January 20, 2022 § 2 Comments
There was no shortage of grumbling when, one morning over winter break, I announced we were going to Arlington National Cemetery, a ten minute drive from our house.
“But we’ve been there a million times,” my son complained.
“You’ve been there exactly once,” I responded. “Plus, my great-grandfather was a Colonel in World War One, and he’s buried there.”
“We know, because you tell us all the time,” my daughter interjected, not to be outdone by her brother.
“Well, we’ve had a Covid Christmas and we need somewhere to go that’s outside, so that’s that,” I issued, like the authoritarian parent I am.
In my 14-year parenting tenure, there has never been an outing I haven’t been able to improve with a children’s book. In this case, I’d had one tucked away for almost a year. I knew the kids would come around. They always come around.
Jeff Gottesfeld’s Twenty-One Steps: Guarding the Tomb of the Unknown Soldier, majestically illustrated by Matt Tavares (don’t count him out for a Caldecott), takes us behind the scenes of the Tomb of the Unknown Soldier—indisputably the most fascinating part of Arlington Cemetery. No one can help but be awestruck upon beholding the discipline, concentration, and precision of the sentinel guards who keep vigil there, every moment of every day, 365 days a year, in every type of weather.
Especially if you’ve had the chance to read Twenty-One Steps immediately before.
Which our family had, while seated in front of my great-grandparents’ gravestone, under a brilliantly blue December sky, surrounded by thousands of wreaths placed there for the holidays. We read while we waited for the top of the hour, when we headed over to the Tomb of the Unknown Soldier to watch the changing of the guard.« Read the rest of this entry »
January 12, 2022 § Leave a comment
Awards season is upon us! On Monday, January 24, the American Library Association will award the prestigious Caldecott and Newbery Medals, as well as a host of other coveted honors and awards. It’s like the Oscars for kid lit! I’ll be tuning in with bated breath, ready to celebrate many of the winners and, if history is any indication, scratch my head at a few others. There will probably be some books I haven’t read yet, perhaps even one I haven’t heard of, but I’m hoping many of my favorites will make the list. In any event, I promise to share a recap on Instagram after the announcements!
Let’s talk about the picture book I’d love to see sport a shiny gold Caldecott sticker. (I’m also pulling for Watercress, which I gushed about in April. Born on the Water, of course. Time is a Flower. Probably Unspeakable, if my library hold would ever come in.) Today, though, I’m talking about Wishes (Ages 4-8), written by Múón Thi Vãn and illustrated by Victo Ngai, based on the former’s refugee journey out of Vietnam as a young child in the 1980s. This book sends my jaw to the floor. Every. single. time. (Back in May, my daughter discovered it on our dining table, sat down and read it, and called out, “WHOA, Mommy, I think I just found your favorite book of the year.”)
And yet, I’ve been putting off sharing my thoughts about Wishes. It’s a daunting book to review, because its power lies largely in what is left unsaid. How do I write about a book that manages to tell a sweeping, suspenseful, emotionally pulsating narrative in just twelve short sentences, without my own clunky words compromising the grace of such economical text? (Heck, I’ve greatly exceeded that sentence count already!)
But that’s precisely why Wishes is deserving of a Caldecott, which I’ll remind you is awarded for pictorial interpretation. To be sure, Múón’s sparse text is immensely effective: loaded with lyricism and vital in relaying the story’s central theme of desire—the wishes that frame our periods of loss and uncertainty. But the reason Múón is able to communicate such depth and breadth with her text is owing to Ngai’s luminous illustrations, which carry a great deal of the storytelling weight. (Ngai herself is a migrant, moving from Hong Kong to the United States when she was eighteen.) Wishes is that rare example of a perfect marriage between words and pictures, each working to interpret and augment the other.
Wishes is about more than one journey. Taken literally, it’s the story of a girl who leaves behind her home—including her grandfather, her dog, and nearly all her worldly possessions—to journey by boat to a foreign city of safety and promise. But it’s also an emotional journey: a sequence of wishes that speak to the turbulence within. Ngai underscores this journey with her color palette, beginning the story in dark, somber tones, moving towards super-saturated reds and oranges as the oppressive sun beats down upon the tiny boat, and concluding with a soft palette of greens and pinks for an ending tinged in the hope of fresh starts.« Read the rest of this entry »
September 23, 2021 § 1 Comment
“It’d been a long time since I’d seen [Dad] like this. I wish it hadn’t required an eight-hour road trip, a bird watcher and his dumb son, a bear attack, a nudist French couple, and his now somewhat-but-not-really ex-girlfriend to make him act more like his old self.”
