September 2, 2021 § 4 Comments
Everyone has a story about where they were on 9/11, and if you tell yours, you’ll almost certainly be interrupted by someone eager to share theirs. And yet, for stories so easily accessed—seemingly lying in wait on the tip of our tongue—we go to great lengths to keep them from leaking out into mainstream conversation, or even into the privacy of our own homes, without explicit invitation. This is especially true with our children.
Twenty years have passed, but talking about 9/11 with children—especially young children—continues to makes many parents and teachers uncomfortable. I cannot begin to appreciate the trauma of those directly impacted by the horrific events of that day, but even those of us physically distanced from the attacks felt a profound terror course through our veins as we attempted to make sense of what we were seeing on our television screens, as we scrambled to contact loved ones in New York or Washington DC, as we passed subsequent days under eerily silent skies. It was a fear unprecedented for many of us, and it represented a before-and-after moment we can never un-see. Many of us would rather avoid the topic altogether, or gloss over the horrifying details, than pass along that fear to our children.
And yet, our children have spent their entire lives in a post-9/11 world—in the “after,” so to speak. The safety precautions that started in its wake are the only ones our kids have ever known. I let my ten-year-old daughter read Alan Gratz’s Ground Zero (discussed below) earlier this year after she begged, and I waited for her to set it down, to tell me it was too scary, that she never wanted to take an elevator or get on a plane again. But that didn’t happen. She absorbed the horrors in those pages as she had those in The War That Saved My Life, a gorgeous but also heavy novel about World War Two. I might say she hungered for it.
I’ve come to see that my children want us to talk about that day. They want to understand what led to our longest war in history, the tragic aftermath of which is playing out right now. They want to understand the terror we felt. They want, as I do each time I visit my mom in Manhattan, to stand in front of the reflecting pools at the 9/11 Memorial and marvel at the names, to contemplate the absence that the rushing water dies into.
I’ve come to see the value in unburdening this history—both for them and for us. We don’t know exactly where 9/11 will land in history, but we do know that our democracy was attacked that day, that our power structures were undermined, and that we were forced to take stock of the values we hold most dear. The events of that day are not only part of our cultural consciousness, they’re a reminder that we must work every day to uphold the freedom that paves the way for a more just and equitable world. (I had my own 9/11 reckoning earlier this year, when I listened to the astounding audio production of Garrett M. Graff’s The Only Plane in the Sky.)
I’ve come to see the value that good, careful literature offers in imparting this history—and in pointing us towards hope. In the face of egregious violence and horror and loss on 9/11, there were countless narratives of resilience. Of coming together. Of helping and sacrificing and supporting. Of courage in the most unlikely places. As author Jewell Parker Rhodes recently said on a Little Brown panel, “Narrative takes pain and chaos and helps us make sense of it in a way that allows us to move toward healing.”
Children’s books have a universally honored obligation to end with hope, no matter the subject. It’s what makes them so sacred. The books I discuss below—some a few years old and some published to commemorate the twentieth anniversary of 9/11—take the trauma of that day and transform it into history with grace and beauty. There’s an immensely moving and uplifting picture book that allows the smallest child to connect with the absence and loss surrounding 9/11—I would not hesitate to read it to a four year old, nor to any age for that matter—and there are chapter books that approach the subject from various angles (and with various levels of violence). There’s an outstanding graphic novel that manages a comprehensive study of the subject in just over 100 pages. As always, I provide age ranges below each title.« Read the rest of this entry »
February 4, 2021 § 1 Comment
I’ve said it before, and I’ll say it ‘till the cows come home: picture books aren’t just for little kids! Keeping picture books alive and well at home, even after our kids are reading independently, means not only continuing to expose them to arresting art and sensational storytelling, it means piquing their interest about a range of subjects they might not seek out on their own. After all, it can be much less intimidating to pick up a picture book than a chapter book, especially on a subject you don’t know much about.
