Mindfulness: Start ‘Em Young
October 17, 2019 § Leave a comment
“A well-known teacher was asked to describe the modern world. He answered: Lost in thought.” I’m currently taking a 30-day online mindfulness course from Jack Kornfield and Tara Brach—a series of short guided meditations—and this was how the third session began. Lost in thought: a modern epidemic. I’ve thought about this observation multiple times since, always with sadness and identification. How much of my daily life is spent worrying, planning, remembering, regretting, being somewhere other than where I am?
When we’re lost in thought, Kornfield notes, we’re missing out on what’s in front of us, perhaps on the very parts of life we cherish most. He quotes from the great poet Khalil Gibran: “…and forget not that the earth delights to feel your bare feet and the winds long to play with your hair.”
This is my third attempt in the last eighteen months at developing a regular mindfulness practice. I’ve never lasted more than ten consecutive days. This month has been a mixed bag, too. October has thrown me a number of curve balls, and the pull to become lost in thought—mourning, stewing, deliberating—often eschews the discipline of sitting for a guided meditation.
I want to be better at this. To be more present in my senses, to more fully embrace the adventure of life. To feel the warm sun on the back of my neck, the hard earth beneath my feet. To smell the crispness in the air. To notice my daughter singing in the bathroom.
I want to be better at this for my kids. The ones watching me model being lost in thought as if my life depends on it. When my son experiences an emotion, I wish for him to notice how it manifests in his body, instead of ruminating on it or wishing it away. When my daughter walks home from her violin lesson, I wish for her to notice the shifting beauty around her, even while she plans which games she’s going to play with her waiting friend.
Author Julia Denos has teamed up with illustrator E.B. Goodale to produce another beautiful picture book (I regret not making time on this blog for their first, Windows) which is itself a kind of guided meditation for kids. Here and Now (Ages 4-8) gently and effectively brings children’s attention to the present moment. It grounds the reader in her own bodily sensations, while also connecting her to the wider world. It prompts parent and child alike to think about what might happen if we turn towards, instead of away from, the present moment, with all its beauty and mystery and wonder.
When is a Stone a Story?
September 12, 2019 § 4 Comments
If we want our children to entertain different perspectives when they get to middle or high school—to become critical thinkers and contributors—then they should have opportunities from an early age to consider that there is more than one way to see the world.
Picture book author-illustrator Brendan Wenzel is making something of a name for himself when it comes to creating books for young children about perspective and perception (his groundbreaking debut, They All Saw a Cat, received a Caldecott honor). His newest, A Stone Sat Still (Ages 4-7), similarly rendered with richly textured, mixed-media art and spare, poetic language, stole my heart from the moment I opened it (do yourself a favor and remove the jacket cover, because WOW). Even my children, well outside the target age, were captivated. This is visual storytelling at its best, where every page asks the reader to engage: to wonder, question, and understand. « Read the rest of this entry »
Butterflies & Black Boxes: Helping Shoulder the Burden of Grief
May 2, 2019 § 9 Comments
Grief can be the loneliest feeling in the world. In the immediate aftermath of a great loss, we are often surrounded by an outpouring of love and affection. We receive letters, phone calls, dishes of food, offers of help. But, in the weeks and months ahead, most around us will eventually resume their own lives, leaving us to sit quietly, restlessly, fearfully with our grief. Some will stop mentioning it at all, perhaps worried that talk of it will bring up fresh sadness. Some prefer to stop thinking about it all together, lest the tragedy of what happened to us be contagious. None of this is ill-intentioned. It stems from our basic human instinct to protect and survive.
It may also stem from inexperience.
The new picture book, Maybe Tomorrow? (Ages 4-8), by Charlotte Agell, with illustrations by Ana Ramírez González, is a whimsical, hopeful, deeply touching story about a new friendship forged in the aftermath of grief. It is one of the most delicate and perfect manifestations of grief I’ve ever encountered in a children’s book—but it also does something else. It presents a window into what it’s like to be on the outside of grief. It invites us to empathize with those who are mourning, then gives us some ideas for how to help another shoulder the burden of grief.
