Rich in Stories
May 7, 2020 § 4 Comments
For many of us following stay-at-home orders, social media is a welcome lifeline to the outside world. And yet, its lure can be as powerful as its trapping. If occasionally I used to fall down the rabbit hole of comparing my children’s accomplishments to those paraded out on Facebook, I now find myself in weaker moments comparing houses. We may be leading similar lives—working, schooling, eating at home—but our backdrops are wildly different. Maybe I’d be going less crazy if I looked out my window and saw mountains. Sure would be nice to have a swimming pool in my backyard. Sure would be nice to have any backyard. Oh man, are they at their river house right now? I’m sure I could homeschool better if we had a creek.
Of course, these thoughts are inane. Inanely unproductive. Inanely indulgent. At no time for my generation has it been more of a blessing to have our health and a roof over our heads. Not to mention money for food and ample time to steer our children through these rocky waters.
Still, I would be lying if I said there aren’t cracks in my resolve to be gracious and mindful.
With our recent move, our living space has been significantly downsized. I can’t spit without hitting another person. Heck, I can hardly do anything without being watched or whined at. My husband gave me grief for packing up no fewer than four boxes of books to bring with us to these temporary digs. But you know what? We are rich in stories. We have stories painted with breathtaking backdrops, stories which quicken our pulse or tug at our heart or seduce us with beauty…all from the cozy confines of our couch. Some days, I look at the piles of books haphazardly lying around and I think, Why does no one clean up? Most days, I look at them and think, We are the luckiest.
One need look no further than Aesop’s fables for proof that stories have long been offering hope in turbulent times. Tales like “The Lion and the Mouse” (or my favorite as a parent, “The Boy Who Cried Wolf”) have been told and retold around the world for 2,500 years. Until now, I didn’t realize that the allegedly true story of Aesop himself—a slave in Ancient Greece who earned his freedom through storytelling—also bears telling, lending meaningful context to Aesop’s beguiling fables while offering proof that stories are richer than gold.
Ian Lendler’s 63-page trove, The Fabled Life of Aesop (Ages 5-9), luminously illustrated by Pamela Zagarenski, is not your typical picture book biography. It’s more of an anthology of fables encased in a broader, biographical context. Like an onion, each turn of the page reveals another layer of story and art, the sum of which is one of the most spellbinding books of 2020. It can be read in a single sitting or paged through out of order. If we’re talking about losing ourselves in the sublime for a time, this is just the ticket.
For the Child Who Will Re-Write the Rules (2015 Holiday Gift Guide Kicks Off!)
December 6, 2015 § 3 Comments
I realize I’m late to the game with my Holiday Gift Guide, and I apologize. Lest you think I was taking a few weeks off from children’s books, I assure you that is rarely the case. Rather, I was drafting book lists for many of the parents in my children’s school, in preparation for our annual Book Fair (my favorite fundraising event of the year!). In other words, I’ve been reading even MORE than usual. And now, all of you will benefit! Over the next ten days, I will be posting several installments of my annual Gift Guide, with recommendations of picture books, chapter books, and non-fiction for all the young book lovers in your life. I’ve saved singing the praises of many of my 2015 favorites until now, because they have undeniable Gift Power. It has been hard to stay quiet all these weeks and months, when I’ve wanted to scream, GET YOUR CHILDREN’S HANDS ON THESE BOOKS RIGHT NOW!
I’m going to begin today by telling you about two of the most gorgeous picture books published this year. And I mean, Holy-Moley-Mind-Blowing Material. These are books whose pages invite endless study; books whose paintings draw us in so completely that we forget everything that’s happening around us. They are books that challenge the traditional relationship between author and reader, between artist and spectator. They invite us to participate fully in what we are seeing and to make our own meaning out of what we find.