Love, Pride, and Acceptance
June 30, 2020 § 1 Comment
With Pride parades canceled because of the pandemic, we have to work a little harder to see the rainbows. I didn’t want June to end before I had a chance to raise up one of my favorite recent discoveries (although it came out last year), a book so full of love that when I first got it, I couldn’t stop hugging it to my chest. It’s impossible to read this book without the biggest smile. Not just because the main character is a radiant beam of sunshine in and of himself. Not just because it has some of the most beautiful illustrations I have ever seen (Kaylani Juanita, where have you been all my life?). But because the love these parents shine down on their son is the very best—albeit most difficult—kind of love. It’s a love which sees him, not for who they expect or want him to be, but for who he actually is. It’s a love taught to them by this son—and one echoed in the way he prepares to welcome his new sibling.
It’s a tall order, but the world would be a vastly improved place if we all rose to follow the example of love in this book.
When Aidan Became a Brother (Ages 3-8), written by Kyle Lukoff and illustrated by Kaylani Juanita, is not just another book about welcoming a new sibling. True, in many ways, it’s the “new sibling” book we didn’t realize we were missing. But the book is equally pertinent whether you’re expecting a new family member or not. Aidan doesn’t simply tail his pregnant mom, fantasizing about a new playmate or worrying he’ll suddenly fall to second place. Nope, Aidan’s sets his sights on a larger question: what can he do to ensure his younger sibling feels understood and accepted right out of the gate?
Aidan’s fervent and sometimes nervous desire to become a caring big brother is intimately informed by the struggle he faced in his own first years. “When Aidan was born, everyone thought he was a girl.” The story’s opening spread—a look back into Aidan’s recent past—reveals a pink-decorated room with traditional girl fare: a canopy bed, a dollhouse, and an array of flowery dresses held up by Aidan’s doting mother. Aidan sits before a pink tea set in a pink dress, wearing a look of misery.
Back to School With Monsters (of the Misunderstood Variety)
September 1, 2014 § 3 Comments
One of my favorite books as a kid was James Marhsall’s Miss Nelson is Missing, a picture book about a smiley, mild-tempered teacher, who, fed up with the rude and rambunctious behavior of her students, dons a pointy nose, a wig, and a black dress to become the witchy, ultra-strict substitute named Viola Swamp; within a few weeks, the children have reformed their ways and are begging for Miss Nelson’s return. The story is a playful reminder that we’re not always grateful for what we have until it’s gone.
As a kid, though, my obsession with the book stemmed from the fact that Viola Swamp’s true identity eludes, not only her students, but us readers as well—that is, until the final page, when we get a glimpse of the familiar black dress hanging in Miss Nelson’s bedroom closet. Once we’re in on the secret, we can’t help but want to read the book again and again, picking up on clues that we missed the first time around, stunned that the truth was right in front of our eyes the whole time. If only we (alongside Miss Nelson’s students) hadn’t been so quick to settle for first impressions, we would have seen that Miss Nelson wasn’t just a sweet face, oblivious to the spitballs flying at her. Nor was Viola Swamp the monstrous outsider we assumed her to be.
Now, forty years after James Marshall published his book, Peter Brown again turns the conventional teacher-student relationship on its head in his infectiously-titled new picture book, My Teacher is a Monster! (No, I am Not.) (Ages 5-9). “Bobby had a big problem at school. Her name was Ms. Kirby.” « Read the rest of this entry »
Embracing Ordinariness
February 26, 2014 § 6 Comments
The lovely new picture book, ExtraOrdinary Jane (Ages 3-100), by first time author-illustrator Hannah E. Harrison, has me all fired up—but in a good way. Jane, a fluffy little white circus dog, “was ordinary, in a world that was extraordinary.” She isn’t “mighty” like her elephant-lifting father, or “graceful” like her ballerina mother. She isn’t “daring” enough to be shot out of a cannon like her six canine brothers. Try as she does to “find her special talent,” she encounters either mediocrity (her paintings lack “pizzazz”) or failure (her musical renditions send others running).
While the book may be set in a circus, its poignant, carefully worded message is clearly intended to transcend the Big Top. Recently, I’ve been thinking a lot about what it means to be ordinary in our increasingly supercharged, achievement-obsessed society. Bringing up kids today means confronting talent at seemingly every turn: the athlete that tears down the soccer field; the six year old who is already in her third year of violin; the kid who reads at three grade levels above her peers. It’s not enough for children to be good at something; they are expected to be the best. When I was growing up, it wasn’t until I was applying to college that I was asked to think about the concept of “expertise.” Today, the question is on preschool applications: “What special skills/talents does your child have?” « Read the rest of this entry »