November 24, 2016 § 1 Comment
I confess I never liked The Nutcracker much as a kid. I thought the Mouse King was creepy, I thought the dancing was long, and I thought the Sugar Plum Fairy’s castle consistently under-delivered on such a lofty name. Either I was a cranky kid, or I wasn’t seeing the right performances (or reading the right books ahead of time).
Then I became a parent and two things happened. First, beloved British illustrator Alison Jay came out with arguably the sweetest, cheeriest, and loveliest picture book adaptation of The Nutcracker—one that the kids and I have looked forward to unpacking with our Christmas decorations and savoring afresh every year. « Read the rest of this entry »
March 31, 2016 § 1 Comment
Earlier this year, the third title came out in the now wildly popular series, “The Princess in Black,” written by Shannon and Dean Hale and illustrated by LeUyen Pham (the first is here, the second is here). The newest installment, The Princess in Black and the Hungry Bunny Horde (Ages 4-7), features all the characters we’ve come to adore, plus a fleet of purple bunnies every bit as deadly in behavior as they are gentle on the eyes (even the PIB is initially fooled by their “language of Cuteness”).
What continues to make this series so much fun isn’t just the “princess pounces” and “scepter spanks” (although I do love me some alliterative fighting), but the tantalizing way in which the story lines turn traditional princess lore on its head. Princess Magnolia might be upholding the pretty in pink image back home at the castle, but outside where there are monsters threatening innocent goats and goat herds, she and her unicorn-turned-black-stallion are 100% kick-butt. « Read the rest of this entry »
April 25, 2012 § 3 Comments
If you haven’t discovered the amazing British children’s artist Alison Jay, you’re in for a real treat. Or, if you’re as obsessed with her as I am, you’ll love her latest masterpiece, a fairy tale of sorts titled The Cloud Spinner (Ages 3-6), by Michael Catchpool (a fellow Brit).
The Brits have an unparalleled knack for creating books that feel Quintessentially Childlike, seamlessly blending fantasy with realism, and sprinkling on a quirkiness that makes these stories memorable for a lifetime. Alison Jay’s artistic signature, which she employs in all her work, is a “crackle finish” layered over her paintings, a technique which gives them a vintage look. In contrast, her animals, landscapes, and people feel anything but old-fashioned (here’s where that endearing quirkiness comes into play).
It seems that Jay’s artistic style has not gone unnoticed by JP, my four year old. Our favorite alphabet book is Jay’s ABC: A Child’s First Alphabet Book, which I’ve been reading to him since he was a baby (and which is jam packed with hidden surprises), along with a handful of her other storybooks (see my list at the end). A few months ago, while perusing the shelves at our local library, JP stumbled upon an Alison Jay book he’d never seen before (William and the Night Train), and he called out, “Look Mommy, it’s one of those books with the crazy clouds!” I had never thought of it that way before, but he was right: Alison Jay does have a very specific way of painting clouds.