June 21, 2018 § 4 Comments
Before I sing the praises of Jessica Love’s triumphant, must-read new picture book, Julián is a Mermaid (Ages 4-8), a story celebrating self-love and unconditional acceptance, I need to come clean on something that happened four years ago in our house.
In 2014, when my children were four and seven, a box arrived from Penguin Group. In the box was a stack of picture books for possible review; all except one were titles I had requested. “I’m going to throw in an extra book, which I bet you would love to write about,” my rep and good pal, Sheila, had told me. My kids did what they do every time a box like this arrives: they dragged it over to the sofa, climbed up next to me, and began pulling out books for me to read. When they pulled out I am Jazz, I didn’t recognize the title or the cover, so I figured it was Sheila’s pick. We dove in blind. « Read the rest of this entry »
September 1, 2014 § 3 Comments
One of my favorite books as a kid was James Marhsall’s Miss Nelson is Missing, a picture book about a smiley, mild-tempered teacher, who, fed up with the rude and rambunctious behavior of her students, dons a pointy nose, a wig, and a black dress to become the witchy, ultra-strict substitute named Viola Swamp; within a few weeks, the children have reformed their ways and are begging for Miss Nelson’s return. The story is a playful reminder that we’re not always grateful for what we have until it’s gone.
As a kid, though, my obsession with the book stemmed from the fact that Viola Swamp’s true identity eludes, not only her students, but us readers as well—that is, until the final page, when we get a glimpse of the familiar black dress hanging in Miss Nelson’s bedroom closet. Once we’re in on the secret, we can’t help but want to read the book again and again, picking up on clues that we missed the first time around, stunned that the truth was right in front of our eyes the whole time. If only we (alongside Miss Nelson’s students) hadn’t been so quick to settle for first impressions, we would have seen that Miss Nelson wasn’t just a sweet face, oblivious to the spitballs flying at her. Nor was Viola Swamp the monstrous outsider we assumed her to be.
Now, forty years after James Marshall published his book, Peter Brown again turns the conventional teacher-student relationship on its head in his infectiously-titled new picture book, My Teacher is a Monster! (No, I am Not.) (Ages 5-9). “Bobby had a big problem at school. Her name was Ms. Kirby.” « Read the rest of this entry »
May 5, 2014 § 2 Comments
Most parents have some part of the morning routine that they dread. For me, it’s not convincing my kids to get dressed; it’s not getting them to sit still long enough to finish their oatmeal; it’s not even brushing their teeth or standing by as they wrestle with any amount of outdoor attire. No, the moment that requires the most patience, that threatens to unravel me almost every day, comes at the very end—ironically, when the finish line is so close that I can almost taste it. It’s the simple, straightforward 10 foot walk from our front door to the car.
Getting my children into the car is like herding sloths. To look at them, you would think they had never stepped foot in the Great Outdoors before, the way they suddenly stop, stare off blankly into space, and eventually fix upon some object (a leaf, a truck, a worm misplaced from last night’s rainstorm), which inevitably prompts 25 questions Of The Utmost and Immediate Importance. At some point, they will begin to walk ever so slowly to the car, wedging themselves through the open car door with their overstuffed backpacks still on (will it ever occur to them to take off the bag before climbing in?), then struggling with car straps in some kind of slow-motion agony (my youngest: “You do it! No, I do it! Wait, what day is it?”), until finally 94 minutes have passed (which in actuality is only 4 minutes but feels like 94) and you pull out of the driveway. I adore my children. But.
Perhaps given my children’s tendency to stallllllllll, or perhaps just because it’s a darling story from start to finish, I am totally taken with Jenny Offill and Chris Appelhans’ Sparky! (Ages 4-8), a new picture book about a girl’s ambivalence surrounding her pet sloth’s inability to perform on command (or, frankly, do much of anything). « Read the rest of this entry »
February 26, 2014 § 6 Comments
The lovely new picture book, ExtraOrdinary Jane (Ages 3-100), by first time author-illustrator Hannah E. Harrison, has me all fired up—but in a good way. Jane, a fluffy little white circus dog, “was ordinary, in a world that was extraordinary.” She isn’t “mighty” like her elephant-lifting father, or “graceful” like her ballerina mother. She isn’t “daring” enough to be shot out of a cannon like her six canine brothers. Try as she does to “find her special talent,” she encounters either mediocrity (her paintings lack “pizzazz”) or failure (her musical renditions send others running).
While the book may be set in a circus, its poignant, carefully worded message is clearly intended to transcend the Big Top. Recently, I’ve been thinking a lot about what it means to be ordinary in our increasingly supercharged, achievement-obsessed society. Bringing up kids today means confronting talent at seemingly every turn: the athlete that tears down the soccer field; the six year old who is already in her third year of violin; the kid who reads at three grade levels above her peers. It’s not enough for children to be good at something; they are expected to be the best. When I was growing up, it wasn’t until I was applying to college that I was asked to think about the concept of “expertise.” Today, the question is on preschool applications: “What special skills/talents does your child have?” « Read the rest of this entry »
October 3, 2012 Comments Off on Anyone Can Learn to Dance
Calling all wannabe ballerinas! If you’re headed to a girl’s birthday party this month, you must give this irresistibly charming (and seasonally appropriate) new book, Vampirina Ballerina (Ages 3-7), by Anne Marie Pace, with pictures by LeUyen Pham. This book has everything ballerinas-in-the-making (and their supportive parents) would want in a book: tutus, pirouettes, a Swan Lake-inspired recital, encouragements about practice and effort (as opposed to perfection), and a subtle but poignant message about accepting someone who looks different.
In addition, this book has something most people don’t associate with ballet: a family of vampires. That’s right, Pace’s text reads like a “how to succeed in ballet” handbook, only it’s directed at a young vampire girl, who is eager and nervous to begin her ballet education alongside a troupe of human girls and their instructing Madame. Along with some predictable directives about form and style (“a true ballerina is always on pointe” and “always move with your head held high”), our young Vampirina is given some important life lessons: “Whatever happens, don’t be discouraged. The road to ballerinadom can be bumpy.”