January 31, 2019 § 1 Comment
This past Monday, I watched and cheered at my computer as the American Library Association’s Youth Media Awards were announced (more fun than the Oscars for #kidlit crazies like me). Most parents are familiar with the Caldecott and Newbery medals, but there are quite a few other awards distributed, many to recognize racial, cultural, and gender diversity. Overall, I was pleased to see many of my 2018 favorites come away with shiny gold and silver stickers. At the end of today’s post, I’ll include some of these titles, along with links to what I’ve written about them.
Today, I want to devote some space to Sophie Blackall’s Hello Lighthouse, which came away with the Randolph Caldecott Medal, for the “most distinguished American picture book for children.” (It’s actually the second Caldecott for Blackall, who won three years ago for this gem). Hello Lighthouse (Ages 6-9) is one of my very favorites from last year; and yet, I haven’t talked about it until now. Why is that? Perhaps because the art in this book is so endlessly fascinating, my observations continue to evolve with every read. I suppose I’ve been at a loss for words. « Read the rest of this entry »
December 20, 2018 § 1 Comment
Several of you have reached out looking for inspiration on cozy, enchanting chapter books perfect for December (since, in the past, I’ve discussed how much we loved this and this). The bad news is that it’s a little late for you to read what I initially had in mind (and which we just finished) before the holidays. The good news is that I think Jonathan Auxier’s Sweep: The Story of a Girl and Her Monster (Ages 8-13)—which has now landed squarely atop my 2018 favorites—would be even better enjoyed after the holiday festivities. I’m referring to that week when we are a little quieter, a little more reflective, our hearts a little heavier—and yet, we’re still close enough to the holidays to believe that love is capable of spawning a little magic. « Read the rest of this entry »
April 12, 2018 Comments Off on What STEM Looked Like 100 Years Ago
While my children were on a school camping trip earlier this week, I ducked up to New York City to visit my mom. On Tuesday, we went to the “Public Parks, Private Gardens” exhibit at The Met, a stunning collection of mostly Impressionist works featuring French flora, from the bountiful irises of Monet’s Giverny to the lush riverbanks of Renoir’s Seine. Against many of the backdrops were sitting figures, largely women, wearing floor-length muslin with empire waists and elaborate straw hats secured with ribbons. “We’ve lost so much of the beauty and elegance that was part of everyday life back then,” my mom mused aloud, understandably seduced by the romanticism infused in the soft lines, the twinkling light, the sheer profusion of color. « Read the rest of this entry »
October 12, 2017 § 2 Comments
Taking inspiration from the great A.A. Milne, what I really wanted to title this post was: In which I catch you up on everything I read to my kids this past summer, while attempting to demonstrate why we should never abandon reading aloud to our children, even when they are happily reading on their own.
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June 16, 2014 § 2 Comments
I don’t know how the rest of you are planning to get through a hot and steamy summer, but I am counting on a lot of time at the craft table. Especially good news for today’s parents is that we don’t have to live next door to an art museum to teach our kids about the great artists and artistic movements of the past. Last June, I kicked off a “summer school” series with a post about some of my favorite picture book biographies for elementary-aged children, a rich and growing subset of children’s literature. Nowhere is the picture book format better utilized than in biographies of famous artists. These aren’t the books of our past, which reproduce notable paintings aside dry critical analysis; rather, they are true and entertaining stories about formative artists who, beginning as children, overcame struggles, searched for inspiration, and broke down conventional barriers to define their unique artistic styles. As your child sits before a blank piece of paper, wouldn’t you love for him or her to channel the stories of Henri Matisse, Jackson Pollock, Henri Rousseau, and Vasily Kandinsky? (See my list of favorite books at the end.)
The latest of these gems, Barb Rosenstock’s The Noisy Paint Box: The Colors and Sounds of Kandinsky’s Abstract Art (Ages 6-12), strikes a particular chord with my family. At almost seven, JP loves to draw and paint, but while his peers are steering more and more towards realistic creations, JP still prefers abstraction. Some might call it scribbling, although to imply that it is rushed or without meaning would be misguided. JP (and now Emily, following in his footsteps) never stops talking—not for one second—while he draws. He narrates the action as it takes shape before him: comets blasting through the sky, submarines bursting into flames, houses pitched airborne towards a burning sun (the theme of explosion is strong with this one). I’m not exactly sure what he is working out on that paper—because there is clearly something cathartic going on—but when he is finished, his entire body is relaxed, his mind at peace. « Read the rest of this entry »
June 30, 2013 § 2 Comments
Albert Einstein said, “The important thing is not to stop questioning. Curiosity has its own reason for existing.” Then by this account, should we embrace the endless string of questions by our children throughout the day? A recent British study found that children ask on average 300 questions a day. I’m pretty sure that my almost six year old has this daily average beat by the thousands; and while there are many moments when I relish his curiosity, there are also times when I long for an “off” button. These last instances most frequently occur when we’re in the car, because there’s nothing like being locked in a metal box with your children to bring out their obsessions with a full, unadulterated intensity. “Why are the clouds moving that way? Is there going to be a storm? How do the weather people know there’s going to be a storm? What happens if lightning hits our car? Why does red have to mean stop?” (This last one as we pull up to a stoplight and I realize that I can’t expect his brain to pause just because the car does.)
