April 11, 2019 § Leave a comment
One of the superpowers young children possess is the ability to transfer human qualities onto inanimate objects. My Emily might be eight years old—well versed in the impossibility of stuffed animals coming to life—but she still likes to tell me about the skydiving adventures her plush lamb has at home while she’s off at school (apparently in cohorts with my stuffed bear). When I tuck her in at night, it’s not uncommon for Emily to inform me that Baba will be keeping watch for bad dreams. Whenever her pride is bruised or her tears are flowing, Emily predictably runs to her room, snatches up Baba, and presses the soft frayed body to her cheek. (Baba has also been known to “peck at” prime offenders, otherwise known as Older Brothers.)
It’s remarkable, this ability of children to draw entertainment, companionship, and comfort from non-living things. It certainly plays a part in why children are naturally resilient, even or especially when the humans around them fall short. After all, an object can be whatever a child wants or needs it to be. It can be a kind of “stand in,” or a bridge to a time when that child might reliably find that entertainment, companionship, or comfort in another living being.
Lubna and Pebble (Ages 4-8), an impossibly gorgeous and profoundly moving new picture book about the refugee experience, takes at its center the conceit of a young girl’s redemptive friendship with a pebble, which she finds on the momentous night she arrives with her father at the “World of Tents.”« Read the rest of this entry »
April 26, 2018 § 4 Comments
It’s true. I’ve waited four months into 2018 to tell you about my favorite book from 2017. Why didn’t I include this title in last year’s Holiday Gift Guide? Well, two reasons. First, Bao Phi’s A Different Pond (Ages 5-9) is not really a “gift-y” book: its subdued cover doesn’t exactly scream READ ME, and its content is not high on the list of what kids think they want to read about. This is a quiet book. A gentle book. A tiny window into one immigrant family’s experience, and the kind of story where what’s not said is equally as important as what is. But oh…this book. « Read the rest of this entry »
November 2, 2017 § 4 Comments
I heard the sobs before I saw him. It was a Monday evening, two weeks ago. My daughter and I were sitting in the living room, reading the fifth book in the Clementine series (more on that another time, because OBSESSED) and waiting for my son to ride his bike home from soccer practice. In between paragraphs, I kept sneaking glances at the open front door. I had expected JP at seven, and it was now twenty minutes past. Darkness had fallen. He has his bike light, I kept telling myself. He’ll be fine.
And then, from outside, I heard heaving gasps of air. I flew through the door, just in time to witness my ten year old throw himself off his bike and collapse onto the pavement in a fit of tears. “What on earth has happened?” I cried, all manner of horrors racing through my mind. « Read the rest of this entry »
July 20, 2017 § 1 Comment
We left our hearts in Italy six weeks ago. It was our first family trip outside the country and a magical foray into ancient architecture, big-hearted people, and culinary delights (my son has since questioned why Americans don’t grate fresh truffles on everything). And, of course, the art. Oh, the art! Art on canvases, art on ceilings, art around doorways. Art rising up out of the ground.
I’ve learned, from previous trips to New York City and even from local excursions to museums, that any time spent sharing books with my children about sights they’re going to see, before they see them, is time well spent. If my kids are able to recall some granule of knowledge about the construction of a building, if they are able to spot a piece of art in a museum that they’ve previously seen in a picture, they are vastly more engaged. « Read the rest of this entry »
June 18, 2017 § 2 Comments
When I was around the same age my children are now, my father used to play Kick the Can with my sister and me in the backyard after dinner on summer nights. Sweaty and exhausted—and probably owing to the giant glass of milk my mother insisted we drink with dinner—the time would predictably come when I would have to go to the bathroom. I would be crouched in my hiding position behind a bush, trying to keep quiet, but mostly trying not to pee. I could easily have run inside, used the bathroom, and come out again. But I didn’t dare. I would rather have hopped about, wincing with every step, risking an accident (and there were some)—all because I never wanted these moments to end. I never wanted to break the spell. The only thing better than the anticipation of my father coming home was the joy of being with him.
I lost my father when I was eighteen—much too young, by all accounts. And yet, the experience of being with my dad still feels as tangible to me as if it took place yesterday. As a parent now myself—one more tired and distracted and grumpy than I sometimes care to admit—what impresses most upon me is how my father seemed when he was with us. He was not merely present when we were together. He delighted in our presence. « Read the rest of this entry »
June 18, 2015 § 2 Comments
Last June, on the 20th anniversary of my father’s death, I wrote a post about a picture book titled Following Papa’s Song, a beautiful metaphor for the delicate dance that we perform with our children, of when and how to let go (and pull back, and let go again), so that our children might grow up to be their own persons. This year, I was all set to write about David Ezra Stein’s Tad and Dad, which brings a more rambunctious and funny treatment to a similar discussion of boundaries: a toddler frog is so enamored with his Dad—the very best swimmer and hopper and burpper in THE WORLD—that, naturally, he wants to sleep in the same bed as said Dad every night.
