There’s A New Pippi in Town
February 7, 2019 § Leave a comment
Last week, we subsisted on a steady drip of peppermint hot chocolate (#polarvortex). This week, it’s in the 60s and my kids are in t-shirts. These mercurial fluctuations are not for the faint of heart, so while we are at the whim of Mother Nature, we may as well attempt to lose ourselves in a book which doesn’t take itself too seriously. As it turns out, my daughter and I just finished the perfect one.
I have fond memories of reading Astrid Lindgren’s The Adventures of Pippi Longstocking to my kids four years ago, all three of us laughing ourselves silly. Free-spirited Pippi, committed to living life with wild abandon, is one of those characters who cuts straight to the heart. She calls things as they are. She takes up space. She isn’t afraid of living or loving too largely. It’s downright refreshing. Some days, it seems there aren’t enough Pippis.
Well, good news! Pippi’s spirit is alive and well in Maria Parr’s delightful Norwegian novel (perhaps named for Pippi’s creator?), Astrid the Unstoppable (Ages 7-10), about a plucky, red-headed nine year old living in a Scandinavian mountain village. Originally published in 2009 and later translated from the Norwegian by Guy Puzey, the book arrived on our American shores this past November…and not a moment too soon. Nicknamed “the little thunderbolt of Glimmerdal,” Astrid is Exactly What This Winter Needs.
The parallels to Pippi abound, well beyond the red hair and boisterous personality. In lieu of a pet monkey, Astrid bestows affections on one Snorri the Seagull, who shares her home and perches atop her helmet on bicycle rides. Astrid doesn’t live entirely alone as Pippi does—she has her quiet but attentive father—but she does mourn the absence of her scientist mother, who is on an extended excursion to Greenland to study rising water levels, akin to Pippi’s legendary father off captaining the seas. Like Pippi, Astrid is left mainly on her own, with large stretches of time in which to entertain herself. As her father tells people, “I let her out every morning and hope she’ll come back in the evening.”
It is what Astrid does with her open-ended days that makes reading about her so much fun. In the two months leading up to her tenth birthday, which happens to fall on Easter, Astrid is determined to make the most of every minute in her teeny, tiny remote mountain village, whose snowy peaks and frozen rivers, sheep farms and “enchanted forests,” are Astrid’s playgrounds. She attempts to somersault on skis while singing to herself. She makes a giant gingerbread castle for Snorri. She charms her way on and off the ferry without every paying a fare. She faces off with an angry ram. Always, she uses her innocent frankness and contagious wit to talk herself out of the messes she inadvertently creates. (During most of the story, Astrid’s school in the neighboring village is off for “February half term.”)
Until now, Astrid—much like Pippi—has spent little playtime with children her own age. She is the only child in her village, and visiting children are forbidden by the unimaginative Mr. Hagen, who runs the Wellness Retreat at the base of the mountain (and is the only adult whom Astrid seems incapable of winning over, despite her best efforts).
Astrid’s best friend is her seventy-four-year-old godfather, a strikingly large sheep farmer rich in contradictions. Gunnvald is part cantankerous “troll” (as Astrid affectionately calls him) and part lively fiddle player. He is at once hardened from a bruised past and possessed with a soft spot for Astrid (“She was sharp as a starling, Gunnvald thought…”). When the story begins, Gunnvald’s favorite pastime is rigging up prototype sledges for Astrid to race down the mountain. (One can tell something about how these sledge runs go by chapter titles like, “In which Sledge Test No. 1 is launched, and Astrid is threatened with a call to the police.”)
For as much as Pippi’s spirit may infuse these colorful scenes, Astrid the Unstoppable also packs a substantial emotional punch, the likes of which we do not see in Astrid Lindgren’s classic. This Astrid’s is a true coming-of-age story. The novel spans mere weeks, but a series of dramatic happenings firmly alters the way Astrid sees herself, her loved ones, and the larger world.
Most significantly, Astrid begins to sense the presence of looming secrets in the lives of her grownups. Secrets which suggest life is inherently more complicated than skiing somersaults. Secrets which reveal failings in the people she idolizes. Secrets which inspire Astrid to think less about her own entertainment and more about helping others—perhaps a fitting progression for someone on the verge of double digits.
The most significant of these secrets involves Gunnvald. When Astrid discovers Gunnvald has an estranged daughter, one whom Gunnvald lovingly raised for several years before letting her leave with her mother and never come back, Astrid is flabbergasted that such a truth was kept from her. Now an acclaimed violinist with a monstrously huge dog, Heidi (the reference to another literary classic is purposeful) abruptly returns home after receiving a desperate letter from Gunnvald, who mistakenly believes he is on death’s door after taking a spill over a coffee pot and landing in the hospital. It turns out Gunnvald is a long way from dying—he happens to be as prone to the dramatic as Astrid—and now must confront the pain of his past head on.
Astrid’s role in her best friend’s saga is wildly entertaining and touchingly genuine, as she attempts to do what children do and presume all questions have straightforward answers. Grown ups, Astrid comes to realize, are capable of making terribly stupid and hurtful mistakes. Sometimes it takes the voice of a child to call things as they are. To remind people of the presence of today, the power of music, and the possibilities in forgiveness.
Astrid the Unstoppable is the best distraction we could ask for in these final weeks of winter, bringing a welcome smile to our faces, at the same time that it leaves a tiny little thunderbolt on our hearts.
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