I love a picture book that sneaks in a history lesson without ever feeling instructional. One of my favorite picture book biographies published last year, Above the Rim: How Elgin Baylor Changed Basketball (Ages 6-10), also happens to be an excellent primer on the Civil Rights Movement. But you’d expect nothing left from the all-star team of Sibert Medalist, Jen Bryant, and two-time Coretta Scott King Medalist, Frank Morrison.
Jen Bryant is best known for her picture book biographies of artists and writers (A River of Words: The Story of William Carlos Williams is a favorite), but she was drawn to NBA Hall of Famer, Elgin Baylor, because in addition to his undeniable talent on the court, he also fundamentally changed the game itself. “Artists change how we see things, how we perceive human limits, and how we define ourselves and our culture,” Bryant writes in the Author’s Note at the end of the book. By this definition, Elgin Baylor—who as one of the first professional African-American players broke nearly every tradition in the sport—was every bit the artist. And Bryant uses her love of language to make his story leap off the page.
In that vein, too, it seems fitting that Frank Morrison should illustrate the basketball icon, using his signature unconventional style of oil painting that distorts and elongates the human figure, giving it both elasticity and a larger-than-life aura. (Morrison illustrates one of my other favorite 2020 picture book biographies, R-E-S-P-E-C-T: Aretha Franklin, the Queen of Soul.) Morrison’s art in Above the Rim is kinetic; it buzzes like the energy on a court. But it’s also dramatic, moving from shadow into light, much like the broader social movement in which Elgin Baylor found himself a quiet but powerful participant.
Should I mention my ten-year-old daughter (mourning the loss of basketball in this pandemic) adores this book and reaches for it often?« Read the rest of this entry »
September 24, 2020 § 2 Comments
Not many people know this, but my daughter is named after Emily Dickinson. (Well, and the heroine of L.M. Montgomery’s Emily of New Moon.) I didn’t fall for Emily Dickinson’s poetry until I got to college, when I fell hard and fast and ended up featuring her poems in no fewer than seven essays, including my Senior Thesis. I had never been a big poetry lover, but there was something about the compactness of her poems which fascinated me. So much meaning was packed into such few words. And even then, the meaning was like an ever-shifting target, evolving with every reading.
To read Emily Dickinson is to contemplate universal truths.
Apart from reading Michael Bedard and Barbara Cooney’s 1992 picture book, Emily, I hadn’t had much occasion talk to my own Emily about her namesake. But that changed last spring, when my Emily started writing poetry of her own. Nothing about virtual learning was working for her, until her teachers started leading her and her classmates in poetry writing. Suddenly, my daughter couldn’t jot down poems fast enough, filling loose sheets of paper before designating an orange journal for the occasion. She wrote poems for school, for fun, and for birthday cards. It didn’t matter that they weren’t going to win awards for originality; what mattered was that she had found a means of self-expression during a stressful, beguiling time.
Jennifer Berne’s On Wings of Words: The Extraordinary Life of Emily Dickinson (Ages 7-10), stunningly illustrated by Becca Stadtlander, could not have entered the world at a more perfect time. It opens a dialogue, not only about Dickinson’s unconventional life, but about her poems themselves. At a time when a pandemic has prompted many of us and our children to turn inward, this picture book is less a traditional biography than an homage to the rich interior life developed by this extraordinary poet and showcased in her poetry.
June 25, 2020 § 2 Comments
I have been drafting this post in my head for two weeks, terrified to put pen to paper for the dozens of ways I will certainly mis-step. Raising children dedicated to equity and justice has always been important to me—if you’ve been following my blog, you’ll recognize it as a frequent theme here—but only lately have I pushed myself to consider the ways my own privilege, upbringing, and anxiety have stood in the way of that. It is clear that I cannot raise my children to be antiracist if I am not prepared to do the work myself.
