November 27, 2019 § 3 Comments
Last week, I told you about My Favorite Picture Book of the Year. I also told that you that, this year, I had two favorites. In fact, this second may be one of my favorite read-alouds ever. Seriously. Want me to swing by right now and read this to your kids? I’m in. Though I think they’d probably have more fun if you did it.
On the surface, Matthew Forsythe’s Pokko and the Drum (Ages 3-7) has a straightforward premise: girl gets drum; girl finds a way of expressing herself; girl wins over her skeptical parents. The originality lies entirely in Forsythe’s execution: a color palette at once earthy and whimsical; strategic use of white space to control pacing; expressive animal figures; subversive humor; and page turns perfectly timed for dramatic impact.
Forsythe’s dry humor kicks off in the story’s opening sentence: “The biggest mistake Pokko’s parents ever made was giving her a drum.” Proving that her parents know a thing or two about mistakes, we get a quick visual look at some of their previous ill-conceived gifts: “the slingshot” (launches Pokko), “the balloon” (up, up, and away), and—my personal favorite—“the llama” (destroys the house). « Read the rest of this entry »
March 16, 2019 § 4 Comments
My daughter received a bigger, bolder, faster bike for Christmas—and her enthusiasm to break it in is matched only by her despair that it only ever seems to rain or snow. As she waits for spring to spring, she has been making do with living vicariously through the heroine of the middle-grade novel, The Adventures of a Girl Called Bicycle (Ages 9-12), by Christina Uss, which I just finished reading to her. The speed with which we tore through this quirky, funny, heartfelt story—about an unconventional twelve year old, who bicycles by herself from Washington, DC to San Francisco in an effort to prove something to the adults in her life—is a testament to the appeal of the open road. « Read the rest of this entry »
December 15, 2018 Comments Off on Gift Guide 2018: My Favorite Graphic Novel of the Year
Vera Brosgol’s Be Prepared (Ages 9-13), about the horrifying, hilarious, and (occasionally) happy moments spent at sleepaway camp, is my favorite middle-grade graphic novel of the year. (I should add that it’s followed very closely by the subversive rags-to-riches The Prince and the Dressmaker, by Jen Wang, but since I’m running out of time, you’ll have to take my word on that one.) Brosgol’s novel, told appropriately through an army green color palette, is a fictionalized memoir of her own childhood experience at a Russian Orthodox sleepaway camp in the early ’90s; and it tugs at our heartstrings as much as it cracks us up. Because even though her camp is at times a horror show, Brosgol nails what it’s like to be away from home at such a trying and impressionable age. « Read the rest of this entry »
June 21, 2018 § 4 Comments
Before I sing the praises of Jessica Love’s triumphant, must-read new picture book, Julián is a Mermaid (Ages 4-8), a story celebrating self-love and unconditional acceptance, I need to come clean on something that happened four years ago in our house.
In 2014, when my children were four and seven, a box arrived from Penguin Group. In the box was a stack of picture books for possible review; all except one were titles I had requested. “I’m going to throw in an extra book, which I bet you would love to write about,” my rep and good pal, Sheila, had told me. My kids did what they do every time a box like this arrives: they dragged it over to the sofa, climbed up next to me, and began pulling out books for me to read. When they pulled out I am Jazz, I didn’t recognize the title or the cover, so I figured it was Sheila’s pick. We dove in blind. « Read the rest of this entry »
December 7, 2017 § 3 Comments
As promised, here is a roundup of my favorite middle-grade fiction of 2017, a mix of graphic and traditional novels, targeted at tweens or older. Not included are titles I blogged about earlier in the year—gems like The Inquisitor’s Tale, The Wild Robot, and See You in the Cosmos, which would make excellent additions to this list. Also not included are books I haven’t read yet—particularly Amina’s Voice, Nevermoor, The Stars Beneath Our Feet, and Scar Island (by the same author as the riveting Some Kind of Courage)—which would likely be on this list if I had. The Misadventures of the Family Fletcher, which I adore, has a sequel out this year which I’m dying to read. And I should also mention that if my son were making this list, he would undoubtedly note that it has been a stand-out year for new installments in his favorite series, including this, this, this, this, and this.
