December 13, 2018 § Leave a comment
Kids know they’ve got a captive audience in us when bedtime nears, and they’ve been known to milk it well beyond that second glass of water. At least in me, they also have a sucker for a good bedtime story, or two.
This year has seen two spirited additions to the bedtime repertoire. While they do so in vastly different tones, Stop That Yawn! and Time for Bed, Miyuki bring fresh energy and racially-diverse characters to the theme of bedtime procrastination. Both celebrate a special grandparent-grandchild relationship. And both will have your children yawning—in a good way—by the final page. « Read the rest of this entry »
May 11, 2017 § 8 Comments
Last week, I was at Trader Joe’s buying flowers for my daughter, who would have the unique opportunity of performing at the Kennedy Center that evening with her community choir. My head was spinning while I was waiting in line to pay, going down the mental checklist of what needed to happen before heading to the concert hall (iron Emily’s uniform, print the parking pass, get the snacks together, etc.). Suddenly, the checkout woman interrupted my train of thought. “These flowers are such a gorgeous orange,” she remarked. I halfheartedly explained that the flowers were for my daughter, that she had a performance that night, and that orange was her favorite color. “These little joys make parenting so worth it,” she mused. “Yes,” I agreed, assuming she was talking about my being in the audience in a few hours. “It’s going to be so exciting.”
“Oh, I’m sure the performance will be great,” she replied, “but I was talking about getting to pick out flowers for your little girl.”
December 8, 2015 § 3 Comments
In my 2013 Holiday Gift Guide, I ran a post dedicated to parents desperate for a break from incessant nightly rounds of Goodnight, Gorilla. It strikes me that the two books that I’m discussing today (Ages 2-5) would line up beautifully alongside those others. They are perfect bedtime stories. They are perfect for reading every single night (because, trust me, that’s what you’ll be doing). They are quintessentially sweet, dear, and innocent. And if, after reading them, you want to clutch them to your own chest, I promise not to tell.
We begin with Ida Pearle’s stunning The Moon Is Going to Addy’s House (Ages 2-5). Shhhh, I know I’m not supposed to pick favorites, but if I were to call out the illustrations of only one book this year, it would be this. Brooklyn-based Ida Pearle has got to be one of the most evocative children’s artists today, using her talents in figurative drawing and cut-paper collage (her choice of papers, many of them Italian or Japanese-designed, is sheer eye candy) to produce something at once charmingly old-fashioned and refreshingly modern. In my old store in Chicago, we used to display and sell Pearle’s wall prints. I’m positively giddy that her art is finding a more accessible expression now in picture books (Caldecott Committee, are you listening?).
Pearle’s subject—the moon—is a common one in children’s literature. For good reason. Since my children first started to become aware of the world beyond their fingertips, they have been fascinated with the moon (remember this?). Even now at eight and five years of age, they will interrupt whatever conversation we are having in the car to exclaim exuberantly, “Look, there’s the moon!” They feel a personal, intimate relationship with this glowing sphere that seems to follow us as we drive up and down and around our neighborhood streets. Apparently, they are not alone in feeling this way.
Pearle’s book is reminiscent of an older favorite in our house—Carolyn Curtis and Alison Jay’s I Took the Moon for a Walk—where the young narrator pays homage to the way the moon seems to keep step with him as he walks home one evening. In The Moon is Going to Addy’s House, the child’s journey has a more contemporary context, immensely relatable to children, as Addy travels by car from a friend’s house in the city (“Addy, your play date is over,” calls Mama. “It’s time to go home!”), down the bustling, summertime streets, across a long bridge, and into the rolling hills of her home in the country.
On each page, as the sky increasingly darkens and the city lights fade away, Addy and her little sister crane their heads to follow the moon. If they lose the moon behind a tree or a cloud or a boulder, it is “only for a moment.”
The narrative voice is replete with the naive egocentricity of a young child: The moon was going to my house! Even during bath and pajama time, the moon is never far.
At last, Addy comes to her favorite moment of the day: “my nighttime dance,” in which she cartwheels through the grass in her pink-footed pajamas against the brilliant backdrop of the moon.
