September 24, 2020 § 1 Comment
Not many people know this, but my daughter is named after Emily Dickinson. (Well, and the heroine of L.M. Montgomery’s Emily of New Moon.) I didn’t fall for Emily Dickinson’s poetry until I got to college, when I fell hard and fast and ended up featuring her poems in no fewer than seven essays, including my Senior Thesis. I had never been a big poetry lover, but there was something about the compactness of her poems which fascinated me. So much meaning was packed into such few words. And even then, the meaning was like an ever-shifting target, evolving with every reading.
To read Emily Dickinson is to contemplate universal truths.
Apart from reading Michael Bedard and Barbara Cooney’s 1992 picture book, Emily, I hadn’t had much occasion talk to my own Emily about her namesake. But that changed last spring, when my Emily started writing poetry of her own. Nothing about virtual learning was working for her, until her teachers started leading her and her classmates in poetry writing. Suddenly, my daughter couldn’t jot down poems fast enough, filling loose sheets of paper before designating an orange journal for the occasion. She wrote poems for school, for fun, and for birthday cards. It didn’t matter that they weren’t going to win awards for originality; what mattered was that she had found a means of self-expression during a stressful, beguiling time.
Jennifer Berne’s On Wings of Words: The Extraordinary Life of Emily Dickinson (Ages 7-10), stunningly illustrated by Becca Stadtlander, could not have entered the world at a more perfect time. It opens a dialogue, not only about Dickinson’s unconventional life, but about her poems themselves. At a time when a pandemic has prompted many of us and our children to turn inward, this picture book is less a traditional biography than an homage to the rich interior life developed by this extraordinary poet and showcased in her poetry.
June 4, 2020 § Leave a comment
It means to be aware. It means to see your surroundings and challenge how we strengthen our relationship with the government, the community, and nature. To be WOKE is to fight for your civil rights and to fight for the rights of your neighbors…The idea of being aware of your surroundings, especially in a time when we are taught to be quiet and not rock the boat, can be difficult to embrace, but this is where our freedom begins.
The events of the last week are calling us to become woke. They are calling us to listen, especially to Black voices unleashing decades of pain and injustice. They are calling us to expand our bookshelves and our social media feeds to include more voices of color (@hereweeread and @theconsciouskid are a great place to start for parents). They are calling us to talk to our children about difficult topics like race, privilege, and racism and help them revise their summer reading lists to include stories by people of color. They are calling us to begin the uncomfortable and long-overdue work of examining the way our own whiteness makes us complicit in the sickness of systemic racism, because until we change what’s in our hearts, we can’t lead our children to do the same.
Topics like police brutality and racial profiling can be overwhelming and frightening to children of all races, but we can also use these conversations to empower them. “Rocking the boat” starts with finding the words to describe what’s happening and how it makes us feel—and then turning these words into beacons of inspiration, hope, and change.
We are being called to help our children find their voice, and I can think of no better vehicle than Woke: A Young Poet’s Call to Justice (Ages 8-12). Historically, poets have been on the forefront of social movements. Here, Mahogany L. Browne’s poems sit alongside those from Elizabeth Acevedo and Olivia Gatwood, serving as “instruction manuals and anthems,” as “literary heartbeats and blueprints of survival,” for our children to sift through cruelty and injustice and find the words and courage to speak out about them. Several of the poems address racial history and discrimination. Others speak to gender bias, immigration, activism, body image, physical disability, intersectionality, and our relationship with nature. Taken as a whole, the poems celebrate a definition of community that’s richer for its diversity of voices, skin colors, and genders. Double-page illustrations by Theodore Taylor III enhance the vibrancy of the poems. As “Instructions on Listening to the Trees” concludes, “We are all part of someone else’s journey/ That’s the way communities are built/ Each root sprawling toward the edge of an infinite smile.”
March 12, 2020 § 1 Comment
My daughter has had the same best friend for nine years. She met her when she was just beginning to run and climb, when I used to swing by our local playground—what we called the “Tot Lot”—after dropping her brother off at preschool. It was an instant connection, the likes of which I had never experienced with my son, and it stopped me in my tracks. Child development literature would have placed my daughter squarely in the realm of “parallel play.” So how to explain that she never let fall the hand of this other little girl, that they climbed and descended the small slide, crawled through plastic boulders, and scampered up and down artificial hills as one?
