Emily Dickinson: Perfect Reading for a Pandemic?
September 24, 2020 § 2 Comments
Not many people know this, but my daughter is named after Emily Dickinson. (Well, and the heroine of L.M. Montgomery’s Emily of New Moon.) I didn’t fall for Emily Dickinson’s poetry until I got to college, when I fell hard and fast and ended up featuring her poems in no fewer than seven essays, including my Senior Thesis. I had never been a big poetry lover, but there was something about the compactness of her poems which fascinated me. So much meaning was packed into such few words. And even then, the meaning was like an ever-shifting target, evolving with every reading.
To read Emily Dickinson is to contemplate universal truths.
Apart from reading Michael Bedard and Barbara Cooney’s 1992 picture book, Emily, I hadn’t had much occasion talk to my own Emily about her namesake. But that changed last spring, when my Emily started writing poetry of her own. Nothing about virtual learning was working for her, until her teachers started leading her and her classmates in poetry writing. Suddenly, my daughter couldn’t jot down poems fast enough, filling loose sheets of paper before designating an orange journal for the occasion. She wrote poems for school, for fun, and for birthday cards. It didn’t matter that they weren’t going to win awards for originality; what mattered was that she had found a means of self-expression during a stressful, beguiling time.
Jennifer Berne’s On Wings of Words: The Extraordinary Life of Emily Dickinson (Ages 7-10), stunningly illustrated by Becca Stadtlander, could not have entered the world at a more perfect time. It opens a dialogue, not only about Dickinson’s unconventional life, but about her poems themselves. At a time when a pandemic has prompted many of us and our children to turn inward, this picture book is less a traditional biography than an homage to the rich interior life developed by this extraordinary poet and showcased in her poetry.
Better Together (Maybe for the Apocalypse, Too?)
February 6, 2020 § 1 Comment
A year or so ago, I was at a summer garden party, all twinkling lights and umbrella drinks, when the conversation took a dark turn. Several folks, none of whom I knew terribly well, began to discuss and debate the provisions they had stored away in the event of an apocalypse. I sat quietly, picturing my own basement with its boxed wedding dress, foosball table, and toys I’d stashed hoping my kids wouldn’t notice so I could gradually move them to the donation bin, and realized how far a cry this was from the scene being described. No crates of non-perishable food, no industrial sized jugs of water, no iodine pills in the event of a nuclear attack, no walkie talkies, no axes, definitely no guns to take down squirrels that could comprise my protein quota.
“Don’t you worry about how you’re going to protect your family?” someone said to me, after I tried to make a joke about my foosball table. I conjured up an image of myself, defending my children against other crazed survivors—all of us presumably reduced to looters or murderers—and I said, only half joking, “In the case of an apocalyptic event, I think it would be best for the future of humanity if my family made a quick exit.” To put it mildly, living off the land in the dark and cold for an extended period of time isn’t really in our wheelhouse.
Last month brought a fresh wave of worry for those of us working hard not to picture End of the World scenarios. We were on the brink of a war with the Middle East. The continent of Australia was burning. A mysterious and deadly virus was (is) rapidly spreading out of China. If we believe apocalyptic-themed fiction, it’s not long until we will be wandering alone in the dark and cold, assuming we are unlucky enough to survive.
And yet, at a time when the news threatens to send us into an ethos of fear and anxiety—to fathom ways of constructing safe houses around our loved ones—children’s literature is there, reliably, with a hefty dose of optimism, a welcome respite from the dark and cold. Especially where gems like Hannah Salyer’s debut picture book, Packs: Strength in Numbers (Ages 5-9), are concerned, we would do well to remember that the animal kingdom has always survived when it turns towards, not away, from one another.
Seeing the World in Color
March 23, 2013 § 3 Comments
“It’s bud season! It’s bud season!” chanted my children earlier this week, after some long-awaited warm sunshine had beckoned us into the backyard. Thankfully, they were referring not to the beer (although my son’s soccer team does call themselves the Silver Bullets), but rather to the discovery of tiny little green bursts on the ends of our hydrangea bushes and crape myrtles. Since this is the first spring in our new house, our backyard is full of surprises, including yellow daffodils and purple crocuses and little red berries, all of which the children were delighted to point out to me as they raced back and forth across the lawn.
This springtime exuberance is exactly why I love Ashley Wolff’s Baby Bear Sees Blue (Ages 1-4), about a baby bear venturing forth from his den to discover the colors of the world. “Who is warming me, Mama?” asks Baby Bear. “That is the sun,” Mama says, as Baby Bear steps into a pool of brilliant yellow; “Baby Bear sees yellow.” And so begins a series of introductions to different colors, from the blue of the jays to the red of the strawberries to the grey of an approaching storm cloud. For months now, I have been trying (and failing) to teach my two year old her colors; at two and a half, she knows the names of all the colors and loves to exclaim “that’s purple!” or “that’s red!” for things that are, in fact, green or blue. I’m not obsessing about this, having drunk the Montessori Kool-Aid that she’ll learn on her own time (either that or someone will eventually tell me she’s color blind). But I figured it couldn’t hurt to start reading her books about colors, a rich topic in children’s literature (see my complete list of favorites at the end of this post).
Your Budding Naturalist
April 28, 2012 Comments Off on Your Budding Naturalist
Right now in preschools across the country, little eyes are glued to screened containers perched on shelves, waiting to behold one of nature’s most wondrous life cycles: the caterpillar’s transformation into a butterfly. (“Mommy, when the chrysalis shakes, that’s how you know there’s a lot of action going on inside!”)
I grew up reading Eric Carle’s The Very Hungry Caterpillar (and really, who doesn’t love a book with holes for sticking tiny fingers through?); but in my opinion, Ten Little Caterpillars (Ages 2-6), written by Bill Martin Jr. and illustrated by the great collage artist Lois Ehlert, has topped this subject matter.
Apart from its stunning visual feast for the eyes, the book speaks to children on a multitude of levels. First, there’s the simple rhyme, each double-page spread focusing on a single caterpillar’s unique journey: “The first little caterpillar crawled into a bower./ The second little caterpillar wriggled up a flower.” A few of the caterpillars don’t fare so well (it’s a dog-eat-dog world, after all): one meets with a “hungry wren,” another is “frightened by a hen.” It’s the tenth caterpillar that we get to watch hang patiently among the apple blossoms for three pages, until her chrysalis hatches to reveal a stunning orange-and-black “tiger swallowtail.”