There is similar nighttime romping—albeit of the less picturesque and more adorable kind—in Patrick McDonnell’s Thank You and Good Night (Ages 2-5), a story about a girl named Maggie who hosts a sleepover for her stuffed bunny (Clement) and his two pajama-clad friends, an elephant (Jean) and a bear (Alan Alexander). McDonnell first stole my heart with The Monster’s Monster, and he endows this new story with the same understated affection and gentle humor (including great names).
The three friends are determined to take full advantage of their togetherness: jumping on the bed, playing hide and seek, doing the “chicken dance” followed by restorative yoga poses, wishing on a shooting star, and enjoying a bedtime story that Maggie reads to them.
Maggie’s relationship with these three animals reminds me of my all-time favorite series for two and three year olds: Polly Dunbar’s books about a girl named Tilly, who lives in a yellow house with a litany of anthropomorphic animals, for whom she is both a silly playmate and a nurturing caregiver. Maggie, like Tilly, is exercising control in an imaginative domain of her own making, entirely outside adult supervision and participation.
Yet, Maggie is just the gentle touch that these animals need to settle down for sleep. As the moon emits its soft light outside the darkened room, Maggie recites a list of things for which they can all be thankful. There are few things that make me want to go back and have kids all over again, to savor those little hands to hold, those little foreheads to kiss. This page is one.
The sun, the moon,
a red balloon.
fun with friends,
a shooting star wish
that it never ends.
a happy surprise,
night birds singing
old and new,
read with love,
In their own ways, The Moon is Going to Addy’s House and Thank You and Good Night both end on a note of gratitude. Gratitude for companionship and for constancy. They make the listener feel safe. And important. And loved. And they make us parents feel like drawing out those nighttime dances and subsequent snuggles just a little bit longer, to embrace the majesty of the moon and the fleetingness of time—before the sun comes up again.
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Review copies provided by Penguin and Little Brown respectively. All opinions are my own. Amazon.com affiliate links are provided mainly for ease and reference–although I prefer that we all shop local when we can!
November 19, 2015 § 8 Comments
A. A. Milne’s iconic classic, Winnie the Pooh, the collected tales of a stuffed-bear-come-to-life and his friends, was one of those books I was most excited as a new parent to read to my children. I still have the copy that once belonged to my own mother and her brothers: a water-stained hardback with their own handwritten improvisations along the way.
While I vaguely recollect reading and enjoying this classic as a child myself, I’ll admit that my more prominent memories are of decorating friends’ yearbooks with A.A. Milne quotations (“We’ll be friends forever, won’t we, Pooh?” said Piglet. “Even longer,” Pooh answered.) Pooh and his friends, it seems, have an enduring resonance.
When it came to cracking the spine on this treasure for my firstborn, I didn’t anticipate how surprisingly sophisticated A.A. Milne’s writing is. I first tried to read Winnie the Pooh to JP when he was only three and a half. Big mistake. The dry humor was over his head (it’s hard to find Owl’s misspellings funny when you don’t know how to spell yourself); and the sudden jumps in narration were jarring (one minute we’re in the 100 Acre Wood, the next we’re in Christopher Robin’s bedroom hearing about the 100 Acre Wood). I would be erupting in giggles, while JP would be eyeing me as if to say, This is funny why?
We tried again when JP was six, with much greater success, although I think the beauty of Pooh (in the vein of other classics, like The Little Prince) is that it can be re-read at almost every age from here on out for different gain. The 100 Acre Wood is like a microcosm for the world. In it, we encounter the same personalities that we do on the outside. Look at bossy pants over there, hopping around like ‘ol Rabbit. Cool it with the Kanga-like cheerleading, kay? I need a lunch date with my Piglet.
One might argue that, at the heart of this microcosm, is Pooh bear himself, the lens through which the child reader sees the world. Pooh is the very embodiment of childhood innocence. He spends his days moving through states of befuddlement, hunger, distraction, anxiety, and discovery. He’s Every Child. As much as we observe and chuckle over what Pooh’s friends are doing, we feel what Pooh feels.