I was driving back from the pool the other day (having been turned away by the threat of storm clouds), and I may or may not have erupted with “I can’t take it anymore!” But then, I had a rare flash of brilliance, and I declared, “It’s Mommy’s turn to ask questions.” I began my own litany of questions, only to discover that JP had answers waiting just as quickly as I could rattle them off. ‘”What are clouds made of?” (“Water droplets!”) “Why does a ball fall if you drop if in the air?” (“Gravity!”) “Why am I not hungry?” (“Because you probably ate enough lunch!”) “Wow,” I said, “you are just as good as answering questions as you are at asking them.” “That’s because I ask so many questions!” he roared, and he and his sister laughed their heads off for the next two minutes (I’ll take my breaks where I can get them).
I recently posted about the value of sharing picture book biographies with children, and I included a list focused on true stories of the Ordinary Doing Extraordinary. But, of course, we mustn’t neglect the born geniuses, the legendary minds, the Great Thinkers that are responsible for shaping our very understanding of the world. In recent years, a slew of exceptional artistic and richly informative picture books have emerged (see my list at the end of this post) to celebrate such minds as Leonardo da Vinci, Benjamin Franklin, and, most recently, Mr. Curiosity Himself: Albert Einstein.
Jennifer Berne’s On a Beam of Light: A Story of Albert Einstein (Ages 5-10) is the kind of book you’ll want to share with your kids when they’re five, six, seven, eight, nine, and ten. Berne’s highly approachable narrative voice speaks directly to children (she first won me over in Manfish: A Story of Jacques Cousteau). In Einstein’s case, she brings to life, not only Albert’s awe at the mysteries of the world, but also his many personality quirks—from his disruptive questioning in elementary school to the saggy, baggy clothes he always wore as an adult (“My feet are happier without socks!”). These quirks are further emphasized by Vladimir Radunksky’s loosely drawn pen, ink, and gouache drawings, at once frenetic and playful, serene and innocent, like little windows into Albert’s own ever-shifting imagination. In JP’s favorite spread, Albert imagines what it would be like to ride his bike up the beam of sunlight that’s shining down on the sidewalk in front of him. “And in his mind, right then and there, Albert was no longer on his bicycle, no longer on the country road…he was racing through space on a beam of light. It was the biggest, most exciting thought Albert had ever had. And it filled his mind with questions.”
I’m no physicist. In fact, I somehow managed to avoid taking a Physics class in both high school and college (I regret this now). I have never felt terribly confident talking about energy and heat and magnetism and motion with my children, and goodness knows what I’ll do when I have to help them with equations involving E = mc2. But here I am, reading this book—this beautiful literary depiction of these scientific concepts—and I think, “Why have I never realized that physics is everything?!” Like the searching, wondering eyes of our little ones, Albert sees everything as a question. How could “a lump of sugar dissolve and disappear into his hot tea?” How could the “smoke from his pipe…disappear into the air?” And, of course, what would happen if he traveled near the speed of light? (The answer: “Only minutes would pass for Albert, while years and years went by for the rest of us!”)
Albert “asked questions never asked before. Found answers never found before. And dreamed up ideas never dreamt before.” Because of him, we were able to build spaceships and travel to the moon (there’s a great afterward that gets into more detail about the repercussions of Einstein’s discoveries, along with a list of additional reading material). Naturally, there are many questions still at large about how the universe works—and, fittingly, the book’s dedication reads, “To the next Einstein, who is probably a child now.” If my son and his peers are any indication, there’s likely a whole crop of future Big Thinkers out there. Children who won’t let a mere stoplight slow them down from asking their questions, questions, questions.
Other Favorite Picture Books About Great Scientific Minds:
Odd Boy Out: Young Albert Einstein, by Don Brown (Ages 5-10)
Electric Ben: The Amazing Life and Times of Benjamin Franklin by Robert Byrd (Ages 6-12)
Noah Webster and His Words, by Jeri Chase Ferris (Ages 6-10)
I, Galileo, by Bonnie Christensen (Ages 7-12)
Leonardo: Beautiful Dreamer, by Robert Byrd (Ages 8-12)
The Tree of Life: Charles Darwin, by Peter Sis (Ages 8-12)
May 30, 2013 § 3 Comments
Just because the school year ends shortly doesn’t mean that our children’s minds have to shrivel up like apples left out too long in the sun. Last week, I gave some ideas for great read-aloud novels to share with your kids. Now, I’m going to encourage you to add some non-fiction into the mix—specifically, historical biographies posing as picture books. In previous posts about Martin Luther King Jr. and Abraham Lincoln, I’ve hailed the rise of today’s picture book biographies, which (unlike the static, black-and-white books of our school days) read like interesting, action-packed stories accompanied by vibrant paintings and intriguing designs. But I’m not merely talking about the Most Obvious Historical Figures; there are lesser known but equally captivating true stories of ordinary boys and girls, men and women, who shaped the world with extraordinary acts of courage, defiance, or creativity.