This passage occurs towards the end of Cliff Burke’s An Occasionally Happy Family (Ages 9-13), and I suppose you could fault me for spoiling some plot twists, but doesn’t it also make you want to read it?
My husband and I took turns reading aloud this debut novel last weekend, as we road tripped from Washington DC to Buffalo, NY for my grandmother’s rescheduled memorial service. I had heard it was incredibly funny—indeed, it had all of us in stitches multiple times—and I couldn’t resist the idea of syncing our road trip with a literary one (you know I love a themed reading experience). I figured, if we were going to immerse ourselves in hardcore family togetherness for 72 hours, we might as well learn to laugh at ourselves by watching another family make a total mess of it.
There’s nothing like a vacation gone wrong to make for great storytelling.
What I didn’t expect was to find such tenderness behind the humor. Such authenticity in the narrative voice, such punch in the dialogue, such depth in the relationships. An Occasionally Happy Family may be about camping in 101 degrees, it may be about dorky dads and teenage eye rolls, but it’s also about a family who finds their way back to each other after grief drove them apart.« Read the rest of this entry »
August 12, 2021 § Leave a comment
My kids will tell you that leading up to every vacation, I obsess over what book we’re going to bring with us as a read aloud. Well, they aren’t wrong. But neither am I, because matching our reading material to the view outside has always created a kind of magic for all of us.
We definitely got it right earlier this summer when we were in Montana visiting my sister, who lives with her family on a sprawling ranch outside of Bozeman. A Wolf Called Wander (Ages 8-12, younger if reading aloud, though there is some violence), by Rosanne Parry, dropped us into the psyche of a single male wolf, inspired by an actual wolf known to trackers as OR-7. Still alive today, OR-7 made a dangerous and highly unusual lone voyage across Oregon and California after losing his pack, traveling over a thousand miles before ultimately finding a mate and settling down to form his own pack.
In fast-moving, first-person prose, Parry imagines what it might have been like to be OR-7, whom she gives the fictional name Swift. One minute, the young wolf is safe and content with his pack in the mountains; the next minute, a rival pack attacks and sets his life on an extraordinary new course.
We may have been a few states away from Swift’s story, but we knew there were wolves in the mountains around us. We knew they were probably closer than we realized, hiding from view, as we explored Yellowstone National Park. Reading this book together—including marveling over the plentiful grey-and-white illustrations by Mónica Armiño—allowed us to appreciate the biodiversity around us. The unseen lives. The brutal, beautiful struggle for survival. The way our protagonist would strike down an elk without mercy, but stand back in awe as a string of wild horses stood before him. The way he forged partnerships with scavengers, like a black raven, who saved his life numerous times by guiding him to water. They way he hungered for food, thought of it constantly—but was nearly consumed by an even deeper hunger for companionship.« Read the rest of this entry »
August 5, 2021 § 1 Comment
Way back in 2013, when my kids thought all the best stories had to be “made-up,” I wrote a blog post about how, occasionally, reality trumps fiction. That is to say, sometimes a story blows our mind, not only because it’s beautiful and moving and awe-inspiring and original, but also because it happens to be true. Kids today have no shortage of options for picture book biographies, true stories about incredible individuals told with spellbinding art and captivating narratives, but when it comes to the animal world, the emphasis has historically been on information versus story.
Maybe that’s why The Elephants Come Home: A True Story of Seven Elephants, Two People, and One Extraordinary Friendship (Ages 6-9), written by Kim Tomsic and illustrated by Hadley Hooper, feels so special. It tells an amazing story—a story we’d warm to even if it was entirely made-up—but it gives us an added case of the goosies because we know from the start that it really happened. Or maybe it’s because the book straddles the animal and human world, allowing for some of the same storytelling prowess that has made picture book biographies soar in popularity. Or maybe it’s because it is stunningly executed (that paper! those colors! that art! those page turns!). Whatever the case, it’s hands down one of the best examples of narrative non-fiction I’ve ever come across. Even my daughter, age ten, has inhaled its 58 pages again and again. (If you trust me, stop reading to avoid the spoilers below and go get the book!)« Read the rest of this entry »
March 11, 2021 § 2 Comments
I’ve been accused of using these pages as a kind of glorified baby book, and if that’s true, I appreciate you indulging me. In the trappings of our busy-ness, we don’t take enough opportunities to pause and process our life experiences—the good and the bad, the big and the small—and I have found blogging to be (almost) as therapeutic as a conversation with a good girlfriend over a glass of wine.