Today, 89 years after A.A. Milne published his classic, we are being treated to a new picture book that will likely be as mind blowing for your children as it is for mine. WINNIE THE POOH WAS REAL. That is, there was once a real live bear named Winnie. A bear who was adopted by a World War One veterinarian and named after the soldier’s Canadian hometown, Winnipeg. A bear who became the Mascot of the Second Canadian Infantry Brigade and kept the soldiers’ spirits high in training camp. A bear who, when the soldiers were shipped out to France, eventually came to reside in the London Zoo. A bear who was visited every day in the zoo by a little boy named Christopher Robin—along with his father, the aspiring writer A.A. Milne.
A bear who was—drumroll, please—a female.
That’s right: as Lindsay Mattick chronicles in her irresistibly charming new picture book, the inspiration for Milne’s Pooh was, in fact, a female Canadian-British bear named Winnie, whom Milne’s son adored and played with at the London Zoo for many years (and for whom he named his own stuffed toy bear).
It’s the backstory of how Winnie came to the zoo that takes center stage in Finding Winnie: The True Story of the World’s Most Famous Bear. Author Mattick has a personal connection to this story: she is the great-granddaughter of Captain Harry Colebourn, the veterinarian-soldier who initially befriends Winnie outside a Canadian train station on his way to care for the horses in the Army’s training camp. The book is actually framed as a bedtime story, which Mattick herself is delivering to her own eager son, so that he might learn about his great-great grandfather.
You might say Finding Winnie is three love stories wrapped into one. A solider and his bear. A boy and his bear. A mother and her son.
Captain Harry’s relationship with Winnie is love at first sight. He parts with twenty dollars (a lot in those days, Mattick explains to her son) to purchase the Bear from a trapper at the train station. At first, the Captain’s entire regiment is horrified: “We are on a journey of thousands of miles, heading into the thick of battle, and you propose to bring this Most Dangerous Creature?” But Henry’s heart makes up his mind for him: “There is something special about that Bear,” he professes to himself.
My children go mind-blown-crazy for true stories, although it’s rare that I can find one that’s as interesting to my eight year old as it is to my five year old. My oldest is obsessed with trying to understand what war looks like; my youngest just wants sweet stories about animals. This book manages a bit of both: it gives behind-the-scenes glimpses of World War One, alongside humorous anecdotes of the pet Bear’s insatiable appetite, playful antics, and avid curiosity.
Finding Winnie’s broad appeal is in no small part owing to Sophie Blackall’s soft yet stirring ink-and-watercolor illustrations. Have I mentioned my obsession with Blackall? Her art is at once feminine and masculine; at once nostalgic and fresh. Her play of color and light infuses emotion into every single detail. In short, her touch is pure magic (heck, she got me to love a story about wrestling back in 2013!). She could illustrate the Dictionary and I’d probably walk around hugging it to my chest.
“There is something you must always remember,” Harry said. “It’s the most important thing, really. Even if we’re apart, I’ll always love you. You’ll always be my Bear.”
But where one love story ends—Mattick reassures her son—another begins. The book goes on to explore the playful relationship between Winnie and Christopher Robin in the early 1900s. It’s not long before Christopher Robin is granted permission to enter Winnie’s enclosure and ride on his back (apparently, zoos are not what they used to be).
But what about Harry? Cole asks his mother, returning our focus at the end to Winnie’s first family. Mattick explains how Harry returned safely to Canada after the war and started a family of his own, of which Cole is now a part. My children like to trace their fingers over the Family Tree, a visual which makes it all the clearer the role that the different characters in the book indirectly play in Pooh’s story.
The book’s final four pages are made to look like excerpts from Maddick’s own family album, including actual black-and-white photographs of Harry and Winnie, an excerpt from Harry’s journal on the day he adopted Winnie, and the original Animal Record Card that shows the day Winnie was checked into the London Zoo. All proof, my son was quick to point out, that this story actually happened.
What is left to pure speculation is why A.A. Milne changed the sex of the real bear when making up stories about the pretend bear. Perhaps that secret will forever rest between him and his son (a fourth love story of sorts). Still, I don’t mind not knowing. I’ve often thought that the discussions my children and I have while reading together are as interesting as the books themselves.
But I must run. My kids and I have a date with one Pooh bear and a water-stained hardback that has been passed along for generations.