After spending nearly every day together for years, the girls don’t see each other as often now; they live about an hour apart. Still, when they get together, they pick up like no time has passed. They disappear into their own world: talking in whispers, inventing elaborate games, often so wrapped in each other’s arms that it’s hard to tell where one stops and the other begins. To witness their togetherness feels like being in the presence of something magical, something almost miraculous.
Julie Fogliano and Jillian Tamaki’s my best friend (Ages 3-7) came out only a week ago, but so enthusiastic has the response been from the kid lit world, I feel like the last person to sing its praises. (Still, wild horses couldn’t keep me from joining in the fun.) An homage to the giddy abandon exhibited in early childhood friendships—particularly those born on the playground—the book has all the makings of a classic. Fogliano’s free verse sings and soars with the stream of consciousness of a child tasting the deliciousness of friendship for the first time. (i have a new friend/ and her hair is black/ and it shines/ and it shines/ and she always laughs at everything) Tamaki’s muted palette of rusty pink and olive green lends the book a timeless, vintage feel, while the figures themselves spill and explode off the page, their excitement literally uncontainable.
February 27, 2020 Comments Off on Concluding Black History Month on the Train
Every year, once in the fall and once in the spring, I take each of my children on a mommy-and-me trip to New York City for a long weekend in the city where I grew up. We board the train in Alexandria, Virginia and make stops in Washington, D.C.; Baltimore, Maryland; Newark, Delaware; Philadelphia, Pennsylvania; and, finally, New York City, Penn Station. My kids have come to enjoy the train ride almost as much as the destination itself, glancing up from their books to watch the changing scenery speeding by—there is something innately lolling and contemplative about train travel—and anticipating the stops to come.
These same train stops come to life against an important and fascinating historical backdrop in Overground Railroad (Ages 4-9), a new picture book by superstar husband-and-wife team Lesa Cline-Ransome and James Ransome, whose Before She Was Harriet I praised around this same time last year. “Isn’t it supposed to be “Underground Railroad?” my daughter asked, when I picked up the book to read it to her. Admittedly, I was equally stumped. As the Author’s Note explains, most people are familiar with the covert network known as the Underground Railroad, which assisted runaway slaves on their journey to the North, usually on foot. Lesser known but often equally secretive, the Overground Railroad refers to the train and bus routes traveled by millions of black Americans during the Great Migration, a time when former slaves opted to free themselves from the limitations and injustices of sharecropping to seek out better employment and educational opportunities in the North. Faced with the threat of violence from the owners of these tenant farms, who relied on the exploitation of sharecroppers for their livelihood, those who escaped often had to do so under cover of night.
November 29, 2018 § 2 Comments
Raise your hand if you’re still reading poetry to your kids over breakfast. (Don’t know what I’m talking about? Read this.) We had a good run of it, but like most of my inspired parenting ideas, I eventually forgot about it. Turns out, I have just the book to resurrect this ritual. (Goodness knows we could use a return to Zen in our mornings.)
Sing a Song of Seasons: A Nature Poem for Each Day of the Year (Ages 6-12) is a gorgeous and hefty anthology, perfectly designed for Poetry Breakfasts (or the daily mindfulness of your choice). Each of the 365 poems has been astutely selected by Fiona Waters for a different day of the year, then evocatively illustrated in watery brush strokes and mixed media by Frann Preston-Gannon. « Read the rest of this entry »
September 6, 2018 Comments Off on The Social Science Experiment That Is Our Children’s Classroom
In our house, there is nothing like the last week of summer break to convince me that it’s time for my kids to go back to school. I enter into that final vacation week with a heavy heart, prematurely mourning our weeks of togetherness (my kids finally being at the ages where the balance is tipped more towards fun than exhausting).
And then—perhaps because we know our break-up is inevitable and we’re trying to make the case to ourselves—we turn on one another. We bark, we snap, we storm out of rooms. Neither child agrees to any game the other proposes (well, except Rat-a-Tat-Cat; thank goodness for Rat-a-Tat-Cat). Particularly telling: no one seems capable of losing themselves in a book anymore—chapters are abandoned before they are even a quarter completed. Suddenly, the lack of structure we previously relished seems precarious, foolhardy, even downright dangerous.