But I would argue that children’s books themselves can be gateways to reflection—as much for us as for our kids. Sharing them offers a respite, a chance to connect with our little ones, while their content strips back unnecessary clutter, revealing something of life’s essentiality, its basic truths, through economies of words and pictures. Even when they’re not expressly representing our own experiences, children’s books reflect back the life taking place in and around us.
It has been exactly one year since I sat around a table with my daughter and her classmates to lead what would be our last in-person book club. Several of the children knew almost nothing about the coronavirus that would shut down their school—and life as they knew it—just twenty-four hours later. When I arrived to pick up my daughter the next day, teachers threw hastily gathered notebooks and supplies into the back of our car, and my daughter and her carpool group climbed into their seats looking shell-shocked. Some giggled nervously. One started crying.
How do we want to remember this last year—a year that took so much, that has produced a kind of cumulative weariness we’d like nothing more than to shed, but was also not without moments of profound beauty and growth?
As it turns out, I have the perfect book for memorializing this time, for helping children of all ages process what they’ve seen and felt, done and not done. LeUyen Pham’s astute and gracefully executed Outside, Inside (Ages 3-103) is one that might find its forever home on a shelf beside baby books and photo albums. A book our children might someday take down and share with their own kids—let me show you what it was like when “everybody who was outside…went inside.” Amidst the many new children’s books tackling the subject of lockdown, this one rises to the top. Many would have us believe it was all rainbows, but this one holds the sadness alongside the wonder, the uncertainty alongside the hope. Outside, Inside reminds us that a new day is dawning, but we will never forget how we got here.« Read the rest of this entry »
March 4, 2021 § 1 Comment
It isn’t the first time a book has dropped into our lap at precisely the right moment. It isn’t the first time reading aloud has wrapped our family in a cozy cocoon against freezing rain and sibling bickering and the maddening sameness of pandemic life. But last month, when the walls were closing in—as I’m sure they would have been even if we weren’t still in temporary housing awaiting the end to our renovation—I felt blessed beyond measure to have stumbled upon Kate Albus’ debut novel, A Place to Hang the Moon (Ages 8-12), with its atmospheric writing, squeezable characters, and old-fashioned charm. It was every bit the salve we needed—and reminiscent of past favorites, like this, this and this.
A Place to Hang the Moon checked every box. We needed escape, and the book is historical fiction, set in England during World War II. Misery loves company, but we needed characters with problems different from our own (and worse, if I’m being honest), and the timeworn plot of down-on-their-luck orphans searching for someone to love them never disappoints. But we also needed comfort. We needed lifting up. We needed the kind of story that makes you believe a steaming mug of hot cocoa and a gentle hand on the shoulder is all one needs to carry on.
That A Place to Hang the Moon is also a kind of fairy tale about the power of stories, with a librarian standing in for the knight in shining armor, was icing on the cake.« Read the rest of this entry »
November 19, 2020 § 5 Comments
With just two Gift Guide installments remaining, today’s feels extra special. These are the super duper gifty books. The showstoppers. The stunners. Books packaged with metallic accents or satin bookmarks or wow graphics. Books worth their weight, if you will. All of them are non-fiction, and many capitalize on newfound or revitalized interests and hobbies inspired by the curve ball that was 2020 (gardening! outerspace! the great outdoors! apologies, but I’ve got nothing for the sourdough crowd). Lest I start sounding like a broken record, All Thirteen: The Incredible True Story of the Thai Cave Soccer Team would surely be included here as well.
And here’s the grooviest thing. If you only have time to shop one list this holiday season, shop this one: I’ve got picks for as young as one and as old as sixteen!« Read the rest of this entry »
October 29, 2020 Comments Off on 2020 Gift Guide: Picture Book Round-Up
Last week, I told you about my two verrrrry favorite picture books of the year: The Bear and the Moon (Ages 2-6) and Girl on a Motorcycle (Ages 5-9). Today, I’m telling you about others I like a whole heck of a lot. I’ve selected titles, both fiction and non-fiction, for a range of ages, from two to ten years old. Some of them are jaw-droppingly beautiful; others elicit laughter; many invite wonder and compassion. All of them are deserving of a permanent home, where they can be enjoyed again and again and again.