Then yesterday, when I arrived home, I found on my doorstep Ask Me (Ages 3-6), an upcoming new picture book by the late Bernard Waber (sadly, not coming out until next month, so think of it as an all-year-round read and not as a Father’s Day gift, per se). Everything changed when I read that book. There was no going back. It’s not just because I grew up with and adore Waber’s classics (in fact, our Lyle, Lyle, Crocodile treasury happens to be my son’s go-to reading material when he’s trying to distract himself during a thunderstorm). It’s not just because the pencil illustrations are by the amazing Suzy Lee, who blends her South Korean sensibility with English training (and we know how I swoon over British and Asian illustrators). And it’s not just that the cover features a little girl skipping alongside her father, her hand clasped firmly in his, a smile on both of their faces, as if there is no other place they’d rather be.
What really hit home about this simple, poetic, and stunning picture book is that it speaks to the greatest gift my Dad gave me when he was alive. He listened. He listened to everything I told him—and I told him A LOT. As a child, I would save up everything that happened to me during the day (including the plot of whatever book I was reading); and then, when Dad got home, I would relay it all to him, including every single mind-numbing detail (I add the “mind-numbing” part all these years later, since as a parent myself, I have SEEN THE LIGHT). I would sit on the window ledge on our second floor landing, overlooking the driveway, and strain to see his car lights. All the while, the words would be collecting in my mouth, burning on my tongue, jittery with excitement at the prospect of spilling out.
(It is perhaps the greatest testament to his character that it wasn’t until I was an adult that I even considered whether he was as fascinated by these largely one-way conversations as he always seemed at the time.)
As a child, if I had a thought, I thought only of sharing it with my Dad. As if any thought wasn’t entirely real until I spoke it aloud—until it had been listened to with the greatest patience, the softest expression, the keenest interest.
Much like the father and daughter in the book, we walked. And walked. And walked. On the weekends, we’d stroll down the street, stopping to pick up chestnuts, stopping for ice cream at the pavilion in the middle of the park, stopping to study the cloud shapes in the sky. Me always talking. He always listening.
The entire text of Ask Me consists of a dialogue between a girl and her father, over the course of a single (presumably) weekend day together. There are no quotation marks. What the girl says—inquisitive, insistent, vulnerable—is in black; and how the father responds—deliberate, bemused, attentive—is in blue. (Do I have to tell you that the instances of black far out number the blue?)
It is impossible not to hear my own children’s voices in the girl’s almost stream-of-consciousness chattering. No clean or predictable transition from one subject to the next. Saying whatever thought pops into their heads. Asking questions and then going straight on to give the answers themselves. Struggling to choose the right words: qualifying, changing their minds, emphasizing.
Ask me what else I like.
What else do you like?
I like horses. No, I like riding horses.
You rode a horse?
On the merry-go-round. Remember? You remember.
The father and daughter spend most of the book walking around their neighborhood, exploring playgrounds, fountains, and forests. (Incidentally, this is all thanks to illustrator Suzy Lee’s unique interpretation of Waber’s purposely vague text, which could take place just about anywhere—or even, for that matter, between a girl (or boy) and her (his) mother.) The season is fall, and there is natural beauty to behold everywhere. And yet, the girl is as much in her own imagination as she is in the present. I like sand. I like digging in the sand. I really, really do like digging in the sand. Deep, deep, down, down, down in the sand. And I like seashells. Remember when we collected seashells?
Then, there are times when the girl pauses. When she wants to be the one to listen. When she desires, longs, needs to hear certain things. How come birds build nests? she asks. And her father, accustomed to this game, at first echoes, How come birds build nests? Only this time, the girl breaks her customary pattern. You tell it, she says. And so her father does:
So they will have a safe place to lay their eggs.
I knew that.
Why did you ask?
Because I like to hear you tell it.
Later, as the girl and her father get ready for bed, brushing their teeth side by side, the girl asks her father if he remembers the significance of next Thursday. His responds:
How could I ever forget?
Forget my birthday.
Not in a million years would I forget your birthday.
How about a billion years?
Not even in a billion years.
As children, especially during one-on-one time with the people we love, we have a brief opportunity to feel like Masters of the Universe. We stroll confidently through a carpet of leaves, we twirl beneath the rain, and we feel like the words we say must unquestionably be the Most Important Words Ever.
But only because someone is listening.
As we grow up, we no longer speak our every thought aloud (at least, not to our parents). But, if we are lucky, we still have a parent to call with the most exciting words, or the most disappointing words, or the words that we just can’t get right in our heads. Listening is a gift we give our children. And it’s a gift they never stop needing, even when they’re no longer so little.
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Review copy provided by Houghton Mifflin Harcourt. All opinions are my own. Amazon.com affiliate links support my book-buying habit and contribute to my being able to share more great books with you–although I prefer that we all shop local when we can!