They need to go back. « Read the rest of this entry »
March 22, 2018 § 2 Comments
If you had told me ten years ago, after my first child was born, that three years later I would quit my job, move across the country, and stay home with by then two young children, I would not have believed a word of it. Not in the least because I loved my job, loved the social outlet of going to work every day, loved having others validate my successes, loved a paycheck, and loved having the childcare that allowed me to do all that and still relish quality time with my little one. Sure, I had days when I felt pulled in way too many directions and fantasized about going off the grid. But I never really expected I’d feel fulfilled any other way. I was, after all, a self-identified feminist. I had minored in women’s studies in college. I always intended to model for my children what it meant to be have a successful, robust career outside the home.
And then, for a host of reasons I never saw coming, I made the choice to stay home. « Read the rest of this entry »
January 25, 2018 § 1 Comment
I heard a story shortly before the holidays which I haven’t been able to get out of my head. It was from an associate who serves with me on the Capitol Choices Committee. Normally, in our monthly meetings, we are all business: we get in, we debate that month’s new titles, and we get out. But, at the end of our December meeting, this librarian asked to deliver a few personal remarks. She told us how she had been in New York City the weekend prior (funny enough, so had I) and had been walking on Sunday evening to Penn Station for her train home. It was blustery, growing colder by the minute, and the streets were still dusted with the previous day’s snow. About half a block ahead of her was a man. She described him as middle-aged, well-dressed in a dark wool overcoat, and carrying a briefcase. Keeping pace behind him, she watched as the man suddenly took off his coat, draped it over a homeless man sitting in a doorway, and kept walking. All without missing a beat. « Read the rest of this entry »
April 21, 2016 Comments Off on Standing Greek Gods On Their Heads
My eight year old has been on a Greek mythology craze for the past six months. For years, he has been hearing references to mythology made in his mixed-ages classroom, has been seeing classmates walk in and out of school with related books tucked under their arms, has even been listening to one classmate proclaim the pomegranate seeds in her lunch to be the “fruit of the gods”—but he has never showed any genuine interest himself.
Until now. « Read the rest of this entry »
April 7, 2016 § 2 Comments
National Poetry Month always comes as a nudging reminder that I should incorporate poetry into my read-aloud time with my children. Even beyond all the compelling research, which reveals that poetry helps younger kids hone reading skills and older kids develop stronger comprehension, one could easily argue that there’s no greater medium to seduce children into falling in love with language. Lifetime readers are born out of love like this.
Still, it’s easier said than done. When I’m tired at the end of a day, when the dishes are piled in the sink and I’m yearning for a little veg time on the couch, it’s hard to summon up the energy for a poem while tucking in the kids. A chapter from a novel we’re already hooked on? Always. A picture book with a straightforward narrative? No hesitation. A poem that may require multiple readings, clarification, and discussion? Oh, will you look at the time… « Read the rest of this entry »
February 26, 2015 § 2 Comments
News flash: right now, under your very own backyard or front porch, there could be as many as 20,000 garter snakes huddled together, using the body warmth of one another to wait out these cold winter months. SAY WHAT? If you think I’m exaggerating, I’m not. And now you, too, can be reminded of said news flash by your seven year old every morning as you leave the house. All thanks to one of twelve poems in Winter Bees & Other Poems of the Cold (Ages 6-12), the latest lyrical and visual masterpiece by poet Joyce Sidman and printmaker Rick Allen.
Thankfully, Winter Bees IS a masterpiece, so you won’t mind reading about snakes, which may or may not be lurking in “hibernaculums” beneath the ground on which you tread (if you remember, our snake obsession started here). Thankfully, too, most of the poems in Winter Bees are more beautiful than creepy, inspiring awe for animals like tundra swans, moose, beavers, moles, and chickadees, as well as frosty events, like ice crystal formation. « Read the rest of this entry »
July 23, 2014 § 1 Comment
For all the reading that we intend to do with our children in the summer, many of the days pass instead in a sweaty haze of shifting feet, slamming doors, and long afternoons at the pool. By the time our little ones are ready for bed, their eyelids (and mine, if I’m being honest) are too heavy to sustain more than a few pages.
