Finding Hope on the Ocean Floor
March 21, 2019 Comments Off on Finding Hope on the Ocean Floor
With no tropical destination in my near future, I am making do with reminiscing about our spectacular trip to Belize for last year’s Spring Break. I also find myself thinking about a book which was perfectly timed with our return home. Whether you are heading to or coming home from a trip to the bottom of the sea, I hope you will join me in singing the praises of this illuminating and inspiring book about saving our coral reefs. « Read the rest of this entry »
The Best Answer to Why We Should Conserve Water (An Earth Day Post)
April 20, 2017 § 2 Comments
“Don’t leave the water running!” shouted one of my Girl Scouts, as she waited in line behind her fellow Daisies to wash hands during one of our recent meetings. She turned to me. “That’s true, right? My mom says you shouldn’t waste water.” I told her I thought that was a commendable goal, and then another girl asked why. A third girl piped in: “Because otherwise there won’t be any water left in the oceans, and the fish will all die.”
This is not dissimilar to adages which I have used with my own children in the past. And I’ve heard plenty of other parents try out similar renditions. But I’ve also felt slightly disingenuous and awkward delivering them, because explanations like these are neither correct nor that simple. A child has only to visit the beach and stare out into the vast expanse of blue to feel some futility at the prospect of draining the oceans by leaving the tap running a few extra seconds. It simply doesn’t hold up, and what seems implausible doesn’t ultimately motivate behavior. Perhaps the real reason we end up saying shorthand things like this is that many of us don’t know the ins and outs of how our planet’s closed-water system sustains itself. (Guilty as charged.) « Read the rest of this entry »
What This July Needs
July 23, 2014 § 1 Comment
For all the reading that we intend to do with our children in the summer, many of the days pass instead in a sweaty haze of shifting feet, slamming doors, and long afternoons at the pool. By the time our little ones are ready for bed, their eyelids (and mine, if I’m being honest) are too heavy to sustain more than a few pages.
For this Reading Deficit Disorder that hits right about July, I have just the prescription, which you will want to dish out to your own family, as well as wrap up for all those summer birthday parties. I’m talking about POETRY! Poems are the answer! Allow me to introduce the delightful and timely-titled anthology, Firefly July: A Year of Very Short Poems (Ages 5-11), with poems selected by Paul B. Janeczko and spectacular mixed-media illustrations by Melissa Sweet (yes, I’ll say it again: I adore everything that Sweet puts her hands on). « Read the rest of this entry »
The Human Body (Summer School Continues!)
June 12, 2013 § 1 Comment
Summer is naturally a time for children to sharpen their senses and take notice of their bodies. Running barefoot through the freshly cut grass; relishing the pure silence underwater at the pool; feeling the sweat beads on the back of their necks; hearing the crack of thunder that sends them tearing for the house; stretching out on the earth’s back to gaze at a sky full of stars: this is what summer looks, sounds, and feels like to our children. So why not turn these grass-stained knees into a chance to study the human body? And what if we take these bodily lessons further; what if we create an awareness in our children that their bodies aren’t just little planets unto themselves but are connected to the mysteries of the greater universe?
I have long been puzzled by the lack of children’s books that bridge the scientific and natural worlds, so I was thrilled to discover a little gem published last year, written by Elin Kelsey. You Are Stardust (Ages 4-8) is that rare blend of scientific fact and poetic wonder. Beginning with the premise that “every tiny atom in your body came from a star that exploded long before you were born,” the book goes on to draw parallels between humans, animals, the earth, and the universe, from the salt water that flows through our tears like it flows through the ocean to the electricity that powers our thoughts like it powers the lightning in the sky. Every fact and connection is intended to shock and awe (and is backed up by scientific evidence). Did you know that the water we drink today is the same water that the dinosaurs drank? Or that “each time you blow a kiss to the world, you spread pollen that might grow to be a new plant?” (Both of these questions got an audible response from my son: “Is that seriously true?”)
One of my favorite things about sharing books with children is that you can never predict exactly what will rock their world. I would never have supposed that the fact which made the greatest impression upon JP was one having to do with continual renewal—specifically, that “you’ll replace your skin 100 times by the time you turn ten.” When he first heard this, JP threw back his head and roared, “I’m not a snake! Kids don’t shed their skin; that’s ridiculous!” “Not all in one piece like a snake, but in little bits at a time,” I told him, and we went on to discuss things like scrapes, sunburn, and dry skin. For the past week, he has now taken to brushing his hand across his arm 10 times a day, while declaring to his sister that “you can’t see it, but my skin is shedding RIGHT NOW!”
Prior to discovering You Are Stardust, my favorite “metaphysical” book for kids, although on a much simpler, toddler-targeted level, has been Molly Bang’s All of Me: A Book of Thanks (Ages 2-4). With loving, economical text, Bang pays tribute first to a child’s body (“thank you, hands, for gripping and throwing and patting and holding”); then to his senses (“my mouth tastes all my food before it slides down here, into my tummy”); then to his feelings (“today I felt curious, and excited, and angry, and brave…”); and, finally, to the way in which he is part of “this whole wide world…and this whole universe is inside…all of me!”).