Now, without further ado, let’s sink our teeth into these richly textured and meaty stories, filled with angst and adventure, secrets and self-discovery. « Read the rest of this entry »
October 29, 2015 § 2 Comments
In preparation for our recent trip to New York City, I wanted to select a chapter book to read to my eight year old that would inspire our itinerary. Last year, you might remember that we read two fantastic books which took us straight to The Metropolitan Museum of Art. It was amazing to watch JP anticipate what he would find in the museum, based on what he had read—and then to leave a few hours later with a skip in his step and an entirely different experience from what he had expected. This is the power of art: to transform, to surprise, to delight.
I was secretly hoping I could convince JP to go back to The Met this fall, so I scrounged up another novel set in and around the museum. Beginning a few days before we left and concluding on the train ride home (where the woman sitting behind us remarked, as we were getting off, “Thank you for that delightful story!”), I read aloud Elise Broach’s moving and riveting Masterpiece (Ages 9-12), which features a boy, a beetle, and an art heist staged around a masterpiece on loan to The Met.
June 4, 2015 § 4 Comments
This was how I discovered that my seven year old had been spending his recess time, alongside several of his classmates, building fairy houses out of twigs, stones, moss, leaves, and mud; filling them with wild onion stems; and then returning the next day to discover with delight that things were not exactly as they’d left them. This obsession with fairy houses would later move into our own backyard (with the addition of miniature serving plates fashioned from the caps of milk bottles), and the momentum seems only to be building.
I don’t live under a rock, so I’m aware that fairies are EXTREMELY POPULAR. I was just a bit surprised that my skeptical and scientifically-minded son, the same being who reminds me that there is no such thing as witches, wizards, monsters, and dragons; who loves to do a magic trick and then immediately reveal the technique behind it; who appears (with the exception of Santa Claus and the Easter Bunny) to have his two feet squarely rooted in reality—that this person would suddenly talk about fairies as if they were as ordinary an occurrence as the postal workers walking through our neighborhood. “I don’t have to see a fairy to know they’re real,” he told me. “Just look outside—there are signs everywhere.”
Don’t get me wrong. JP’s belief in fairy magic, in the idea of miniature people living miniature lives amidst the trees and leaves and grass, makes me bubble over with happiness. (Yes! Let’s believe in what we cannot see! Yes! Let’s find more reasons to play in the dirt!). But the best part? My son’s new-found interest presented the perfect excuse to purchase a book that I (shame on me) had been saving for when my daughter got a little bit older.
I’m frequently asked by parents for recommendations of fairy-themed chapter books. This isn’t just because fairy lore is undergoing a kind of comeback (or maybe it never left?). It’s also because, despite the high demand, there is a surprising dearth of quality literary offerings. Yes, I know your daughter is obsessed with the Rainbow Fairies series, for its colorful covers and overtly girly content, but have you tried reading one of those awkwardly-constructed, downright-insipid books aloud? Bleh. Let her read those on her own if she must. In the meantime, do both of you a favor and get your hands on Laura Amy Schlitz’s The Night Fairy, which is EVERYTHING A FAIRY BOOK SHOULD BE. This is reading aloud at its best.
Since it came out in 2010, The Night Fairy (Ages 5-10, if reading aloud) has become one of my favorite books to give as a gift. Hold the 117-page hardcover in your hands, and you know you are dealing with something special. It’s petite (as a book about a fairy should be); its pages are thick and glossy; and it features exquisite watercolor plates by British illustrator Angela Barrett. But here’s the clincher: the writing is absolutely exquisite. The descriptive passages soar. The action is tight. The multidimensional characters tug at our heartstrings. And—drum roll please—the story is steeped in the natural world, in the world right outside our front door. « Read the rest of this entry »
March 25, 2014 § 1 Comment
A rousing op-ed piece by acclaimed children’s author Walter Dean Myers, recently appearing in The New York Times, poses the uncomfortable question: “Where Are the People of Color in Children’s Books?” The startling statistic cited at the beginning reveals that of the 3,200 children’s books published in 2013, only 93 were about black people. Myers later compares this statistic to the 40% of public school students nationwide who are black or Latino. As a black boy growing up in Harlem, Myers’ initial love affair with reading quickly turned to disinterest, as he discovered the glaring lack of literary characters who looked and lived like him. As an adult, Myers has dedicated his career to writing prolifically about inner-city youth, calling his novels “a validation of their existence as human beings.” But it’s about more than providing validation to people with color, he notes. It’s also about how these individuals are seen by the rest of us:
Books transmit values. They explore our common humanity. What is the message when some children are not represented in those books?