For this Reading Deficit Disorder that hits right about July, I have just the prescription, which you will want to dish out to your own family, as well as wrap up for all those summer birthday parties. I’m talking about POETRY! Poems are the answer! Allow me to introduce the delightful and timely-titled anthology, Firefly July: A Year of Very Short Poems (Ages 5-11), with poems selected by Paul B. Janeczko and spectacular mixed-media illustrations by Melissa Sweet (yes, I’ll say it again: I adore everything that Sweet puts her hands on). « Read the rest of this entry »
May 15, 2014 § 1 Comment
We’re all about birds this spring. Well, to be fair, I’m all about birds, but I’m filling my kids’ baskets with bird-related books, in hopes that they will catch on, too. I can’t help myself. There’s something about Spring Fever that drives me to obsess about some natural wonder alive and transforming outside my window (see past years’ obsessions with trees and worms). And what better way to drag my children along on this journey than through non-fiction picture books, which pair beautiful illustrations and poetic text with fascinating information?
I didn’t exactly choose birds as this year’s subject matter. They chose me. They chose me by waking me up at 4:30am with their frantic, high-pitched chirping. They chose me by making a nest between our roof and my bedroom ceiling, fast and furious work that sounded as if a much larger animal was ripping down sheets of metal. They chose me by distracting my children over breakfast, encouraging bowls of oatmeal to sit half-eaten, in favor of watching a pair of cardinals dancing in the dogwood outside our dining room window (my children are convinced that “Buddy” and “Lady Buddy” followed us two years ago when we moved up the hill to our current house). Let’s just say that the time seemed ripe to learn a thing or ten about the busy birds around us.
What I discovered was a treasure trove of non-fiction picture books starring birds, many published in recent years. I’ve shared my complete list of favorites at the end (with picks through age 10), but I had so much trouble choosing one to focus on here, that I have to expound on two. The first is Rita Gray’s Have You Heard the Nesting Bird? (Ages 3-6), illustrated by Kenard Pak. This is one of those deceptively simple picture books that educates as it delights. « Read the rest of this entry »
April 29, 2014 § 3 Comments
On the Monday morning following Easter, JP crawled into my bed with a new book and proudly announced, “Mommy, I am going to read you some poems. I have lots of favorites. Some of them are very funny. Also some of them are very weird. A few of them I don’t even understand!” And hence followed one of the most enjoyable 45 minutes that I’ve had in awhile. All thanks to J. Patrick Lewis and Douglas Florian’s new Poem-Mobiles: Crazy Car Poems (Ages 5-10).
“Children dive into poetry with the same natural ease as swimmers into water, climbers into trees, and sleepers into dreams…Poetry’s narrative, rhythm and vibrant imagery is the real language of childhood.” So begins a recent online article in The Guardian about a movement among educators and publishers to bring back children’s poetry from “near extinction.” Why, if poetry is so intuitive, so enticing, for children, is it in danger of dying out? The article points a finger at booksellers, many of whom (and I admit to being guilty of this at one time) struggle with how to display and shelve a hard-to-pin-down category. Not considered picture books, not considered chapter books, they end up in their own “poetry” section way off in No Man’s Land. When was the last time you sought out the poetry shelves at your bookstore? « Read the rest of this entry »
March 25, 2014 § 1 Comment
A rousing op-ed piece by acclaimed children’s author Walter Dean Myers, recently appearing in The New York Times, poses the uncomfortable question: “Where Are the People of Color in Children’s Books?” The startling statistic cited at the beginning reveals that of the 3,200 children’s books published in 2013, only 93 were about black people. Myers later compares this statistic to the 40% of public school students nationwide who are black or Latino. As a black boy growing up in Harlem, Myers’ initial love affair with reading quickly turned to disinterest, as he discovered the glaring lack of literary characters who looked and lived like him. As an adult, Myers has dedicated his career to writing prolifically about inner-city youth, calling his novels “a validation of their existence as human beings.” But it’s about more than providing validation to people with color, he notes. It’s also about how these individuals are seen by the rest of us:
Books transmit values. They explore our common humanity. What is the message when some children are not represented in those books?