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Review copy provided by Little Brown. All opinions are my own. Amazon.com affiliate links are provided mainly for ease and reference–although I prefer that we all shop local when we can!
May 7, 2015 § 4 Comments
In this age, where our self-worth seems increasingly defined by how busy we are, I find that one of my greatest challenges as a mother is quieting the “to do” list in my head when I am around my children. I’m not talking about simply spending time with them. I’m talking about being in the moment with them. I might be on the floor playing Candy Land, but I’m secretly fretting over when I should start dinner. I might be throwing a ball in the backyard, but I’m all the while thinking about the mountain of weeding that needs to get done.
My children know I love them. But how often do they feel the gift of my time?
This winter, I fell in love with a picture book by the lovely Scottish author-illustrator, Debi Gliori, titled Dragon’s Extraordinary Egg (Ages 4-8). It’s about dragons, yes, but it’s also about penguins and a landscape of ice and snow, so by all accounts, I should have shared it with you in the height of snow days and sub-zero temperatures. Except that it’s also one of the most beautiful portraits of motherhood that I’ve ever come across in a children’s book (it’s right up there with this one). So, I’ve been saving telling you about it until Mother’s Day, a time for celebrating those who are trying so hard every day to do right by the little ones we love. « Read the rest of this entry »
April 30, 2015 § 1 Comment
Sometimes I think there has never been a more distractible child than my Emily. Ask her to go upstairs for a hair bow, and she’ll come down ten minutes later with a baby doll. Ask her to take a bite of her food, and she’ll break into song before the fork gets halfway to her month. There are days when I think she was put on this earth to teach me patience (and, Holy Saints in Heaven, I am failing).
The temptation to sweep in and finish the job is often too great for me. If I just shove her feet into these shoes, we can leave the house! If I just usher these last few bites into her mouth, this dinner can actually end! Although, if I’m being honest with myself, it’s more than mere efficiency that I seek. It’s more than a desire to control the chaos around me. Doing something for my daughter is as much about the sheer pleasure of my feeling needed. (Remember this?)
As parents, we know we’re supposed to nurture a drive for independence in our children, to prepare them for the day when they won’t need us anymore. At the same time, parenting has become this Super Important Identity that we’ve assumed—at times it feels like it has obliterated all other identities!—and it’s natural to feel validated, encouraged, and protected each time our little ones seem to need our help. Even though our head reminds us that we’re supposed to get out of their way, our heart just can’t keep from meddling.
Introducing my daughter’s new favorite book: Little Red Henry (Ages 3-6), by author Linda Urban and illustrator Madeline Valentine. I challenge you to find a preschooler who won’t instantly relate to this tale of a little boy, the youngest of three, whose well-intentioned but incessantly doting family never lets him do anything himself. (The title is a nod to the moralistic fable, The Little Red Hen, about the bread-making hen whom no one will help—only here, it’s the opposite.) « Read the rest of this entry »
March 5, 2015 § 2 Comments
Who’s ready for a good snooze right about now? I’m not talking about the fall-into-bed-eyes-already-closing-ready-to-be-awakened-at-any-time kind of snooze, which is par for the course when parenting young children. I’m talking about a luxurious, heavenly, finest-Egyptian-cotton type snooze…a long, uninterrupted, sleep-in-as-late-as-you-want sort of snooze…a snooze in a silent house, where the only sound you have to worry about is the steady pit-pit-patter of melting ice outside.
If that sounds too good to be true, it is. But, for those of us who prefer to live life in the tiny space between reality and fiction, I have a close second. The newly-published Snoozefest (Ages 3-7), written by the always witty and clever Samantha Berger, and charmingly illustrated by British newcomer Kristyna Litten, is a book you can gift with abandon (you know, when you’re not sleeping) to all those kids of parents who shoulda, coulda, woulda be sleeping more. It’s a book that celebrates snoozing. And not just any snoozing. We’re talking snoozing so deep, so restorative, that it warrants its own festival. Welcome to Snoozefest: a Lollapalooza for people who love to sleep (yes, my fellow almost-forty year olds, this is what it has come to). « Read the rest of this entry »