When my daughter was three, I brought her to the pediatrician’s office for a rash. As we sat in the waiting room, watching and remarking on the colorful fish swimming in the aquarium, my daughter suddenly turned to me. “Mommy, is the nurse going to be black-skinned?”
Embarrassment rose in my cheeks. “Oh honey, I’m sure any nurse here is a good nurse. Let’s not—”
Her interrupting voice rose about ten decimals. “Because I am not taking off my clothes for anyone with black skin!”
Just typing this, my hands are shaking. I am back, seven years ago, in that waiting room, aware of all eyes upon us. Aware of the brown-skinned couple with their newborn baby sitting directly across from us. This can’t be happening, I thought. This can’t be my child. She goes to a preschool with a multicultural curriculum. We read books with racially diverse characters. She plays with children who look different than her. Shock, outrage, and humiliation flooded every inch of my being.
Caught off guard and determined to rid myself of my own shame, I fell into a trap familiar to many white parents. For starters, I came down hard on her. I took my shame and put it squarely onto her. I was going to stop this talk immediately. I was going to prove to everyone listening that this was unacceptable behavior in our family. I was going to make it…all about me.
“Stop it!” I said firmly. “We do not say things like that.” Then, I started rambling about how we shouldn’t judge people by how they look, how underneath skin color we’re all the same, how we’re all one big human family, and so on. You know: the speech. The color-blind speech. The one where white parents tell their children to look past skin tone to the person underneath. The one where we imply that because skin color is something we’re born with, something “accidental,” we shouldn’t draw attention to it. The one where we try and push on our children a version of the world we’d like to inhabit, as opposed to the one we actually do.
My three year old was observing—albeit not kindly or subtly—that not everyone looked the way she did. And she wasn’t sure if that was OK. She was scared. She was uncomfortable. Because we weren’t talking about skin tone or race with her at home, because our conversations (however well-intentioned) steered mainly towards platitudes of kindness and acceptance, she had begun to internalize the racial assumptions around her. She had used the descriptor “black-skinned,” I later realized, whereas if she had simply been observing skin tone, she would have said brown skin or dark skin. The word she chose was a reference to race. A loaded word. Something she had heard. Something she didn’t understand. Something she was beginning to associate with something less than.
We don’t want our children to use race to make judgments about people, so we’d rather them dismiss race completely. Except, in a society where race is embedded into nearly every policy and practice, it is impossible not to see race. So instead, what we are really communicating to our young children is, I know you notice these differences, but I don’t want you to admit it. (Including to yourself). Good white liberal children don’t talk about their black and brown friends as being different from them. Even more problematic, good white liberal children love their black and brown friends in spite of these differences.
June 4, 2020 Comments Off on What Does It Mean to Be Woke?
It means to be aware. It means to see your surroundings and challenge how we strengthen our relationship with the government, the community, and nature. To be WOKE is to fight for your civil rights and to fight for the rights of your neighbors…The idea of being aware of your surroundings, especially in a time when we are taught to be quiet and not rock the boat, can be difficult to embrace, but this is where our freedom begins.
The events of the last week are calling us to become woke. They are calling us to listen, especially to Black voices unleashing decades of pain and injustice. They are calling us to expand our bookshelves and our social media feeds to include more voices of color (@hereweeread and @theconsciouskid are a great place to start for parents). They are calling us to talk to our children about difficult topics like race, privilege, and racism and help them revise their summer reading lists to include stories by people of color. They are calling us to begin the uncomfortable and long-overdue work of examining the way our own whiteness makes us complicit in the sickness of systemic racism, because until we change what’s in our hearts, we can’t lead our children to do the same.
Topics like police brutality and racial profiling can be overwhelming and frightening to children of all races, but we can also use these conversations to empower them. “Rocking the boat” starts with finding the words to describe what’s happening and how it makes us feel—and then turning these words into beacons of inspiration, hope, and change.