As someone who sold picture books for many years, what often strikes me about today’s offerings for young people is not the lack of books featuring people of color (that is clearly a fact), but how quickly a book with a black figure on its cover almost always signifies a story about a “race issue,” be it a story about a slave traversing the Underground Railroad or one about a contemporary black girl overcoming her classmates’ prejudice to star in the school play. Many of these are beautiful, powerful picture books—but they are also ones that, too often, only end up seeing the light of day during calendar events like Black History Month. Especially among white families, they are treated more like “teaching tools” for the classroom and less like the books we purchase and leave strewn around our house, hoping for our children to discover and devour them. « Read the rest of this entry »
March 7, 2014 § 3 Comments
Normally, I’m all for aspiring to live in the moment. But not right now. Not this week. Because, it’s March, people, and the ground is once again covered in snow; we’ve lost another two days of school; it’s grey and cold and, frankly, there’s nothing to be gained from living in this moment.
Instead, our family is busy making plans for the future—and living in the delicious anticipation of those plans. My kids are dreaming up the giant sandcastles they intend to make on our upcoming trip to Florida (I am dreaming up the cocktails I intend to make). We are gazing out the window at the trees we planted last fall, wondering what they are going to look like with new, green leaves. JP is plotting how much money he might make selling freshly-squeezed lemonade on the hottest of summer days. And, because September is only six months away, both kids are beginning the daily debate about what their birthday parties should entail. Normally, I might interject a dismissive, “well, we’ll have lots of time to discuss that when it’s closer to the date”; but, right now, what else do I have to do? Sure, let’s talk about how the cake needs to have your name on it (“so everyone knows it’s my birthday”) and how the balloons need to be tied down just right so that they don’t blow away (“like that one time”). Bring it.
I’m betting that others are in the same boat. And that’s why I’m betting that Jon J. Muth’s brand new Hi, Koo!: A Year of Seasons (Ages 3-8) will be a sure bet for anyone in need of some assurance that spring (and summer) are just around the corner. « Read the rest of this entry »
May 17, 2013 § 3 Comments
I’m often asked to recommend chapter books that lend themselves to reading aloud, either for a classroom setting or for a parent reading to an elementary-aged child. This is no small order: you need something where the subject matter isn’t too frightening or mature for the 5-8 year old set; you need something that’s going to engage the adult reader as much as the child (there’s no law that says this can’t be enjoyable for us!); and you need something that transcends the plot-driven, early-reader books that kids are reading on their own and helps them develop a taste for the kind of diverse language and emotionally-rich storytelling that will hopefully influence their reading choices in the future. This past winter, we read to my son the classic Little House on the Prairie series, which I adored as a child and whose themes feel just as timeless and important as ever (family values, the rewards of hard work, celebrating the non-material joys in life). But Laura Ingalls Wilder’s writing can also be quite tedious to read aloud, packed with lengthy explanations (twenty pages devoted to smoking a pig?) and repetitive sentence structures. There were moments when I could feel JP’s attention wandering, despite his avid assurance each night that he wanted to read more, more, more.
But then we finished that series and began Marion Dane Bauer’s stand-alone novel Little Dog, Lost (Ages 8-12, younger if reading aloud), published just last year, and it felt like a breath of fresh air. Here’s a book where not a single word is wasted, a book whose text flows off the tongue with such buttery smoothness that most of the time I couldn’t bring myself to stop when I got to the end of a chapter (that’s right, I was actually choosing in those moments to delay bedtime). Bauer achieves this incredible richness of language by breaking with a major narrative tradition: she writes her novel in free verse, creating chapters out of short, staccato poems, which loosely string together and sometimes even repeat words and phrases, all the while telling a very clear and cohesive story. There are 44 of these untitled poem-chapters; and they switch off narrating from the viewpoints of children, adults, and animals—all of whom live in a small contemporary town called Erthly and whose lives are forever touched by an incident involving a lost dog searching for someone to love him.