Before we start, there are several I’ve already blogged about this year. Rather than repeating myself, I’m going to link to my original posts. The ones with mega gift potential from earlier in the year are Me and Mama (Ages 2-6), The Ocean Calls (Ages 4-8), Madame Bedobedah (Ages 5-9), Swashby and the Sea (Ages 3-7), The Fabled Life of Aesop (Ages 5-9), In a Jar (Ages 4-8), and The Oldest Student (Ages 6-10).
And now, here are ones new to these pages:« Read the rest of this entry »
October 22, 2020 § 3 Comments
As a nervous flyer, I never thought I’d write this, but I really miss getting on airplanes. Traveling is something I’ve never taken for granted, but I’m not sure I realized just how much I crave it until it wasn’t an option. I miss stepping off a plane, filled with the adrenaline of adventures ahead. I miss unfamiliar restaurants and museums. I miss natural wonders so far from my everyday environs it’s hard to believe they’re on the same planet. I miss squishing into a single hotel room, each of us climbing into shared beds after a day of sensory overload and, one by one, closing our eyes. I can’t wait until we can travel again.
In the meantime, we look to books to fuel our longing to see the world, to keep alive this thirst for the unfamiliar and the undiscovered. No picture book this year delivers on this promise quite like Girl on a Motorcycle (Ages 5-9), by Amy Novesky, illustrated by Julie Morstad, based on the actual adventures of Anne-France Dautheville, the first woman to ride a motorcycle around the world alone. From her hometown of Paris to Canada, India, Afghanistan, Turkey, and other exotic destinations, we travel alongside this inquisitive, fiercely independent girl as she heeds the call of the open road.
Morstad is no stranger to illustrating picture book biographies—It Began With a Page: How Gyo Fujikawa Drew the Way made last year’s Gift Guide—and part of her remarkable talent stems from adapting her illustrative style to the subject at hand, while still creating a look and feel entirely her own. In Girl on a Motorcycle, Morstad infuses a ’70s palette of glowy browns and moody mauves onto the dusty backdrops of the Middle East, the dense evergreens of the Canadian countryside, and the ethereal sunrises. Additionally, Morstad gives the protagonist herself a kind of badass glamour every bit as alluring as the scenery itself. How can we not fall for someone who packs lipstick next to a “sharp knife”? It’s as if Vogue jumped on the back of a motorcycle, slept in a tent at night, and made friends with locals along the way.« Read the rest of this entry »
October 15, 2020 § 2 Comments
Yes, it’s time! With supply chain challenges predicted towards the end of the year, and reading one of the few escapes we’re allowed these days, I’m kicking off this year’s Gift Guide a few weeks early, and you can expect weekly posts through Thanksgiving. There will be lots of round-ups with lists for all ages, littles through teens. (And yes, there will be one exclusively on graphic novels.) But I’m beginning today by highlighting one verrrrrry special book that came out this week. Usually, I kick off my Gift Guide with my favorite picture book of the year (and we’ll get to that, I promise), but I’m turning tradition on its head (it’s 2020, after all) and we’re going to start with a book for older readers and listeners. If you keep your eyes on my Instagram this week, you could even win a copy!
Let me start by saying that I am not, by nature, a nonfiction fan. Let me add that I don’t think my ten-year-old daughter has ever picked up a nonfiction book of her own volition. (She rarely lets me read the Author’s Note in a picture book!) Then there’s the fact that this book chronicles a story whose ending most of us already know. In fact, it’s one our family has already encountered in two previous kids’ books. So, how on earth did this nonfiction book—229 pages before the additional 40 pages of footnotes—end up a favorite 2020 read of our entire family?
I remember like it’s yesterday: picking up my son at camp the first week of July, 2018, and having him greet me every afternoon with, “Are they out yet?” Since June 23, our family—like millions around the world—had been glued to the news coverage of the twelve young soccer players and their coach, trapped inside a rapidly flooding cave in Northern Thailand after a field trip went wrong. The successful seventeen-day rescue mission that followed, where thousands of rescuers from around the world tackled one seemingly impossible obstacle after another, captivated people not only because of its tremendous scope and scale, but because at the center was a group of sweet, soccer-loving kids.