We are being called to help our children find their voice, and I can think of no better vehicle than Woke: A Young Poet’s Call to Justice (Ages 8-12). Historically, poets have been on the forefront of social movements. Here, Mahogany L. Browne’s poems sit alongside those from Elizabeth Acevedo and Olivia Gatwood, serving as “instruction manuals and anthems,” as “literary heartbeats and blueprints of survival,” for our children to sift through cruelty and injustice and find the words and courage to speak out about them. Several of the poems address racial history and discrimination. Others speak to gender bias, immigration, activism, body image, physical disability, intersectionality, and our relationship with nature. Taken as a whole, the poems celebrate a definition of community that’s richer for its diversity of voices, skin colors, and genders. Double-page illustrations by Theodore Taylor III enhance the vibrancy of the poems. As “Instructions on Listening to the Trees” concludes, “We are all part of someone else’s journey/ That’s the way communities are built/ Each root sprawling toward the edge of an infinite smile.”
May 14, 2020 § 3 Comments
It has been said that the only two certainties in life are death and taxes, but—at least, while quarantined—I can now add a third. Every morning for the past two months, the same conversation has transpired as soon as the breakfast dishes are cleared, around 8:15am.
Me: “OK, kids, head to the couch for read-aloud time.”
My son: “What? No! I need to get upstairs to get ready for school!” (“Getting ready for school” means opening up his Chromebook, clicking on a Zoom link, and waiting for the administrator to let him into the meeting…45 minutes before said meeting actually starts.)
Me: “Your class doesn’t start until 9am.”
Him: “But sometimes they come on early!”
Me: “You don’t need to stare at a screen any more than is necessary. Park your tush next to your sister.”
Every morning, we have this same exchange. Every single morning. For the record, I always win. I only insist on one tiny little fragment of consistency during corna-time and it’s that the kids and I spend forty minutes every morning reading aloud. It’s how we connect before dispersing into our own “virtual” agendas. It’s how we remind ourselves that the world still exists outside our doors, that it waits patiently for us to return, that it invites us to visit in our imaginations until we can come in person. It’s how we remind ourselves that we don’t have to leave the house to get our minds blown.
Quite simply, reading aloud is the one light in these dark days that we can always count on.
As soon as my fidgety, eager-for-that-screen-fix tween sits down on that couch and tunes into my voice, he doesn’t want to be anywhere else. I know this because he gasps the loudest, laughs the hardest, leans in the closest. Reading aloud to tweens and teens can initially seem like an uphill battle, but it’s almost always worth the struggle. In our family, it’s non-negotiable. And it always, always leaves them begging for more…even if just a few minutes earlier they were all too happy to skip it.
In the upcoming weeks, I’ll be doing a gargantuan middle-grade round up with favorite new books to put in front of your kiddos for independent reading. Today, though, I want to share three new middle-grade novels which lend themselves especially well to reading aloud, as evidenced by our own experience. Their genres—fantasy, comedy, and historical fiction—couldn’t be more different, but their characters, prose, and stories are similarly unforgettable.
March 27, 2020 § 2 Comments
(Friends, these are rough times. I feel you all. And I promise to keep showing up for you with book ideas for all ages. In addition to these weekly posts, I have (almost) daily recommendations on Instagram, so follow me there. We’ll get through this pandemic with the help of fictional worlds and gripping history and funny comics. Worst comes to worst, we can always use the pages to wipe our bottoms.)
It was only the second morning of #pandemicparenting, and the kids and I were already on the verge of strangling one another. My husband needed a quiet house for conference calls, so I threw out our daily schedule (just one day old) and drove the kids to the woods…where we stayed for four hours. It was cold and drizzly when we arrived, and I found myself willing it to be over. We walked and walked, saw no one, walked some more, and eventually settled into our own rhythms. My daughter ran off trail to climb on logs and rocks. My son stopped talking about his stress level and moved through the world quietly. We got lost, had to scramble up rocky ledges to find the trail again, discovered deserted outcroppings of beaches. The sun came out. I sat and listened to the water, while the kids skipped stones. Later, my son threw his arms around a tree, and I laughed out loud.