As someone who sold picture books for many years, what often strikes me about today’s offerings for young people is not the lack of books featuring people of color (that is clearly a fact), but how quickly a book with a black figure on its cover almost always signifies a story about a “race issue,” be it a story about a slave traversing the Underground Railroad or one about a contemporary black girl overcoming her classmates’ prejudice to star in the school play. Many of these are beautiful, powerful picture books—but they are also ones that, too often, only end up seeing the light of day during calendar events like Black History Month. Especially among white families, they are treated more like “teaching tools” for the classroom and less like the books we purchase and leave strewn around our house, hoping for our children to discover and devour them. « Read the rest of this entry »
February 26, 2014 § 6 Comments
The lovely new picture book, ExtraOrdinary Jane (Ages 3-100), by first time author-illustrator Hannah E. Harrison, has me all fired up—but in a good way. Jane, a fluffy little white circus dog, “was ordinary, in a world that was extraordinary.” She isn’t “mighty” like her elephant-lifting father, or “graceful” like her ballerina mother. She isn’t “daring” enough to be shot out of a cannon like her six canine brothers. Try as she does to “find her special talent,” she encounters either mediocrity (her paintings lack “pizzazz”) or failure (her musical renditions send others running).
While the book may be set in a circus, its poignant, carefully worded message is clearly intended to transcend the Big Top. Recently, I’ve been thinking a lot about what it means to be ordinary in our increasingly supercharged, achievement-obsessed society. Bringing up kids today means confronting talent at seemingly every turn: the athlete that tears down the soccer field; the six year old who is already in her third year of violin; the kid who reads at three grade levels above her peers. It’s not enough for children to be good at something; they are expected to be the best. When I was growing up, it wasn’t until I was applying to college that I was asked to think about the concept of “expertise.” Today, the question is on preschool applications: “What special skills/talents does your child have?” « Read the rest of this entry »
December 19, 2013 § 5 Comments
Many of us remember the first novels we read, the ones that instilled in us a love of reading (off the top of my head: A Secret Garden, A Wrinkle in Time, anything written by Ruth Chew…). Earlier this year, the prolific writer, Neil Gaiman, wrote a beautiful defense of fiction, which I absolutely love. Fiction, he claims, is not only our best entry into literacy (the what-will-happen-next phenomenon being utterly addictive), but it teaches, above all, the power of empathy:
“When you watch TV or see a film, you are looking at things happening to other people. Prose fiction is something you build up from 26 letters and a handful of punctuation marks, and you, and you alone, using your imagination, create a world and people in it and look out through other eyes. You get to feel things, visit places and worlds you would never otherwise know. You learn that everyone else out there is a me, as well. You’re being someone else, and when you return to your own world, you’re going to be slightly changed.”
I’ve thought a lot about Gaiman’s words, as my six year old and I have been devouring some of the year’s newest chapter books. I’m hoping some of our favorites will find a way into your bedtime routines as well, beginning with Gaiman’s newest novel, Fortunately, the Milk (Ages 7-10, younger if reading aloud). This fantastically over-the-top book begs to be read aloud and is itself a kind of commentary on the power of storytelling. In an attempt to entertain his rambunctious children during their mother’s business trip, a father spins a fantastical tall tale (think pirates, piranhas, aliens, and singing dinosaurs all in the same breathlessly-paced story) about what happens when he goes to the store for a simple carton of milk. « Read the rest of this entry »