December 20, 2017 § 1 Comment
For the first time in five years, our family has no plans to see Tchaikovsky’s “The Nutcracker” danced on stage. All of us are sadder than we anticipated being, back when we were planning our holiday season and thought we’d take an opportunity to create a new tradition or two. (We shall not make that mistake again.)
Fortunately, there are two stunning new picture-book interpretations of “The Nutcracker,” both of which quickly found their way into our holiday stash—and will tide us over until next year’s tickets go on sale. Neither is a traditional telling of the story (I covered that last year). Instead, each offers a fresh spin; a new way to reflect on the magic of this classic Christmas Eve story about transformation. « Read the rest of this entry »
May 26, 2016 Comments Off on Taking the Stage
This past Sunday, my five year old took the stage for her first ballet recital. She had been on a similar stage in previous years, for the culmination of her creative movement classes, but this was the first time that she was—in her words—“going to look like an actual ballerina.”
And she did. Not so much in her tentative leg extensions and arm raises; not so much in the piece of satiny fabric draped around her waist (which looked nothing like the tutu Emily had envisioned her costume would entail); but in her gorgeously perfect posture. I sat three quarters of the way back in the audience, my life’s blood just a pink speck on the stage, but oh my goodness did she stand upright like she had all the confidence in the world: her shoulders down her back, her chest lifted, her chin tilted upwards ever so slightly. It was the posture of someone whose body has never failed her, who has not yet felt the weight of the world on her shoulders, who stands like that simply because she is totally and completely at home in her person. It also happens to be the posture of a ballerina. « Read the rest of this entry »
July 29, 2014 § 3 Comments
One of our greatest rewards as parents is watching our children experience joy. For me, I get to see that look of joy upon my daughter’s face each time I peek through the fogged glass into the studio where she takes her weekly dance class. It’s a look that’s markedly different from the furrowed brow of concentration she often wears when observing something new; or the aghast expression of betrayal when her brother knocks over her tower of blocks; or her silly mischievous grin while tearing across the park with friends. When she dances, she is lost in the moment; she is happy; she is free. It’s no wonder that she asks me almost every single day, “When’s my next dance class?”
In a world in which our girls are dying to get their hands on pink tutus, ballet slippers, and all the glitter that seems to equate ballerinas with princesses, I love that Emily’s class is very deliberately titled Creative Movement. True ballet, with its discipline and choreography, doesn’t start until age five at this studio. In the meantime, the emphasis is on movement, on body awareness, on feeling the music. The girls and boys imitate animals, hop through hula-hoops, and roll across the big open floor.
Where children’s books are concerned, there are many charming, full-of-heart stories featuring the indoor world of ballet (my favorites are mentioned in the lengthy list at the end of this post). Still, I find it especially refreshing that, in their new picture book, Deer Dancer (Ages 3-6), author Mary Lyn Ray and illustrator Lauren Stringer have taken dance out of the mirrored studio and into nature, where the trees make their own music, and where movement is at its freest and purest form. To put it another way, Deer Dancer is as green as it is pink. « Read the rest of this entry »
March 25, 2014 § 1 Comment
A rousing op-ed piece by acclaimed children’s author Walter Dean Myers, recently appearing in The New York Times, poses the uncomfortable question: “Where Are the People of Color in Children’s Books?” The startling statistic cited at the beginning reveals that of the 3,200 children’s books published in 2013, only 93 were about black people. Myers later compares this statistic to the 40% of public school students nationwide who are black or Latino. As a black boy growing up in Harlem, Myers’ initial love affair with reading quickly turned to disinterest, as he discovered the glaring lack of literary characters who looked and lived like him. As an adult, Myers has dedicated his career to writing prolifically about inner-city youth, calling his novels “a validation of their existence as human beings.” But it’s about more than providing validation to people with color, he notes. It’s also about how these individuals are seen by the rest of us:
Books transmit values. They explore our common humanity. What is the message when some children are not represented in those books?
As someone who sold picture books for many years, what often strikes me about today’s offerings for young people is not the lack of books featuring people of color (that is clearly a fact), but how quickly a book with a black figure on its cover almost always signifies a story about a “race issue,” be it a story about a slave traversing the Underground Railroad or one about a contemporary black girl overcoming her classmates’ prejudice to star in the school play. Many of these are beautiful, powerful picture books—but they are also ones that, too often, only end up seeing the light of day during calendar events like Black History Month. Especially among white families, they are treated more like “teaching tools” for the classroom and less like the books we purchase and leave strewn around our house, hoping for our children to discover and devour them. « Read the rest of this entry »
October 3, 2012 Comments Off on October’s Birthday Pick (Anyone Can Learn to Dance)
Calling all wannabe ballerinas! If you’re headed to a girl’s birthday party this month, you must give this irresistibly charming (and seasonally appropriate) new book, Vampirina Ballerina (Ages 3-7), by Anne Marie Pace, with pictures by LeUyen Pham. This book has everything ballerinas-in-the-making (and their supportive parents) would want in a book: tutus, pirouettes, a Swan Lake-inspired recital, encouragements about practice and effort (as opposed to perfection), and a subtle but poignant message about accepting someone who looks different.
In addition, this book has something most people don’t associate with ballet: a family of vampires. That’s right, Pace’s text reads like a “how to succeed in ballet” handbook, only it’s directed at a young vampire girl, who is eager and nervous to begin her ballet education alongside a troupe of human girls and their instructing Madame. Along with some predictable directives about form and style (“a true ballerina is always on pointe” and “always move with your head held high”), our young Vampirina is given some important life lessons: “Whatever happens, don’t be discouraged. The road to ballerinadom can be bumpy.”
LeUyen’s whimsical drawings—packed with visual gags—show us the “bumps” that the text only hints at: we watch as a goth-styled Vampirina encounters strange looks from her human classmates (her fangs and unusual choice of pets make everyone a bit nervous at first); fumbles her early attempts at curtsies (that darn cape); and tries to suppress her instinctual habit of turning into a bat whenever she’s afraid. We are told, “It doesn’t matter if you take one giant leap or many tiny steps, as long as you are moving toward your goal.”
With the support of her vampire family, who helps sew her costume for the recital and feeds her “healthy meals” (read: bloody looking soup), our intrepid heroine never gives up. By the time the curtain goes up—via a dramatic fold-out double spread—the children are leaping in unison and sporting genuinely identical smiles. And the best news: Vampirina doesn’t turn into a bat, not once. It seems she has internalized the book’s very best advice, for vampires and our own human little ones alike: “Even without wings, you can leap higher than you think.”