April 28, 2022 § 2 Comments
You didn’t actually think I’d let National Poetry Month go without loving on a few new poetry books, did you? Now wait. I know poetry scares some of us—or scares our kids—but, like with everything from green vegetables to voting, early and often are the keys to success. National Poetry Month will always be a great excuse to infuse our shelves with a new title or three—and maybe re-visit a few that have been languishing. Getting kids comfortable around poetry means deepening their relationship with language, especially figurative language, which will carry them far in any creative pursuit, not to mention the non-linear thinking increasingly rewarded in business.
My greatest parenting win around the subject of poetry remains the year we read a poem from this gorgeous anthology every morning over breakfast. I heartily recommend forgoing conversation for poetry in the mornings! (I hear caffeine’s good, too.) When a new title came out in this same series last fall, I had high hopes we’d rekindle this ritual, but with my teen out the door so much earlier than his sister, this hasn’t happened.
So, consider today’s post as much about my own need to recommit to poetry—something my kids rarely gravitate towards without a nudge—as about inspiring you to do the same. In that vein, I’ve got two vastly different new poetry picture books: one for the preschool crowd and the other for elementary kids. The first is an absolute delight to read aloud, while the second is perhaps better left for independent readers to contemplate privately.
Take Off Your Brave: The World Through the Eyes of a Preschool Poet (Ages 3-6) is a collection of poems written by an actual four-year-old boy named Nadim, using his Mom as a “dictaphone.” Talk about making poetry feel accessible to kids! Here, Nadim gives us a window into the way he sees the world: his dream school, his best things, his “scared-sugar” feelings. Each poem is playfully brought to life by award-winning illustrator, Yasmeen Ismail.
Ted Kooser and Connie Wanek’s Marshmallow Clouds: Two Poets at Play Among Figures of Speech (Ages 8-12, though adults will love this, too) is one of the most simultaneously quirky and powerful poetry collections I’ve encountered, a look at what happens when we unleash our imaginations on the natural elements around us. And it’s as much an art book as a poetry book! Artist Richard Jones is already getting Caldecott buzz for his gorgeous, full-bleed illustrations that accompany each of the 28 poems.
Both of these special books speak to the magic of poetry: the way it enables us to process the creative, off-kilter, silly, sometimes contradictory ways we see or experience the world. For as many hang-ups as we have around poetry—its perceived obtuseness, its relegation to the realm of intellectuals—these books remind us that poetry is as simple as conjuring a moment and penning it in a non-traditional way. These poems celebrate the poets in all of us.« Read the rest of this entry »
November 18, 2021 § 6 Comments
Those of us raising bibliophiles—or, should I say, those of us prone to over-indulging on books all year long—are sometimes stumped about what to wrap up for the holidays. What books differentiate themselves as holiday-worthy? Of course, I personally think a great book is as much at home under a Christmas tree as packed in with the groceries on a random Thursday…but I do appreciate that some books have show-stopping power.
And so, I give you these selections for kids and tweens. With a promise that parents will enjoy them almost as much.« Read the rest of this entry »
April 15, 2021 Comments Off on Seasonal Poems with a Twist (National Poetry Month)
I have a soft spot for picture books with poetry organized by season. I’m not sure whether I’m particularly drawn to nature poetry, or whether these types of poems just tend to dominate picture book publishing. All I know is that back when my children were smaller, when there were at least twelve extra hours in every day, it made me happy to track the changing world outside our window with delightful little nuggets of word play.
Consequently, no shortage of wonderful poetry picture books has appeared in these pages. I’ve sung the praises of When Green Becomes Tomatoes: Poems for All Seasons, Firefly July: A Year of Very Short Poems, A Child’s Calendar, and Winter Bees & Other Poems of the Cold. And, of course, we can’t forget the meaty anthology, Sing a Song of Seasons: A Nature Poem for Each Day of the Year, which, given how many of you have reached out to me, remains one of the most popular books I’ve recommended (just wait until you see its follow-up, coming next fall).
With so many good titles, you might think there would be little need for more. But you haven’t seen the treasure 2021 has dropped in our laps. Beautiful Day! Petite Poems for All Seasons (Ages 4-8) features Haiku-inspired poems by Rodoula Pappa, alongside art by favorite French illustrator, Seng Soun Ratanavanh. It turns out we were missing something. In those earlier anthologies, the visuals accompanying the poems are largely literal. By contrast, Beautiful Day! infuses seasonal poems, still lovely and lyrical, with a touch of the fantastical. The abstract. The fanciful. There’s a playfulness in these pages, where a child paints rainbows in the sky, butterflies become lanterns, and origami birds take flight. The line between reality and imagination becomes deliciously blurred, as we see the natural world through a child’s eyes, up close and personal.« Read the rest of this entry »
September 24, 2020 § 2 Comments
Not many people know this, but my daughter is named after Emily Dickinson. (Well, and the heroine of L.M. Montgomery’s Emily of New Moon.) I didn’t fall for Emily Dickinson’s poetry until I got to college, when I fell hard and fast and ended up featuring her poems in no fewer than seven essays, including my Senior Thesis. I had never been a big poetry lover, but there was something about the compactness of her poems which fascinated me. So much meaning was packed into such few words. And even then, the meaning was like an ever-shifting target, evolving with every reading.