What All of Me starts, You Are Stardust expands on for the older child, grounding wondrous observations about the body-universe connection with scientific data (the book’s afterward also cites a website for those who want to learn more about the science behind the book). Perhaps not just coincidentally, both Bang and Kelsey’s books are illustrated with collage, a fitting medium for a lesson on how we are greater than the sum of our parts. The collages in You Are Stardust, done by Soyeon Kim, are actually dioramas, combining rocks, dried flowers, painted leaves, string, tissue paper, and watercolor cut-outs to create a tactile, three-dimensional effect. The illustrations feel youthful and free-form, and I think my son immediately connected with them as something he could approximate with materials gathered from our backyard. I would love for my children (as the author similarly wishes in her afterward) to cart this book outside all summer long, to read it by flashlight in their tee-pee or while propped up on their elbows in the grass. I would like for them to look at the trees and the birds and the snails and the clouds—and to feel their own heartbeat answering back.
Other Favorites for a More In-Depth Study of the Human Body (and with a more traditionally fact-based presentation):
The Skeleton Inside You; Why I Sneeze, Shiver, Hiccup and Yawn; A Drop of Blood; Hear Your Heart; My Five Senses, all part of the wonderful Let’s-Read-And-Find-Out Science Series (Ages 4-8)
See Inside Your Body, by Usborne Publishing (Ages 5-10)
First Human Body Encyclopedia, by DK Pubishing (Ages 6-12)
Bones: Skeletons and How They Work, by Steve Jenkins (Ages 6-12)
Picture This! Human Body, by Margaret Hynes (Ages 8-14)
Saving the Trees
April 22, 2013 § 2 Comments
Earlier today, in honor of Earth Day, I shared Dr. Seuss’ The Lorax (Ages 5-10) with the elementary children at my son’s Montessori school. While most people associate Dr. Seuss with the nonsensical but catchy I-Can-Read titles, like Green Eggs and Ham, I would argue that his narrative poems—his longer, more complex, often moralistic stories—were actually his greatest gift to children. Not only do these stories showcase a mastery of rhyme that is virtually unmatched in contemporary children’s literature, but many of them also serve as cautionary tales, introducing children to the dangers of things like running away from your problems (I Had Trouble in Getting to Solla Sollew), or prejudice (The Sneetches), or, as in the case of The Lorax, industrialization at the expense of natural resources.
The Lorax, a “brownish,” “mossy,” raspy-voiced creature, who famously utters, “I speak for the trees for the trees have no tongues,” may have been conjured up by Dr. Seuss in 1971, but his environmental message resonates just as clearly today. And yet, there’s a second hero in this story, one with greater power than The Lorax himself. I’m referring to the unnamed child, who appears at the beginning and the end of the story—the one to whom the Once-ler relates (and repents) his decision to knit every last Truffula Tree into an ambiguous but allegedly multipurpose Thneed, “which everyone, EVERYONE, EVERYONE needs.” This child, to whom the Once-ler entrusts the very last Truffula seed, along with instructions to nurture it with water and clean air, literally holds the future of the planet in his hands; he is the reader’s hope for a happy ending. « Read the rest of this entry »
Holiday Gift Guide 2012 (No. 4): Books For the Hero Within
December 18, 2012 § 1 Comment
Benjamin Franklin once penned: “If you would not be forgotten/ As soon as you are dead and rotten,/ Either write things worth reading,/ Or do things worth the writing.” OK, that might not be a quote we need to read aloud to our young children, but its sentiment can and should inform the books we choose to share with them.
The genre of biographies written for children is taking off like never before; it seems not only are parents and educators seizing the chance to inspire our young ones with tales of historical figures, but kids themselves are embracing these literary opportunities to inform their own choices, to pave their own paths worth living. And it’s no accident that many of this past year’s biographies are picture books: against a backdrop of beautiful art and poetic text, stories about scientists, writers, inventors, artists, and peacemakers become that much more gripping. The books listed at the end of this post are treasures worth giving and owning; their artistic caliber alone makes them a far cry from the dry, fact-filled paperbacks that we once suffered through for school reports.
Alison Jay, Cloud Creator
April 25, 2012 § 3 Comments
If you haven’t discovered the amazing British children’s artist Alison Jay, you’re in for a real treat. Or, if you’re as obsessed with her as I am, you’ll love her latest masterpiece, a fairy tale of sorts titled The Cloud Spinner (Ages 3-6), by Michael Catchpool (a fellow Brit).
The Brits have an unparalleled knack for creating books that feel Quintessentially Childlike, seamlessly blending fantasy with realism, and sprinkling on a quirkiness that makes these stories memorable for a lifetime. Alison Jay’s artistic signature, which she employs in all her work, is a “crackle finish” layered over her paintings, a technique which gives them a vintage look. In contrast, her animals, landscapes, and people feel anything but old-fashioned (here’s where that endearing quirkiness comes into play).
It seems that Jay’s artistic style has not gone unnoticed by JP, my four year old. Our favorite alphabet book is Jay’s ABC: A Child’s First Alphabet Book, which I’ve been reading to him since he was a baby (and which is jam packed with hidden surprises), along with a handful of her other storybooks (see my list at the end). A few months ago, while perusing the shelves at our local library, JP stumbled upon an Alison Jay book he’d never seen before (William and the Night Train), and he called out, “Look Mommy, it’s one of those books with the crazy clouds!” I had never thought of it that way before, but he was right: Alison Jay does have a very specific way of painting clouds.











