November 21, 2019 § 6 Comments
How it’s almost Thanksgiving I’ll never know, but the season of giving will soon be upon us. Seeing as I’ve read more this year than any other, I think it’s fair to say my 2019 Gift Guide won’t disappoint. I’m aiming to include something for every child and teen on your list. As has become tradition on this blog, I begin with my favorite picture book of the year (although spoiler: this year I have TWO, so stay tuned). Past years have seen this, this, and this. It has been hard keeping this one a secret…although timing for today’s reveal feels especially fitting.
Growing up, I always preferred Thanksgiving to Christmas. I would never have admitted this; it seemed odd as a child to prefer a holiday of sitting around, eating off formal china, and making conversation with grown-ups—over one with presents and candy and caroling. But there was something about the warmth and coziness of Thanksgiving which seduced me: returning home frozen after the Macy’s Thanksgiving Day Parade to an apartment abounding with hissing radiators and the smell of roasting turkey. There was the comfort of looking around the room and seeing the people I loved and not having the distraction of which gifts might be under the tree and which, disappointingly, might not.
It’s not lost on me that the timing of Thanksgiving plays a role in its appeal. After all, Thanksgiving kicks off the Holiday Season. It’s a time of anticipation, and there’s nothing more alluring to a young child than possibility. It may not be the holiday of presents, but it’s a road sign pointing towards the presents. Pointing towards the twinkling lights and crackling fires and colorful wrappings.
Still, there can be a kind of magic in and of itself created by family—and, if we’re lucky, it becomes almost tangible on Thanksgiving Day. For a few short hours, the world outside falls away, and the inside jokes and knowing glances and lingering hugs take center stage. Dishes are prepared with love and displayed in beautiful ways, and we relish the bounty of this precious togetherness.
In her exquisite new picture book, Home in the Woods (Ages 4-8)—one of the finest examples of bookmaking I’ve ever encountered—Eliza Wheeler invokes her grandmother’s childhood to tell the story of a family who manages to make magic for themselves, even in the toughest of times. (You might remember Wheeler from this long ago favorite. Since then, she has mostly illustrated others’ texts. So happy to see her back in the seat of author and illustrator, because her writing is every bit as evocative as her art.)
October 3, 2019 § 1 Comment
“I’m so glad I live in a world where there are Octobers,” said Anne of Green Gables. And so am I. No month is more bountiful. It smells fresh. It crunches beneath your feet. It’s resplendent with a beauty so striking it almost hurts.
But, even with all its treasures, October is a time of loss. Loss of light. Loss of color. Loss of those long, lazy days of summer which (thank you, September) suddenly seem like a lifetime ago. Right now in our family, this October feels riper than usual with loss, as I prepare to say goodbye to my grandmother, a woman I have loved since she first touched her nose to mine.
So, while I love books whose pages celebrate fall’s wonders (like this, this, this, and this), I also have a soft spot for books that speak to the shadows cast by fall. Beth Ferry’s quiet new picture book, The Scarecrow, gorgeously illustrated by The Fan Brothers (we would expect nothing less after this), plants the reader squarely in the push-pull of fall. Although, in fact, fall plays only a small role in the story.
September 12, 2019 § 5 Comments
If we want our children to entertain different perspectives when they get to middle or high school—to become critical thinkers and contributors—then they should have opportunities from an early age to consider that there is more than one way to see the world.
Picture book author-illustrator Brendan Wenzel is making something of a name for himself when it comes to creating books for young children about perspective and perception (his groundbreaking debut, They All Saw a Cat, received a Caldecott honor). His newest, A Stone Sat Still (Ages 4-7), similarly rendered with richly textured, mixed-media art and spare, poetic language, stole my heart from the moment I opened it (do yourself a favor and remove the jacket cover, because WOW). Even my children, well outside the target age, were captivated. This is visual storytelling at its best, where every page asks the reader to engage: to wonder, question, and understand. « Read the rest of this entry »
August 29, 2019 § 9 Comments
At no time more than summer do our children grow up. Camps, camping, gloriously long stretches of daylight, ample opportunities at exploration and courage and boredom…all of this combines to ensure that the children we send back to school in the fall are not quite the ones we ushered in summer with.
I was ill prepared for the onslaught of emotions I would feel upon picking up my oldest from his first sleepaway camp experience in Maine. As we slowed along the gravel road though the camp entrance, my excitement of the past 24 hours turned to butterflies. How would he seem? Would he look different? Would he have made friends? Would he burst into angry tears and declare he was never coming back?
We didn’t have to wait long: he was standing alone not far from the entrance. I waved frantically, shouting at my husband to stop the car so I could jump out. JP smiled broadly as I threw my arms around him, but something was immediately apparent. He was quiet. More upright than I’d remembered. More reserved than I’d expected. « Read the rest of this entry »
April 11, 2019 Comments Off on In the Eye of the Beholder
One of the superpowers young children possess is the ability to transfer human qualities onto inanimate objects. My Emily might be eight years old—well versed in the impossibility of stuffed animals coming to life—but she still likes to tell me about the skydiving adventures her plush lamb has at home while she’s off at school (apparently in cohorts with my stuffed bear). When I tuck her in at night, it’s not uncommon for Emily to inform me that Baba will be keeping watch for bad dreams. Whenever her pride is bruised or her tears are flowing, Emily predictably runs to her room, snatches up Baba, and presses the soft frayed body to her cheek. (Baba has also been known to “peck at” prime offenders, otherwise known as Older Brothers.)
It’s remarkable, this ability of children to draw entertainment, companionship, and comfort from non-living things. It certainly plays a part in why children are naturally resilient, even or especially when the humans around them fall short. After all, an object can be whatever a child wants or needs it to be. It can be a kind of “stand in,” or a bridge to a time when that child might reliably find that entertainment, companionship, or comfort in another living being.
Lubna and Pebble (Ages 4-8), an impossibly gorgeous and profoundly moving new picture book about the refugee experience, takes at its center the conceit of a young girl’s redemptive friendship with a pebble, which she finds on the momentous night she arrives with her father at the “World of Tents.”
February 21, 2019 § 2 Comments
In her modern dance classes, my daughter cherishes above all the few minutes devoted to “sparkle jumps.” One by one, the dancers crisscross the studio at a run. As each one reaches the middle, she explodes into a leap, arms reaching up and out, head tall, like the points of a star. For one perfect moment, my daughter takes up as much space as her little body will allow.
“I love watching you take up space,” I tell her. « Read the rest of this entry »
January 31, 2019 § 1 Comment
This past Monday, I watched and cheered at my computer as the American Library Association’s Youth Media Awards were announced (more fun than the Oscars for #kidlit crazies like me). Most parents are familiar with the Caldecott and Newbery medals, but there are quite a few other awards distributed, many to recognize racial, cultural, and gender diversity. Overall, I was pleased to see many of my 2018 favorites come away with shiny gold and silver stickers. At the end of today’s post, I’ll include some of these titles, along with links to what I’ve written about them.
Today, I want to devote some space to Sophie Blackall’s Hello Lighthouse, which came away with the Randolph Caldecott Medal, for the “most distinguished American picture book for children.” (It’s actually the second Caldecott for Blackall, who won three years ago for this gem). Hello Lighthouse (Ages 6-9) is one of my very favorites from last year; and yet, I haven’t talked about it until now. Why is that? Perhaps because the art in this book is so endlessly fascinating, my observations continue to evolve with every read. I suppose I’ve been at a loss for words. « Read the rest of this entry »