When I started college, in the fall of 1994, I had lost my father three months earlier. I had had an entire summer to mourn. To cry, to rage, to field calls from concerned relatives and friends, to fight and make up with my mother and sister more times than I could count. When I walked onto campus that September and neatly unpacked my things into my single room, I felt pressure to put my grief behind me. To fit in. To throw myself into making friends and studying hard and not be known as “the girl who just lost her father.”
And then, suddenly, I couldn’t see.
« Read the rest of this entry »In the Eye of the Beholder
April 11, 2019 Comments Off on In the Eye of the Beholder
One of the superpowers young children possess is the ability to transfer human qualities onto inanimate objects. My Emily might be eight years old—well versed in the impossibility of stuffed animals coming to life—but she still likes to tell me about the skydiving adventures her plush lamb has at home while she’s off at school (apparently in cohorts with my stuffed bear). When I tuck her in at night, it’s not uncommon for Emily to inform me that Baba will be keeping watch for bad dreams. Whenever her pride is bruised or her tears are flowing, Emily predictably runs to her room, snatches up Baba, and presses the soft frayed body to her cheek. (Baba has also been known to “peck at” prime offenders, otherwise known as Older Brothers.)
It’s remarkable, this ability of children to draw entertainment, companionship, and comfort from non-living things. It certainly plays a part in why children are naturally resilient, even or especially when the humans around them fall short. After all, an object can be whatever a child wants or needs it to be. It can be a kind of “stand in,” or a bridge to a time when that child might reliably find that entertainment, companionship, or comfort in another living being.
Lubna and Pebble (Ages 4-8), an impossibly gorgeous and profoundly moving new picture book about the refugee experience, takes at its center the conceit of a young girl’s redemptive friendship with a pebble, which she finds on the momentous night she arrives with her father at the “World of Tents.”
« Read the rest of this entry »Balancing the Me and the We
March 1, 2019 Comments Off on Balancing the Me and the We
How do we celebrate our individualism without turning our backs on our community? How do we lift up those around us without sacrificing our sense of self? Teaching our children to walk this fine line as they grow into adults may be one of the most important things we as parents do.
Bonus if it involves a little sugar along the way. « Read the rest of this entry »
Taking Up Space (A Black History Month Post)
February 21, 2019 § 2 Comments
In her modern dance classes, my daughter cherishes above all the few minutes devoted to “sparkle jumps.” One by one, the dancers crisscross the studio at a run. As each one reaches the middle, she explodes into a leap, arms reaching up and out, head tall, like the points of a star. For one perfect moment, my daughter takes up as much space as her little body will allow.
“I love watching you take up space,” I tell her. « Read the rest of this entry »
Hello, Awards Time!
January 31, 2019 § 1 Comment
This past Monday, I watched and cheered at my computer as the American Library Association’s Youth Media Awards were announced (more fun than the Oscars for #kidlit crazies like me). Most parents are familiar with the Caldecott and Newbery medals, but there are quite a few other awards distributed, many to recognize racial, cultural, and gender diversity. Overall, I was pleased to see many of my 2018 favorites come away with shiny gold and silver stickers. At the end of today’s post, I’ll include some of these titles, along with links to what I’ve written about them.
Today, I want to devote some space to Sophie Blackall’s Hello Lighthouse, which came away with the Randolph Caldecott Medal, for the “most distinguished American picture book for children.” (It’s actually the second Caldecott for Blackall, who won three years ago for this gem). Hello Lighthouse (Ages 6-9) is one of my very favorites from last year; and yet, I haven’t talked about it until now. Why is that? Perhaps because the art in this book is so endlessly fascinating, my observations continue to evolve with every read. I suppose I’ve been at a loss for words. « Read the rest of this entry »
