that feels dangerously close to listing toward hopelessness. Children don’t have to understand the particulars about our government to pick up on the uncertainty and uneasiness that exists in the air right now. These books reassure us of the greatness in our country and across the world, of the resiliency of mankind, and of the potential for one person to make a difference.
Each of Meltzer’s biographies closes with a call to action, an encouragement to stand up in the name of human dignity. One of the most fitting passages, given our current social climate, comes out of the mouth of Rosa Parks (via Brad Meltzer).
In my life, people tried to knock me down.
Tried to make me feel less than I was. They teased
me for being small. Being black. Being different.
Let me be clear: No one should be able to do that.
But if they try, you must stand strong.
Stand for what’s right.
Stand up for yourself (even if it means sitting down).
Brad Meltzer needs to write a whole lot more of these books—and FAST. I hope to see an even greater diversity of races, religions, and sexual orientations represented in the people he decides to profile. I promise you, we are going to read every single one. Multiple times.
If I can encourage my children to bear witness to these acts of dismissal, hate, and bigotry on paper, then hopefully they will spot them in real life, too. If the language for talking about these acts already exists in their lexicon, then hopefully they will not shy away from speaking out, not only when the time is right, but every time it’s right.
In To Kill a Mockingbird, Atticus Finch tells his daughter, “You never really understand a person until you consider things from his point of view…Until you climb inside of his skin and walk around in it.”
With these small books, our children (and us) have an opportunity to climb inside different slices of history, to witness how activism can take a multitude of brave and peaceful forms, and to perhaps even feel some of the bewilderment, outrage, thoughtfulness, and determination of ordinary people who spoke up and acted out to change the world.
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