The Right to Vote
February 11, 2016 § 6 Comments
With such a heated presidential election upon us, voting has been a popular topic of conversation in our house. My eight year old is trying to make sense of the candidate names he has heard; and he repeatedly asks my husband and I who we “want to win” this November, convinced with that blind, beautiful eight-year-old innocence that his parents’ choice must be the right one. (I’m tempted to blow his mind by telling him that his dad and I might each want someone different.)
The right to vote may be one that many of us Americans take for granted today (much like trying on shoes at a store—see last year’s post for Black History Month); and yet, it also seems to inspire a certain awe in our children. Or at least it did in me when I was young. My mother would take me along when she voted in major elections. We’d wait in line, hand in hand, and then part of me would cringe in betrayal when at last it was her turn and she would pull the curtain closed around the voting booth, leaving her on one side and me on the other. I would strain to see her shadow beneath the curtain, trying to make heads or tails of what she was doing in there. “Can’t I come in with you?” I’d lament. “Isn’t it unsafe to leave me out here all alone?” I’d try. But her answer was always the same: “Voting is private. What I do in here is nobody’s business but my own.” That night, I’d try harassing my father: “But you did vote for who you said you were going to, right?” “That’s for me to know,” my dad would reply, the corners of his mouth turning up slightly. « Read the rest of this entry »
A Master Class in Art History (Without Leaving Your House)
June 16, 2014 § 2 Comments
I don’t know how the rest of you are planning to get through a hot and steamy summer, but I am counting on a lot of time at the craft table. Especially good news for today’s parents is that we don’t have to live next door to an art museum to teach our kids about the great artists and artistic movements of the past. Last June, I kicked off a “summer school” series with a post about some of my favorite picture book biographies for elementary-aged children, a rich and growing subset of children’s literature. Nowhere is the picture book format better utilized than in biographies of famous artists. These aren’t the books of our past, which reproduce notable paintings aside dry critical analysis; rather, they are true and entertaining stories about formative artists who, beginning as children, overcame struggles, searched for inspiration, and broke down conventional barriers to define their unique artistic styles. As your child sits before a blank piece of paper, wouldn’t you love for him or her to channel the stories of Henri Matisse, Jackson Pollock, Henri Rousseau, and Vasily Kandinsky? (See my list of favorite books at the end.)
The latest of these gems, Barb Rosenstock’s The Noisy Paint Box: The Colors and Sounds of Kandinsky’s Abstract Art (Ages 6-12), strikes a particular chord with my family. At almost seven, JP loves to draw and paint, but while his peers are steering more and more towards realistic creations, JP still prefers abstraction. Some might call it scribbling, although to imply that it is rushed or without meaning would be misguided. JP (and now Emily, following in his footsteps) never stops talking—not for one second—while he draws. He narrates the action as it takes shape before him: comets blasting through the sky, submarines bursting into flames, houses pitched airborne towards a burning sun (the theme of explosion is strong with this one). I’m not exactly sure what he is working out on that paper—because there is clearly something cathartic going on—but when he is finished, his entire body is relaxed, his mind at peace. « Read the rest of this entry »