We’ve had our fair share of highs and lows these first two weeks of social distancing, but I am endlessly grateful that the trees still welcome our closeness. If there are silver linings amidst this collective heartbreak, one is an opportunity to return our children to nature. I never wanted to homeschool my kids; I knew I’d be rubbish at it. (I knew my kids would be equally rubbish at it.) Thankfully, they still have their wonderful teachers, even if they can only see them on a screen right now. I figure, for as long as we’re packed in together like sardines, I can give my kids two blessings: I can read them books; and I can gently push them towards the trees.
You know what social distancing is good for? Secret gardens. If your children need convincing to let nature step in as teacher, read them the extraordinary new picture book biography, The Secret Garden of George Washington Carver (Ages 7-10). My kids were riveted. Evocatively written by Gene Barretta and accented with richly expressive oil paintings by Frank Morrison, the story demonstrates how young George Washington Carver’s intimate relationship with nature as a child grew into a passionate career as a botanist, inventor, and activist.
February 27, 2020 Comments Off on Concluding Black History Month on the Train
Every year, once in the fall and once in the spring, I take each of my children on a mommy-and-me trip to New York City for a long weekend in the city where I grew up. We board the train in Alexandria, Virginia and make stops in Washington, D.C.; Baltimore, Maryland; Newark, Delaware; Philadelphia, Pennsylvania; and, finally, New York City, Penn Station. My kids have come to enjoy the train ride almost as much as the destination itself, glancing up from their books to watch the changing scenery speeding by—there is something innately lolling and contemplative about train travel—and anticipating the stops to come.
These same train stops come to life against an important and fascinating historical backdrop in Overground Railroad (Ages 4-9), a new picture book by superstar husband-and-wife team Lesa Cline-Ransome and James Ransome, whose Before She Was Harriet I praised around this same time last year. “Isn’t it supposed to be “Underground Railroad?” my daughter asked, when I picked up the book to read it to her. Admittedly, I was equally stumped. As the Author’s Note explains, most people are familiar with the covert network known as the Underground Railroad, which assisted runaway slaves on their journey to the North, usually on foot. Lesser known but often equally secretive, the Overground Railroad refers to the train and bus routes traveled by millions of black Americans during the Great Migration, a time when former slaves opted to free themselves from the limitations and injustices of sharecropping to seek out better employment and educational opportunities in the North. Faced with the threat of violence from the owners of these tenant farms, who relied on the exploitation of sharecroppers for their livelihood, those who escaped often had to do so under cover of night.
January 30, 2020 § 6 Comments
Last week, I flew to Boston to see my 101-year-old grandmother for what will likely be the last time. Her lucidity came and went throughout our few hours together, and at times she seemed to look at me and see a much younger version of her granddaughter. “What are your studying in school?” she asked.
“I’m not in school anymore,” I answered. “I’m all grown up! I have kids in school now.”
“That’s no excuse!” she exclaimed, in a playful but insistent tone I recognized all too well.
Perhaps she was simply covering up her mistake. But perhaps not. My paternal grandmother may have attended college for only two years, but she spent much of her adult and geriatric life chasing down knowledge wherever she could. She read biographies voraciously. She traveled the world. She referred to herself as a “news junkie” when you came upon her studying a newspaper. When she moved into her retirement home at 88, she signed up for every class they offered, from Buddhism to World War Two. “I’m taking a fascinating class about the decision to drop the atomic bomb,” she reported on the phone one day. “It has me quite disturbed, actually.”
On another call: “I’m reading E.O. Wilson’s new book. He’s an absolutely brilliant biologist. I’m not sure I’m understanding a word of it, but I suppose some of it might be sneaking in!”