As it turns out, Thai-American children’s author Christina Soontornvat was visiting family in Thailand at the time, her plane touching down the same day the children went missing. We may have been riveted by the story on our other side of the globe, but the Thai people were consumed by it. Life as they knew it was temporarily suspended. Schools were closed; vigils were held. Farmers voluntarily sacrificed their land to the drainage operation, while others led drillers through the wild jungles surrounding the cave, and still others cooked food for volunteers. The experience for Soontornvat was such that, a few months later, she returned to Northern Thailand to spend time with the rescued boys and their coach, paving the way for an exhaustive undertaking of interviews with nearly all the key figures in the rescue.
In All Thirteen: The Incredible Cave Rescue of the Thai Boys Soccer Team (Ages 10-16), Soontornvat has written a chapter book that reads like fiction while telling the most textured, suspenseful, holistic version of this incredible true story to date. If there was ever a year when we needed a story that showcases the very best of humanity—the strength, ingenuity, and kindness exhibited when we come together as helpers—it is 2020.
Give this book to the tweens and teens in your life. If they won’t pick it up, read it to them, because there’s a particular power in hearing Soontornvat’s words spoken aloud. My teenage son inhaled this book on his own, but I read it aloud to my daughter, and it was she who kept exclaiming, “I know what’s going to happen, and I’m still on the edge of my seat!” I’ve often heralded how fun it is to learn alongside our children, and All Thirteen is a brilliant example of a book that has something to teach us—about Thai culture, about science and engineering, about the nail-biting niche of cave diving, and about the nature of teamwork and the human capacity for survival—on every single page.« Read the rest of this entry »
August 27, 2020 § 2 Comments
My aunt used to hold an annual Christmas Eve party at her apartment on the eighth floor of a building just two blocks from ours in New York City. It was a small group, rarely more than twelve, and we were the only relatives ever invited. We only saw these friends of my aunt once a year, but before the elevator reached the bottom floor at the end of the evening, I was already looking forward to next year’s gathering. My aunt had been the editor in chief of a major magazine, and her friends were artistic, eccentric, and alluringly mysterious.
There was one woman in particular whom I adored. Always the last to arrive, she would come through the door shrouded in a floor-length black fur coat. Her perfect coif of white hair was sharply angled at her chin, and she moved in a cloud of exotic perfume. Her raspy smokers’ voice was fond of the word “darling,” and she always addressed me as if I was an adult. Perched on the sofa sipping my ginger ale, I inched as close to her as I could, throwing back my head with laughter as she did.
She lived downtown where the artists were, and I knew little about how she spent her days, other than that she and her husband had never had children. What I wouldn’t give to go back in time and ask her any number of questions! As children, we’re content with the stories we tell ourselves, the ones we make up in her head, and I fashioned endless stories for this larger-than-life woman in black, who seemed to float effortlessly around my aunt’s apartment, captivated by everything and nothing at the same time.
Sophie Dahl’s marvelous picture book, Madame Badobedah (Ages 5-9), told in three chapters over 53 pages and amply accentuated with retro illustrations by Lauren O’Hara, stars a young protagonist spellbound by an eccentric stranger who shows up for an unlimited stay at her parents’ hotel by the sea. This stranger barely opens her mouth before Mabel has developed theories about the feathers draped around her neck, her stacks of weathered trunks, and her prized pet tortoise. But warm to her from the start Mabel does not. Resentful of the woman’s haughty demeanor, Mabel quickly convinces herself that, rather than a solitary woman healing from heartbreak, she’s a jewel thief on the run. What follows is a riotous narrative, ultimately giving way to a warm intergenerational friendship perched somewhere in the middle of fiction and reality.
August 6, 2020 § 3 Comments
The value of a change of scenery during this pandemic cannot be overstated. Last week, we spent five nights in a rental on the Chesapeake Bay, our front door just steps to a tiny slice of sand, a bank of beautiful rocks, two kayaks, and a half mile of clear shallow water for wading, before dropping off to deeper water and stunning sunrises beyond.
The entire trip felt like a brief return to normalcy (look, we’re a family who vacations!). It was also a gift which arrived at precisely the right time. In the weeks leading up to our departure, I felt a heaviness descend on our family, the sum total of weariness from the past five months and the grinding uncertainty of the new school year.
