January 16, 2020 § 4 Comments
Happy New Year! Has anyone else noticed that the New Year always brings a mounting, restless anticipation about things to come? Maybe it’s because January is so much slower-paced than December (thank goodness); our minds naturally begin to leap ahead, craving that next fun event, that next milestone, even when we know we’d do better to slow down and allow ourselves to sink into the calm (dark mornings and grey afternoons included).
In any case, we’ve been doing our fair share of waiting lately. Waiting for snow days. Waiting to get braces off. Waiting for renovations to begin on our house. Waiting for our trip to Disney. Waiting for long summer days. And I’m feeling it as much as my kids. Waiting is hard.
Fortunately, we don’t have to wait any longer for Almost Time (Ages 4-7), a new picture book by Gary D. Schmidt and his late wife, Elizabeth Stickney (pseudonym), with art by G. Brian Karas. I don’t think the sensation of waiting has ever been so astutely served up for young children as in this sweet winter story about a boy eagerly anticipating, not one, but two exciting events.
November 21, 2019 § 6 Comments
How it’s almost Thanksgiving I’ll never know, but the season of giving will soon be upon us. Seeing as I’ve read more this year than any other, I think it’s fair to say my 2019 Gift Guide won’t disappoint. I’m aiming to include something for every child and teen on your list. As has become tradition on this blog, I begin with my favorite picture book of the year (although spoiler: this year I have TWO, so stay tuned). Past years have seen this, this, and this. It has been hard keeping this one a secret…although timing for today’s reveal feels especially fitting.
Growing up, I always preferred Thanksgiving to Christmas. I would never have admitted this; it seemed odd as a child to prefer a holiday of sitting around, eating off formal china, and making conversation with grown-ups—over one with presents and candy and caroling. But there was something about the warmth and coziness of Thanksgiving which seduced me: returning home frozen after the Macy’s Thanksgiving Day Parade to an apartment abounding with hissing radiators and the smell of roasting turkey. There was the comfort of looking around the room and seeing the people I loved and not having the distraction of which gifts might be under the tree and which, disappointingly, might not.
It’s not lost on me that the timing of Thanksgiving plays a role in its appeal. After all, Thanksgiving kicks off the Holiday Season. It’s a time of anticipation, and there’s nothing more alluring to a young child than possibility. It may not be the holiday of presents, but it’s a road sign pointing towards the presents. Pointing towards the twinkling lights and crackling fires and colorful wrappings.
Still, there can be a kind of magic in and of itself created by family—and, if we’re lucky, it becomes almost tangible on Thanksgiving Day. For a few short hours, the world outside falls away, and the inside jokes and knowing glances and lingering hugs take center stage. Dishes are prepared with love and displayed in beautiful ways, and we relish the bounty of this precious togetherness.
In her exquisite new picture book, Home in the Woods (Ages 4-8)—one of the finest examples of bookmaking I’ve ever encountered—Eliza Wheeler invokes her grandmother’s childhood to tell the story of a family who manages to make magic for themselves, even in the toughest of times. (You might remember Wheeler from this long ago favorite. Since then, she has mostly illustrated others’ texts. So happy to see her back in the seat of author and illustrator, because her writing is every bit as evocative as her art.)
October 3, 2019 § 1 Comment
“I’m so glad I live in a world where there are Octobers,” said Anne of Green Gables. And so am I. No month is more bountiful. It smells fresh. It crunches beneath your feet. It’s resplendent with a beauty so striking it almost hurts.
But, even with all its treasures, October is a time of loss. Loss of light. Loss of color. Loss of those long, lazy days of summer which (thank you, September) suddenly seem like a lifetime ago. Right now in our family, this October feels riper than usual with loss, as I prepare to say goodbye to my grandmother, a woman I have loved since she first touched her nose to mine.
So, while I love books whose pages celebrate fall’s wonders (like this, this, this, and this), I also have a soft spot for books that speak to the shadows cast by fall. Beth Ferry’s quiet new picture book, The Scarecrow, gorgeously illustrated by The Fan Brothers (we would expect nothing less after this), plants the reader squarely in the push-pull of fall. Although, in fact, fall plays only a small role in the story.
September 12, 2019 § 5 Comments
If we want our children to entertain different perspectives when they get to middle or high school—to become critical thinkers and contributors—then they should have opportunities from an early age to consider that there is more than one way to see the world.
Picture book author-illustrator Brendan Wenzel is making something of a name for himself when it comes to creating books for young children about perspective and perception (his groundbreaking debut, They All Saw a Cat, received a Caldecott honor). His newest, A Stone Sat Still (Ages 4-7), similarly rendered with richly textured, mixed-media art and spare, poetic language, stole my heart from the moment I opened it (do yourself a favor and remove the jacket cover, because WOW). Even my children, well outside the target age, were captivated. This is visual storytelling at its best, where every page asks the reader to engage: to wonder, question, and understand. « Read the rest of this entry »
January 31, 2019 § 1 Comment
This past Monday, I watched and cheered at my computer as the American Library Association’s Youth Media Awards were announced (more fun than the Oscars for #kidlit crazies like me). Most parents are familiar with the Caldecott and Newbery medals, but there are quite a few other awards distributed, many to recognize racial, cultural, and gender diversity. Overall, I was pleased to see many of my 2018 favorites come away with shiny gold and silver stickers. At the end of today’s post, I’ll include some of these titles, along with links to what I’ve written about them.
Today, I want to devote some space to Sophie Blackall’s Hello Lighthouse, which came away with the Randolph Caldecott Medal, for the “most distinguished American picture book for children.” (It’s actually the second Caldecott for Blackall, who won three years ago for this gem). Hello Lighthouse (Ages 6-9) is one of my very favorites from last year; and yet, I haven’t talked about it until now. Why is that? Perhaps because the art in this book is so endlessly fascinating, my observations continue to evolve with every read. I suppose I’ve been at a loss for words. « Read the rest of this entry »
November 29, 2018 § 2 Comments
Raise your hand if you’re still reading poetry to your kids over breakfast. (Don’t know what I’m talking about? Read this.) We had a good run of it, but like most of my inspired parenting ideas, I eventually forgot about it. Turns out, I have just the book to resurrect this ritual. (Goodness knows we could use a return to Zen in our mornings.)
Sing a Song of Seasons: A Nature Poem for Each Day of the Year (Ages 6-12) is a gorgeous and hefty anthology, perfectly designed for Poetry Breakfasts (or the daily mindfulness of your choice). Each of the 365 poems has been astutely selected by Fiona Waters for a different day of the year, then evocatively illustrated in watery brush strokes and mixed media by Frann Preston-Gannon. « Read the rest of this entry »
April 12, 2018 Comments Off on What STEM Looked Like 100 Years Ago
While my children were on a school camping trip earlier this week, I ducked up to New York City to visit my mom. On Tuesday, we went to the “Public Parks, Private Gardens” exhibit at The Met, a stunning collection of mostly Impressionist works featuring French flora, from the bountiful irises of Monet’s Giverny to the lush riverbanks of Renoir’s Seine. Against many of the backdrops were sitting figures, largely women, wearing floor-length muslin with empire waists and elaborate straw hats secured with ribbons. “We’ve lost so much of the beauty and elegance that was part of everyday life back then,” my mom mused aloud, understandably seduced by the romanticism infused in the soft lines, the twinkling light, the sheer profusion of color. « Read the rest of this entry »