Learning as something to be seized and cherished is a value I will always credit to my grandmother. Still, learning is a luxury not afforded to all, and nowhere is this more painfully evident than in the stories of American slaves. Rita Lorraine Hubbard’s new picture book biography, The Oldest Student: How Mary Walker Learned to Read (Ages 6-10), movingly illustrated by collage artist Oge Mora, tells the incredible true story of a former slave who achieved her lifelong dream of learning to read at the astounding age of 116.
December 5, 2019 § 8 Comments
Our children are blessed to be growing up at a time when kids’ nonfiction is being published almost as rapidly as fiction—and with as much originality! On this comprehensive list you’ll find new books for a range of ages on a range of subjects, including geology, biology, astronomy, art, World War Two, American History, survival, current events…and even firefighting. (Psst, I’m saving nonfiction graphic novels for the next post, just to give you something to look forward to.) Hooray for a fantastic year for nonfiction!
February 21, 2019 § 2 Comments
In her modern dance classes, my daughter cherishes above all the few minutes devoted to “sparkle jumps.” One by one, the dancers crisscross the studio at a run. As each one reaches the middle, she explodes into a leap, arms reaching up and out, head tall, like the points of a star. For one perfect moment, my daughter takes up as much space as her little body will allow.
“I love watching you take up space,” I tell her. « Read the rest of this entry »
January 31, 2019 § 1 Comment
This past Monday, I watched and cheered at my computer as the American Library Association’s Youth Media Awards were announced (more fun than the Oscars for #kidlit crazies like me). Most parents are familiar with the Caldecott and Newbery medals, but there are quite a few other awards distributed, many to recognize racial, cultural, and gender diversity. Overall, I was pleased to see many of my 2018 favorites come away with shiny gold and silver stickers. At the end of today’s post, I’ll include some of these titles, along with links to what I’ve written about them.
Today, I want to devote some space to Sophie Blackall’s Hello Lighthouse, which came away with the Randolph Caldecott Medal, for the “most distinguished American picture book for children.” (It’s actually the second Caldecott for Blackall, who won three years ago for this gem). Hello Lighthouse (Ages 6-9) is one of my very favorites from last year; and yet, I haven’t talked about it until now. Why is that? Perhaps because the art in this book is so endlessly fascinating, my observations continue to evolve with every read. I suppose I’ve been at a loss for words. « Read the rest of this entry »
December 14, 2018 Comments Off on Gift Guide 2018: The WW2 Story You Haven’t Heard
Where are my World War II buffs at? If my son’s reaction is any indication, they will want to read this incredible, largely unknown story. When Thirty Minutes Over Oregon: A Japanese Pilot’s WW2 Story (Ages 7-10), written by Marc Tyler Nobleman and illustrated by Melissa Iwai, first showed up on our doorstop, my son took one look at the Japanese prop plane on the cover and whisked it away. He returned twenty minutes later. “Mommy, this book is AMAZING. You will definitely want to write about this.” « Read the rest of this entry »
December 3, 2018 § 2 Comments
Elementary children may know that President Abraham Lincoln was assassinated by John Wilkes Booth in 1865, at the end of the Civil War. But do they know that Lincoln was almost assassinated by angry secessionists four years earlier, on his way to his own inauguration? That, if successful, the attack would have prevented Lincoln from becoming president and uniting the country? How about that he was saved by Allan Pinkerton, a self-made private detective who went on to inspire the creation of the Secret Service?
Um, I sure didn’t. « Read the rest of this entry »
October 12, 2018 § 2 Comments
My children have heard a lot about the Supreme Court in recent weeks—mostly delivered via their parents and mostly accompanied by outcries of frustration and despair. Still, as much as I want them to understand my concerns with what today’s political actions reveal about the values of our leadership, I also don’t want my discourse to taint (at least, not permanently) the way they view our government’s enduring institutions.