To read Emily Dickinson is to contemplate universal truths.
Apart from reading Michael Bedard and Barbara Cooney’s 1992 picture book, Emily, I hadn’t had much occasion talk to my own Emily about her namesake. But that changed last spring, when my Emily started writing poetry of her own. Nothing about virtual learning was working for her, until her teachers started leading her and her classmates in poetry writing. Suddenly, my daughter couldn’t jot down poems fast enough, filling loose sheets of paper before designating an orange journal for the occasion. She wrote poems for school, for fun, and for birthday cards. It didn’t matter that they weren’t going to win awards for originality; what mattered was that she had found a means of self-expression during a stressful, beguiling time.
Jennifer Berne’s On Wings of Words: The Extraordinary Life of Emily Dickinson (Ages 7-10), stunningly illustrated by Becca Stadtlander, could not have entered the world at a more perfect time. It opens a dialogue, not only about Dickinson’s unconventional life, but about her poems themselves. At a time when a pandemic has prompted many of us and our children to turn inward, this picture book is less a traditional biography than an homage to the rich interior life developed by this extraordinary poet and showcased in her poetry.
June 25, 2020 § 2 Comments
I have been drafting this post in my head for two weeks, terrified to put pen to paper for the dozens of ways I will certainly mis-step. Raising children dedicated to equity and justice has always been important to me—if you’ve been following my blog, you’ll recognize it as a frequent theme here—but only lately have I pushed myself to consider the ways my own privilege, upbringing, and anxiety have stood in the way of that. It is clear that I cannot raise my children to be antiracist if I am not prepared to do the work myself.
When my daughter was three, I brought her to the pediatrician’s office for a rash. As we sat in the waiting room, watching and remarking on the colorful fish swimming in the aquarium, my daughter suddenly turned to me. “Mommy, is the nurse going to be black-skinned?”
Embarrassment rose in my cheeks. “Oh honey, I’m sure any nurse here is a good nurse. Let’s not—”
Her interrupting voice rose about ten decimals. “Because I am not taking off my clothes for anyone with black skin!”
Just typing this, my hands are shaking. I am back, seven years ago, in that waiting room, aware of all eyes upon us. Aware of the brown-skinned couple with their newborn baby sitting directly across from us. This can’t be happening, I thought. This can’t be my child. She goes to a preschool with a multicultural curriculum. We read books with racially diverse characters. She plays with children who look different than her. Shock, outrage, and humiliation flooded every inch of my being.
Caught off guard and determined to rid myself of my own shame, I fell into a trap familiar to many white parents. For starters, I came down hard on her. I took my shame and put it squarely onto her. I was going to stop this talk immediately. I was going to prove to everyone listening that this was unacceptable behavior in our family. I was going to make it…all about me.
“Stop it!” I said firmly. “We do not say things like that.” Then, I started rambling about how we shouldn’t judge people by how they look, how underneath skin color we’re all the same, how we’re all one big human family, and so on. You know: the speech. The color-blind speech. The one where white parents tell their children to look past skin tone to the person underneath. The one where we imply that because skin color is something we’re born with, something “accidental,” we shouldn’t draw attention to it. The one where we try and push on our children a version of the world we’d like to inhabit, as opposed to the one we actually do.
My three year old was observing—albeit not kindly or subtly—that not everyone looked the way she did. And she wasn’t sure if that was OK. She was scared. She was uncomfortable. Because we weren’t talking about skin tone or race with her at home, because our conversations (however well-intentioned) steered mainly towards platitudes of kindness and acceptance, she had begun to internalize the racial assumptions around her. She had used the descriptor “black-skinned,” I later realized, whereas if she had simply been observing skin tone, she would have said brown skin or dark skin. The word she chose was a reference to race. A loaded word. Something she had heard. Something she didn’t understand. Something she was beginning to associate with something less than.
We don’t want our children to use race to make judgments about people, so we’d rather them dismiss race completely. Except, in a society where race is embedded into nearly every policy and practice, it is impossible not to see race. So instead, what we are really communicating to our young children is, I know you notice these differences, but I don’t want you to admit it. (Including to yourself). Good white liberal children don’t talk about their black and brown friends as being different from them. Even more problematic, good white liberal children love their black and brown friends in spite of these differences.
