2019 Gift Guide: My Favorite Read-Aloud of the Year (Finding Your Own Rhythm)
November 27, 2019 § 3 Comments
Last week, I told you about My Favorite Picture Book of the Year. I also told that you that, this year, I had two favorites. In fact, this second may be one of my favorite read-alouds ever. Seriously. Want me to swing by right now and read this to your kids? I’m in. Though I think they’d probably have more fun if you did it.
On the surface, Matthew Forsythe’s Pokko and the Drum (Ages 3-7) has a straightforward premise: girl gets drum; girl finds a way of expressing herself; girl wins over her skeptical parents. The originality lies entirely in Forsythe’s execution: a color palette at once earthy and whimsical; strategic use of white space to control pacing; expressive animal figures; subversive humor; and page turns perfectly timed for dramatic impact.
Forsythe’s dry humor kicks off in the story’s opening sentence: “The biggest mistake Pokko’s parents ever made was giving her a drum.” Proving that her parents know a thing or two about mistakes, we get a quick visual look at some of their previous ill-conceived gifts: “the slingshot” (launches Pokko), “the balloon” (up, up, and away), and—my personal favorite—“the llama” (destroys the house). « Read the rest of this entry »
Connecting Through Diversity
March 25, 2014 § 1 Comment
A rousing op-ed piece by acclaimed children’s author Walter Dean Myers, recently appearing in The New York Times, poses the uncomfortable question: “Where Are the People of Color in Children’s Books?” The startling statistic cited at the beginning reveals that of the 3,200 children’s books published in 2013, only 93 were about black people. Myers later compares this statistic to the 40% of public school students nationwide who are black or Latino. As a black boy growing up in Harlem, Myers’ initial love affair with reading quickly turned to disinterest, as he discovered the glaring lack of literary characters who looked and lived like him. As an adult, Myers has dedicated his career to writing prolifically about inner-city youth, calling his novels “a validation of their existence as human beings.” But it’s about more than providing validation to people with color, he notes. It’s also about how these individuals are seen by the rest of us:
Books transmit values. They explore our common humanity. What is the message when some children are not represented in those books?
As someone who sold picture books for many years, what often strikes me about today’s offerings for young people is not the lack of books featuring people of color (that is clearly a fact), but how quickly a book with a black figure on its cover almost always signifies a story about a “race issue,” be it a story about a slave traversing the Underground Railroad or one about a contemporary black girl overcoming her classmates’ prejudice to star in the school play. Many of these are beautiful, powerful picture books—but they are also ones that, too often, only end up seeing the light of day during calendar events like Black History Month. Especially among white families, they are treated more like “teaching tools” for the classroom and less like the books we purchase and leave strewn around our house, hoping for our children to discover and devour them. « Read the rest of this entry »
Embracing Ordinariness
February 26, 2014 § 6 Comments
The lovely new picture book, ExtraOrdinary Jane (Ages 3-100), by first time author-illustrator Hannah E. Harrison, has me all fired up—but in a good way. Jane, a fluffy little white circus dog, “was ordinary, in a world that was extraordinary.” She isn’t “mighty” like her elephant-lifting father, or “graceful” like her ballerina mother. She isn’t “daring” enough to be shot out of a cannon like her six canine brothers. Try as she does to “find her special talent,” she encounters either mediocrity (her paintings lack “pizzazz”) or failure (her musical renditions send others running).
While the book may be set in a circus, its poignant, carefully worded message is clearly intended to transcend the Big Top. Recently, I’ve been thinking a lot about what it means to be ordinary in our increasingly supercharged, achievement-obsessed society. Bringing up kids today means confronting talent at seemingly every turn: the athlete that tears down the soccer field; the six year old who is already in her third year of violin; the kid who reads at three grade levels above her peers. It’s not enough for children to be good at something; they are expected to be the best. When I was growing up, it wasn’t until I was applying to college that I was asked to think about the concept of “expertise.” Today, the question is on preschool applications: “What special skills/talents does your child have?” « Read the rest of this entry »