The sea knew what we needed. For a few magical days, it drew us out of our heads and into our bodies, then engulfed us in a delicious weightlessness. It gave us expanses of space—so much space—at which to marvel, after staring at the inside of four walls for too long.
The sea didn’t get everything right (we didn’t need the jellyfish), but it reminded us that there is beauty in the world, that it hasn’t gone anywhere, and that in connecting to this beauty we can connect to the best in ourselves. We can be a little looser. A little messier. Smile a little more.
As it turns out, one of my favorite picture books of the year also features some welcome meddling by the sea. It has been awhile since I hailed a beachy picture book (last were here and here), and this one proves well worth the wait. Swashby and the Sea (Ages 3-7), written by Beth Ferry and illustrated by Juana Martinez-Neal (quickly becoming one of my favorite contemporary illustrators), reminds us that sometimes the sea knows what we need even before we do.
June 11, 2020 § 1 Comment
This Father’s Day, my own father will have been gone for twenty-six years. Twenty-six years. One of the most devastating things about losing a parent when you’re eighteen is that you never get to know that parent through an adult lens. I knew my father intimately, from his scratchy mustache to his eye-rolling wisecracks to his endless patience as I described every painstaking detail of my day. But I knew him as a child knows a parent. How I wish I could have known him as an adult.
In times of great upheaval and unrest, I feel my father’s absence most keenly. Every seismic shift in our world puts that much more space between him and me. How would he be participating in this national conversation about race? Would he be marching with a Black Lives Matter sign? What candidate would he have supported in the last Democratic primary? How would social distancing have impacted his life in retirement—or would he still be practicing law? What kinds of things would he enjoy doing with his grandchildren?
I can’t pretend to know the answers to these questions, though I ask them quietly to myself all the time.
What I do know is that there are certain things which always bring him back to me. And one of them is travel. My father’s love of travel was legendary. When I was very young and he would travel internationally for work, he’d always bring me souvenirs—usually dolls—from places like Brazil, Mexico, and Germany. I loved gazing at the tiny porcelain faces or printed fabric clothes and imagining where they had been. Our house was full of black-and-white photographs from before my time: my father on a camel in the Sahara, my father on a motorcycle in Greece. When I decided to spend a gap year in Vietnam after high school, he jumped at the chance to accompany me across the ocean. When, weeks later, it came time for him to return to the States, his parting words were, “It looks like you’ve got the travel bug now, too.” I beamed with pride.
It seems fated that I would fall deeply in love with Jenny Sue Kostecki-Shaw’s new picture book, Papa Brings Me the World (Ages 3-7), in which a young girl describes her affection for a father who travels the world and brings pieces of it back to her. I’ve long been a fan of Kostecki-Shaw’s (my daughter still pulls out Luna & Me), but this book positively transported me. Maybe because it’s inspired by the author-illustrator’s own father; maybe it’s because the theme of found objects lends itself beautifully to mixed-media collage; or maybe it’s because the voice of the little girl reminds me of my young self, brimming with tenderness and curiosity and admiration and longing for my father’s stories of adventure.
February 27, 2020 Comments Off on Concluding Black History Month on the Train
Every year, once in the fall and once in the spring, I take each of my children on a mommy-and-me trip to New York City for a long weekend in the city where I grew up. We board the train in Alexandria, Virginia and make stops in Washington, D.C.; Baltimore, Maryland; Newark, Delaware; Philadelphia, Pennsylvania; and, finally, New York City, Penn Station. My kids have come to enjoy the train ride almost as much as the destination itself, glancing up from their books to watch the changing scenery speeding by—there is something innately lolling and contemplative about train travel—and anticipating the stops to come.
These same train stops come to life against an important and fascinating historical backdrop in Overground Railroad (Ages 4-9), a new picture book by superstar husband-and-wife team Lesa Cline-Ransome and James Ransome, whose Before She Was Harriet I praised around this same time last year. “Isn’t it supposed to be “Underground Railroad?” my daughter asked, when I picked up the book to read it to her. Admittedly, I was equally stumped. As the Author’s Note explains, most people are familiar with the covert network known as the Underground Railroad, which assisted runaway slaves on their journey to the North, usually on foot. Lesser known but often equally secretive, the Overground Railroad refers to the train and bus routes traveled by millions of black Americans during the Great Migration, a time when former slaves opted to free themselves from the limitations and injustices of sharecropping to seek out better employment and educational opportunities in the North. Faced with the threat of violence from the owners of these tenant farms, who relied on the exploitation of sharecroppers for their livelihood, those who escaped often had to do so under cover of night.