June 4, 2020 Comments Off on What Does It Mean to Be Woke?
It means to be aware. It means to see your surroundings and challenge how we strengthen our relationship with the government, the community, and nature. To be WOKE is to fight for your civil rights and to fight for the rights of your neighbors…The idea of being aware of your surroundings, especially in a time when we are taught to be quiet and not rock the boat, can be difficult to embrace, but this is where our freedom begins.
The events of the last week are calling us to become woke. They are calling us to listen, especially to Black voices unleashing decades of pain and injustice. They are calling us to expand our bookshelves and our social media feeds to include more voices of color (@hereweeread and @theconsciouskid are a great place to start for parents). They are calling us to talk to our children about difficult topics like race, privilege, and racism and help them revise their summer reading lists to include stories by people of color. They are calling us to begin the uncomfortable and long-overdue work of examining the way our own whiteness makes us complicit in the sickness of systemic racism, because until we change what’s in our hearts, we can’t lead our children to do the same.
Topics like police brutality and racial profiling can be overwhelming and frightening to children of all races, but we can also use these conversations to empower them. “Rocking the boat” starts with finding the words to describe what’s happening and how it makes us feel—and then turning these words into beacons of inspiration, hope, and change.
We are being called to help our children find their voice, and I can think of no better vehicle than Woke: A Young Poet’s Call to Justice (Ages 8-12). Historically, poets have been on the forefront of social movements. Here, Mahogany L. Browne’s poems sit alongside those from Elizabeth Acevedo and Olivia Gatwood, serving as “instruction manuals and anthems,” as “literary heartbeats and blueprints of survival,” for our children to sift through cruelty and injustice and find the words and courage to speak out about them. Several of the poems address racial history and discrimination. Others speak to gender bias, immigration, activism, body image, physical disability, intersectionality, and our relationship with nature. Taken as a whole, the poems celebrate a definition of community that’s richer for its diversity of voices, skin colors, and genders. Double-page illustrations by Theodore Taylor III enhance the vibrancy of the poems. As “Instructions on Listening to the Trees” concludes, “We are all part of someone else’s journey/ That’s the way communities are built/ Each root sprawling toward the edge of an infinite smile.”
March 12, 2020 § 1 Comment
My daughter has had the same best friend for nine years. She met her when she was just beginning to run and climb, when I used to swing by our local playground—what we called the “Tot Lot”—after dropping her brother off at preschool. It was an instant connection, the likes of which I had never experienced with my son, and it stopped me in my tracks. Child development literature would have placed my daughter squarely in the realm of “parallel play.” So how to explain that she never let fall the hand of this other little girl, that they climbed and descended the small slide, crawled through plastic boulders, and scampered up and down artificial hills as one?
After spending nearly every day together for years, the girls don’t see each other as often now; they live about an hour apart. Still, when they get together, they pick up like no time has passed. They disappear into their own world: talking in whispers, inventing elaborate games, often so wrapped in each other’s arms that it’s hard to tell where one stops and the other begins. To witness their togetherness feels like being in the presence of something magical, something almost miraculous.
Julie Fogliano and Jillian Tamaki’s my best friend (Ages 3-7) came out only a week ago, but so enthusiastic has the response been from the kid lit world, I feel like the last person to sing its praises. (Still, wild horses couldn’t keep me from joining in the fun.) An homage to the giddy abandon exhibited in early childhood friendships—particularly those born on the playground—the book has all the makings of a classic. Fogliano’s free verse sings and soars with the stream of consciousness of a child tasting the deliciousness of friendship for the first time. (i have a new friend/ and her hair is black/ and it shines/ and it shines/ and she always laughs at everything) Tamaki’s muted palette of rusty pink and olive green lends the book a timeless, vintage feel, while the figures themselves spill and explode off the page, their excitement literally uncontainable.
December 13, 2019 Comments Off on 2019 Gift Guide: For the Teens
As part of the Capitol Choices community, I’m now regularly reading young adult literature. I share most of my YA reviews on Instagram, but I thought for the holiday season I’d do a round-up of my favorite teen fiction of the year. Even if you don’t have a teen to buy for, you might check out one of these for yourself. A few definitely qualify as “crossover titles.” Even better, read them at the same time as your teen, and you’ll have something to talk about over dinner. This is literature at its best: transportive, provocative, thrilling, unsettling, and piercingly beautiful. These stories do what good stories should: they make us question where we’ve been, what we know, and what we should do with the time we have left. « Read the rest of this entry »
July 12, 2019 Comments Off on “The Bravest Thing a Person Can Do”: Three Immigrant Stories
These provocative words hail from Jasmine Warga’s Other Words from Home, one of three new books with a unique, powerful presentation of the immigrant experience for a different age group. Whether set in the past or present, these stories have never been more relevant to share with our children. If our kids are someday to have a hand in the creation of fair, just, compassionate policy, they should spend some time in the shoes of the very people whose lives these policies aim to impact.