Freed from the confines of conventional narration, Bauer is able to cut straight to the emotional core of her characters—and the result is a story that children will feel deep in their hearts. Animal stories inherently engender sympathy from children (not coincidentally, some of JP’s favorite moments in the Little House books revolve around the Ingalls’ faithful dog, Jack). At the center of Little Dog, Lost is Buddy, an orphaned dog with “ears like airplane wings,” who “dances” along the sidewalk, longing for a home with “chasing balls,/ ear scratches,/ kisses.” Children will easily relate to Mark, a young boy “who had wanted a dog for as long as he could remember./ He had asked for a dog./ He had begged for a dog./ He had pleaded and prayed and whined for a dog./ Once he’d even tried barking for a dog.” And who wouldn’t be intrigued by a mysterious old man named Charles Larue, who lives alone in a pointy-towered mansion and never speaks to anyone? Throughout the story’s suspenseful twists and turns, even amidst the humorous touches (many coming from a bossy tabby cat who thinks he’s a dog), the story never strays from the hopes and dreams of its relatable, big-hearted characters. It’s fair to say that my son had a full-body experience while listening to this book. He chuckled, gasped, and emitted little exasperated grunts; he covered his eyes and held his breath; he beat his fists on the bed; he cheered; he hugged my arm to pieces; and he shed more than a tear or two (as he says, “I have a little water in my eyes right now because I’m so happy.”). Now that’s a chapter book.
Other Favorite Read-Aloud Chapter Books With Animals & Lots of Heart:
The Cricket in Times Square, by George Selden (Ages 5 & up*)
Charlotte’s Web, by E.B. White (Ages 5 & up)
The Trumpet of the Swan, by E.B. White (Ages 5 & up)
Mr. Popper’s Penguins, by Richard Atwater (Ages 5 & up)
Ginger Pye, by Eleanor Estes (Ages 6 & up)
The One and Only Ivan, by Katherine Applegate & Patricia Castelao (Ages 6 & up)
*Please note that these ages are assuming the reading is being done by an adult. For a child reading independently, the age range would be closer to eight and up.
April 30, 2013 § 3 Comments
A customer once said to me, “Nursery rhymes are what parents used to have to read before better books were written.” A bit harsh, maybe, but there was a time when I could very much relate to this sentiment. With my firstborn, I quickly passed up Mother Goose in favor of reading him plot-driven stories featuring animals (my choice) or construction vehicles (his choice) or Richard Scarry (our compromise).
But then my daughter was born and my opinion of these verses—albeit old-fashioned, nonsensical, and odd—changed. Emily was born with an ear for music; she hears a song once and weeks later she’s belting out a bastardized version from her bed. Early on, her musical predisposition translated to reading material. The two Mother Goose board books on our shelves, whose spines were barely cracked by her brother, became Emily’s prized possessions (the better of the two being Tomie dePaola’s Tomie’s Little Mother Goose).
April 22, 2013 § 2 Comments
Earlier today, in honor of Earth Day, I shared Dr. Seuss’ The Lorax (Ages 5-10) with the elementary children at my son’s Montessori school. While most people associate Dr. Seuss with the nonsensical but catchy I-Can-Read titles, like Green Eggs and Ham, I would argue that his narrative poems—his longer, more complex, often moralistic stories—were actually his greatest gift to children. Not only do these stories showcase a mastery of rhyme that is virtually unmatched in contemporary children’s literature, but many of them also serve as cautionary tales, introducing children to the dangers of things like running away from your problems (I Had Trouble in Getting to Solla Sollew), or prejudice (The Sneetches), or, as in the case of The Lorax, industrialization at the expense of natural resources.
The Lorax, a “brownish,” “mossy,” raspy-voiced creature, who famously utters, “I speak for the trees for the trees have no tongues,” may have been conjured up by Dr. Seuss in 1971, but his environmental message resonates just as clearly today. And yet, there’s a second hero in this story, one with greater power than The Lorax himself. I’m referring to the unnamed child, who appears at the beginning and the end of the story—the one to whom the Once-ler relates (and repents) his decision to knit every last Truffula Tree into an ambiguous but allegedly multipurpose Thneed, “which everyone, EVERYONE, EVERYONE needs.” This child, to whom the Once-ler entrusts the very last Truffula seed, along with instructions to nurture it with water and clean air, literally holds the future of the planet in his hands; he is the reader’s hope for a happy ending. « Read the rest of this entry »