December 5, 2019 § 8 Comments
Our children are blessed to be growing up at a time when kids’ nonfiction is being published almost as rapidly as fiction—and with as much originality! On this comprehensive list you’ll find new books for a range of ages on a range of subjects, including geology, biology, astronomy, art, World War Two, American History, survival, current events…and even firefighting. (Psst, I’m saving nonfiction graphic novels for the next post, just to give you something to look forward to.) Hooray for a fantastic year for nonfiction!
July 12, 2019 Comments Off on “The Bravest Thing a Person Can Do”: Three Immigrant Stories
These provocative words hail from Jasmine Warga’s Other Words from Home, one of three new books with a unique, powerful presentation of the immigrant experience for a different age group. Whether set in the past or present, these stories have never been more relevant to share with our children. If our kids are someday to have a hand in the creation of fair, just, compassionate policy, they should spend some time in the shoes of the very people whose lives these policies aim to impact.
What does it mean to arrive in this country with hope in your heart? What does it mean to walk away from family, from the familiar, from foods you’ve eaten all your life, and step into the Unknown? Each of the below books explores these questions, while posing another of its own.« Read the rest of this entry »
April 11, 2019 Comments Off on In the Eye of the Beholder
One of the superpowers young children possess is the ability to transfer human qualities onto inanimate objects. My Emily might be eight years old—well versed in the impossibility of stuffed animals coming to life—but she still likes to tell me about the skydiving adventures her plush lamb has at home while she’s off at school (apparently in cohorts with my stuffed bear). When I tuck her in at night, it’s not uncommon for Emily to inform me that Baba will be keeping watch for bad dreams. Whenever her pride is bruised or her tears are flowing, Emily predictably runs to her room, snatches up Baba, and presses the soft frayed body to her cheek. (Baba has also been known to “peck at” prime offenders, otherwise known as Older Brothers.)
It’s remarkable, this ability of children to draw entertainment, companionship, and comfort from non-living things. It certainly plays a part in why children are naturally resilient, even or especially when the humans around them fall short. After all, an object can be whatever a child wants or needs it to be. It can be a kind of “stand in,” or a bridge to a time when that child might reliably find that entertainment, companionship, or comfort in another living being.
Lubna and Pebble (Ages 4-8), an impossibly gorgeous and profoundly moving new picture book about the refugee experience, takes at its center the conceit of a young girl’s redemptive friendship with a pebble, which she finds on the momentous night she arrives with her father at the “World of Tents.”« Read the rest of this entry »
December 6, 2018 Comments Off on Gift Guide 2018: When We Can’t Go Home
When I was twelve, I was obsessed with Cynthia Voigt’s Homecoming, a novel set in the 1980s about four siblings abandoned by their mother in a mall parking lot. The book follows the children’s physical journey—sleeping in woods, stealing food, battling the elements—to track down their great-aunt and convince her to take them in. Of course, the book is as much about the children’s emotional journey, processing their mother’s betrayal and questioning words like “family” and “home.” To my pre-adolescent self, Voigt’s story seemed like a child’s worst nightmare. But, if watching it play out was terrifying to me, witnessing the children’s resourcefulness and resilience along the way was also deeply consoling. I couldn’t look away.
I was reminded of Dicey and her siblings—of their heartbreak and their fortitude—many times while reading Kate DiCamillo’s Louisiana’s Way Home (Ages 10-13), a middle-grade novel even a reluctant reader won’t be able to put down. « Read the rest of this entry »
December 3, 2018 § 2 Comments
Elementary children may know that President Abraham Lincoln was assassinated by John Wilkes Booth in 1865, at the end of the Civil War. But do they know that Lincoln was almost assassinated by angry secessionists four years earlier, on his way to his own inauguration? That, if successful, the attack would have prevented Lincoln from becoming president and uniting the country? How about that he was saved by Allan Pinkerton, a self-made private detective who went on to inspire the creation of the Secret Service?
Um, I sure didn’t. « Read the rest of this entry »