What does it mean to arrive in this country with hope in your heart? What does it mean to walk away from family, from the familiar, from foods you’ve eaten all your life, and step into the Unknown? Each of the below books explores these questions, while posing another of its own.« Read the rest of this entry »
January 24, 2019 § 4 Comments
On the morning of Christmas Eve, I drove down to the river to watch the sun rise. I hadn’t been able to sleep, my heart bruised from the words of a loved one the night before. As an adult, I have found the holidays to be such an intermingling of joy and sadness: a time of excitement and celebration, but also a time when the losses in my life assert themselves and leave me vulnerable.
I stood alone in the brisk-but-not-intolerable air, at the same spot along the Potomac where my son had taken me this past summer. A place he had picnicked with his sailing camp. A place he told me, while we were walking there, had “a bench perfect for you to sit on.” I wanted a place where I would feel love. « Read the rest of this entry »
November 29, 2018 § 2 Comments
Raise your hand if you’re still reading poetry to your kids over breakfast. (Don’t know what I’m talking about? Read this.) We had a good run of it, but like most of my inspired parenting ideas, I eventually forgot about it. Turns out, I have just the book to resurrect this ritual. (Goodness knows we could use a return to Zen in our mornings.)
Sing a Song of Seasons: A Nature Poem for Each Day of the Year (Ages 6-12) is a gorgeous and hefty anthology, perfectly designed for Poetry Breakfasts (or the daily mindfulness of your choice). Each of the 365 poems has been astutely selected by Fiona Waters for a different day of the year, then evocatively illustrated in watery brush strokes and mixed media by Frann Preston-Gannon. « Read the rest of this entry »
March 22, 2018 § 2 Comments
If you had told me ten years ago, after my first child was born, that three years later I would quit my job, move across the country, and stay home with by then two young children, I would not have believed a word of it. Not in the least because I loved my job, loved the social outlet of going to work every day, loved having others validate my successes, loved a paycheck, and loved having the childcare that allowed me to do all that and still relish quality time with my little one. Sure, I had days when I felt pulled in way too many directions and fantasized about going off the grid. But I never really expected I’d feel fulfilled any other way. I was, after all, a self-identified feminist. I had minored in women’s studies in college. I always intended to model for my children what it meant to be have a successful, robust career outside the home.
And then, for a host of reasons I never saw coming, I made the choice to stay home. « Read the rest of this entry »
January 25, 2018 § 1 Comment
I heard a story shortly before the holidays which I haven’t been able to get out of my head. It was from an associate who serves with me on the Capitol Choices Committee. Normally, in our monthly meetings, we are all business: we get in, we debate that month’s new titles, and we get out. But, at the end of our December meeting, this librarian asked to deliver a few personal remarks. She told us how she had been in New York City the weekend prior (funny enough, so had I) and had been walking on Sunday evening to Penn Station for her train home. It was blustery, growing colder by the minute, and the streets were still dusted with the previous day’s snow. About half a block ahead of her was a man. She described him as middle-aged, well-dressed in a dark wool overcoat, and carrying a briefcase. Keeping pace behind him, she watched as the man suddenly took off his coat, draped it over a homeless man sitting in a doorway, and kept walking. All without missing a beat. « Read the rest of this entry »
April 21, 2016 Comments Off on Standing Greek Gods On Their Heads
My eight year old has been on a Greek mythology craze for the past six months. For years, he has been hearing references to mythology made in his mixed-ages classroom, has been seeing classmates walk in and out of school with related books tucked under their arms, has even been listening to one classmate proclaim the pomegranate seeds in her lunch to be the “fruit of the gods”—but he has never showed any genuine interest himself.
Until now. « Read the rest of this entry »
April 7, 2016 § 2 Comments
National Poetry Month always comes as a nudging reminder that I should incorporate poetry into my read-aloud time with my children. Even beyond all the compelling research, which reveals that poetry helps younger kids hone reading skills and older kids develop stronger comprehension, one could easily argue that there’s no greater medium to seduce children into falling in love with language. Lifetime readers are born out of love like this.
Still, it’s easier said than done. When I’m tired at the end of a day, when the dishes are piled in the sink and I’m yearning for a little veg time on the couch, it’s hard to summon up the energy for a poem while tucking in the kids. A chapter from a novel we’re already hooked on? Always. A picture book with a straightforward narrative? No hesitation. A poem that may require multiple readings, clarification, and discussion? Oh, will you look at the time… « Read the rest of this entry »