In short, our family needed a pick-me-up. I needed both to remind myself and to teach my children about the Supreme Court Justices who, right now, are fighting for fairness under the law—and who arrived there with poise, valor, humanity, and moral clarity. « Read the rest of this entry »
September 27, 2018 Comments Off on The Surprising Backstory Behind The Monopoly (Wo)man
Children are never fools when it comes to laying claim to our attention. They know exactly what they’re doing when they pull out a wordless book for us to “read,” quickly sabotaging our hope of a quick bedtime. Similarly, when our children walk into the room with Monopoly under their arms, they know they’ve turned our innocent consent to a family game into a lost Sunday afternoon. Show me a child who loves Monopoly, and I’ll argue that the appeal is more than the sum of dealing money, lining up those little green houses, and the rush of saying to one’s parents, “You owe me $2000!” (that’s Boardwalk, with a hotel). Because I was once a child, who enjoyed nothing more than racing my dad to see who could lay claim to Boardwalk and Park Place, I know that the Very Best Part of Playing Monopoly is that it takes for-freakin’-ever.
The story of how Monopoly came to be may not be as long-winded as the game itself, but it did span decades. « Read the rest of this entry »
April 12, 2018 Comments Off on What STEM Looked Like 100 Years Ago
While my children were on a school camping trip earlier this week, I ducked up to New York City to visit my mom. On Tuesday, we went to the “Public Parks, Private Gardens” exhibit at The Met, a stunning collection of mostly Impressionist works featuring French flora, from the bountiful irises of Monet’s Giverny to the lush riverbanks of Renoir’s Seine. Against many of the backdrops were sitting figures, largely women, wearing floor-length muslin with empire waists and elaborate straw hats secured with ribbons. “We’ve lost so much of the beauty and elegance that was part of everyday life back then,” my mom mused aloud, understandably seduced by the romanticism infused in the soft lines, the twinkling light, the sheer profusion of color. « Read the rest of this entry »
March 22, 2018 § 2 Comments
If you had told me ten years ago, after my first child was born, that three years later I would quit my job, move across the country, and stay home with by then two young children, I would not have believed a word of it. Not in the least because I loved my job, loved the social outlet of going to work every day, loved having others validate my successes, loved a paycheck, and loved having the childcare that allowed me to do all that and still relish quality time with my little one. Sure, I had days when I felt pulled in way too many directions and fantasized about going off the grid. But I never really expected I’d feel fulfilled any other way. I was, after all, a self-identified feminist. I had minored in women’s studies in college. I always intended to model for my children what it meant to be have a successful, robust career outside the home.
And then, for a host of reasons I never saw coming, I made the choice to stay home. « Read the rest of this entry »
February 28, 2018 § 2 Comments
Hands down, the most thought-provoking thing I read this month was an interview in the Pacific Standard with Bryan Stevenson, a Harvard-trained public defense lawyer and founder of the Equal Justice Initiative, a Southern non-profit dedicated to achieving racial and economic justice. In the interview, he discusses ways in which our country’s history—specifically that of African-Americans—lives on in our present, complicating our quest for racial justice. Of particular fascination to me was the distinction he draws between a legal or political win and what he terms a “narrative win.” The latter, he believes, holds the greatest power, the real key to comprehensive change. « Read the rest of this entry »
December 20, 2017 § 1 Comment
For the first time in five years, our family has no plans to see Tchaikovsky’s “The Nutcracker” danced on stage. All of us are sadder than we anticipated being, back when we were planning our holiday season and thought we’d take an opportunity to create a new tradition or two. (We shall not make that mistake again.)
Fortunately, there are two stunning new picture-book interpretations of “The Nutcracker,” both of which quickly found their way into our holiday stash—and will tide us over until next year’s tickets go on sale. Neither is a traditional telling of the story (I covered that last year). Instead, each offers a fresh spin; a new way to reflect on the magic of this classic Christmas Eve story about transformation. « Read the rest of this entry »