Where picture book biographies are concerned, contemporary illustrator Melissa Sweet has been on a roll, creating the art for several of my favorite non-fiction books in recent years. Although these biographies are written by different authors, they are unified by Sweet’s signature style—at once instantly recognizable but also entirely unexpected for the historical genre. In place of photographic-like paintings in somber tones, Sweet uses fun colors, whimsical patterns, and collage elements specific to the person whose story she is bringing to life. In Jen Bryant’s A River of Words: The Story of William Carlos Williams (Ages 7-12), Sweet peppers her background collages with excerpts from Williams’ poems, opening up kids’ eyes to these words and thoughts as an art form unto itself. In Alicia Potter’s Mrs. Harkness and the Panda (Ages 5-8), an account of the first person to capture a wild panda in China and bring it to an American zoo for study, Sweet creates frames for her watercolors out of authentic Chinese decorative papers, lending an other-wordly, almost mystical charm to this already fascinating story.
One of Sweet’s most recent triumphs is even more captivating for its portrayal not of an adult but of a young girl. Michelle Markel’s Brave Girl: Clara and the Shirtwaist Makers’ Strike of 1909 (Ages 6-10) tells the mind-boggling story of a Jewish immigrant girl, forced to endure long hours, harsh treatment, and poor pay, while sewing alongside hundreds of other girls in factories (her family’s only hope of putting food on the table.) Clara Lemlich’s “got grit,” and she “knows in her bones what is right and what is wrong”; ultimately, she leads the largest walkout of women workers in American history, inspiring thousands of male and female workers across the country to strike for better working conditions and the right to organize unions.
Brave Girl, like most picture book biographies, demands to be discussed with your child—and it’s in these memorable discussions that the real learning begins. For starters, there are words that need to be defined, words like “walkout,” “union,” “garment,” and “shatterproof” (referring to Clara’s spirit). Then there’s Clara’s day-to-day life, which sent my almost six year old into a complete tailspin. “Wait, are you sure this is a real story?” he kept repeating, as I showed him the bird’s eye illustration of row-upon-row of hundreds of ant-sized heads bent over sewing machines; or read to him about the “two filthy toilets, one sink, and three towels for three hundred girls to share”; or got to the part about how an exhausted Clara would spend her nights in the library instead of sleeping because “she wants to read, she wants to learn!” (I don’t think JP had ever considered a scenario where a child would not be allowed to go to school.)
JP and his Montessori classmates are big into sewing right now, so he was especially intrigued once I pointed out that the bright paintings are often set against bolts of solid fabrics, frayed pieces of cloth, and decorative ribbons—some sewn with tight perfect stitches and others with uneven zig-zagging lines. In fact, after we finished the story, JP proceeded to go back through the entire book, running his finger along every line of stitches (“And is that REAL BLOOD?” he exclaimed, where two dots of red light up a piece of blue cloth next to some text that explains the repercussions for sewers who accidentally pricked their fingers).
But the best part of discussing picture book biographies with your kids (apart from feeling like you are pretty much the most inspiring parent ever) is getting at the emotional undercurrents of the story—in the case of Brave Girl, themes of justice, leadership, sacrifice, and bravery. As JP gets older, he and I will have more evolved conversations about these first three things; at the present, he was mainly fixated on the concept of bravery. Children tend to associate bravery with physical risks and triumphs, like learning to swim or taking off training wheels; and by this definition, JP knows he is a pretty tentative kid (totally unaffected by the four year olds riding their two-wheelers in circles around him). So, I welcome the opportunity to talk about courage in a different light. The book ends: “…warriors can wear skirts and blouses, and the bravest hearts may beat in girls only five feet tall.” When I finished reading, JP asked me, “How do you think Clara got so brave?”
“I think everyone has bravery inside of them and it’s just a question of letting it out,” I ventured.
“I guess I’m saving it up,” he replied.
“Actually,” I told him, “I watch you do brave things every day, like how you walked up to those older kids today and started talking to them. And you know what else? I think that every time someone uses up some of their bravery, some new bravery immediately comes in to fill that space—so you never run out.”
There was a pregnant pause. And then he said, “I’d like to look at those stitches again.”
Other Favorite Picture Book Biographies Illustrated by Melissa Sweet:
Balloons Over Broadway: The True Story of the Puppeteer of Macy’s Parade, written & illustrated by Melissa Sweet (Ages 4-8)
The Boy Who Drew Birds: A Story of John James Audubon, by Jacqueline Davies, illus. Melissa Sweet (Ages 4-8)
A Splash of Red: The Life and Art of Horace Pippin, by Jen Bryant, illus. Melissa Sweet (Ages 5-9)
Mrs. Harkness and the Panda, by Alicia Potter, illus. Melissa Sweet (Ages 5-9)
A River of Words: The Story of William Carlos Williams, by Jen Bryant (Ages 7-12)
Girls Think of Everything: Stories of Ingenious Inventions by Women, by Catherine Thimmesh, illus. Melissa Sweet (Ages 8-14)—OK, not really a biography but a great work of non-fiction nonetheless!