October 22, 2020 § 3 Comments
As a nervous flyer, I never thought I’d write this, but I really miss getting on airplanes. Traveling is something I’ve never taken for granted, but I’m not sure I realized just how much I crave it until it wasn’t an option. I miss stepping off a plane, filled with the adrenaline of adventures ahead. I miss unfamiliar restaurants and museums. I miss natural wonders so far from my everyday environs it’s hard to believe they’re on the same planet. I miss squishing into a single hotel room, each of us climbing into shared beds after a day of sensory overload and, one by one, closing our eyes. I can’t wait until we can travel again.
In the meantime, we look to books to fuel our longing to see the world, to keep alive this thirst for the unfamiliar and the undiscovered. No picture book this year delivers on this promise quite like Girl on a Motorcycle (Ages 5-9), by Amy Novesky, illustrated by Julie Morstad, based on the actual adventures of Anne-France Dautheville, the first woman to ride a motorcycle around the world alone. From her hometown of Paris to Canada, India, Afghanistan, Turkey, and other exotic destinations, we travel alongside this inquisitive, fiercely independent girl as she heeds the call of the open road.
Morstad is no stranger to illustrating picture book biographies—It Began With a Page: How Gyo Fujikawa Drew the Way made last year’s Gift Guide—and part of her remarkable talent stems from adapting her illustrative style to the subject at hand, while still creating a look and feel entirely her own. In Girl on a Motorcycle, Morstad infuses a ’70s palette of glowy browns and moody mauves onto the dusty backdrops of the Middle East, the dense evergreens of the Canadian countryside, and the ethereal sunrises. Additionally, Morstad gives the protagonist herself a kind of badass glamour every bit as alluring as the scenery itself. How can we not fall for someone who packs lipstick next to a “sharp knife”? It’s as if Vogue jumped on the back of a motorcycle, slept in a tent at night, and made friends with locals along the way.« Read the rest of this entry »
November 27, 2019 § 3 Comments
Last week, I told you about My Favorite Picture Book of the Year. I also told that you that, this year, I had two favorites. In fact, this second may be one of my favorite read-alouds ever. Seriously. Want me to swing by right now and read this to your kids? I’m in. Though I think they’d probably have more fun if you did it.
On the surface, Matthew Forsythe’s Pokko and the Drum (Ages 3-7) has a straightforward premise: girl gets drum; girl finds a way of expressing herself; girl wins over her skeptical parents. The originality lies entirely in Forsythe’s execution: a color palette at once earthy and whimsical; strategic use of white space to control pacing; expressive animal figures; subversive humor; and page turns perfectly timed for dramatic impact.
Forsythe’s dry humor kicks off in the story’s opening sentence: “The biggest mistake Pokko’s parents ever made was giving her a drum.” Proving that her parents know a thing or two about mistakes, we get a quick visual look at some of their previous ill-conceived gifts: “the slingshot” (launches Pokko), “the balloon” (up, up, and away), and—my personal favorite—“the llama” (destroys the house). « Read the rest of this entry »
August 29, 2019 § 9 Comments
At no time more than summer do our children grow up. Camps, camping, gloriously long stretches of daylight, ample opportunities at exploration and courage and boredom…all of this combines to ensure that the children we send back to school in the fall are not quite the ones we ushered in summer with.
I was ill prepared for the onslaught of emotions I would feel upon picking up my oldest from his first sleepaway camp experience in Maine. As we slowed along the gravel road though the camp entrance, my excitement of the past 24 hours turned to butterflies. How would he seem? Would he look different? Would he have made friends? Would he burst into angry tears and declare he was never coming back?
We didn’t have to wait long: he was standing alone not far from the entrance. I waved frantically, shouting at my husband to stop the car so I could jump out. JP smiled broadly as I threw my arms around him, but something was immediately apparent. He was quiet. More upright than I’d remembered. More reserved than I’d expected. « Read the rest of this entry »
May 5, 2016 § 1 Comment
“Mommy, I wish this day would last forever,” my daughter said into my eyes last Saturday, in our third hour of watching street performers under a brilliant blue sky in Washington Square Park. It was our annual trip to New York City, something I’m lucky enough to do every fall with my son and every spring with my daughter. We had just spent an action-filled few days looking at art, making art, dining in style and dining at street vendors—but there was something about these unstructured hours in the park, the sun finally making itself felt, where I watched my daughter become totally and completely entranced by her surroundings.
There was a woman with hot pink hair on one side of her; a woman with a brilliant purple head wrap on the other. Emily sat on the rounded edge of a fountain that wasn’t in use, watching shirtless men in baggy blue sweatpants flip backwards and spin on their heads where the water would normally flow. In the distance, she could still keep her eyes on the creepy but fascinating human sculpture—a bald man (woman?) adorned in chalky gold body paint, who stood frozen atop a slim pedestal, waiting for someone to drop a dollar into his bucket, at which point he would slowly come out of the pose and strike another. « Read the rest of this entry »
April 30, 2015 § 1 Comment
Sometimes I think there has never been a more distractible child than my Emily. Ask her to go upstairs for a hair bow, and she’ll come down ten minutes later with a baby doll. Ask her to take a bite of her food, and she’ll break into song before the fork gets halfway to her month. There are days when I think she was put on this earth to teach me patience (and, Holy Saints in Heaven, I am failing).
The temptation to sweep in and finish the job is often too great for me. If I just shove her feet into these shoes, we can leave the house! If I just usher these last few bites into her mouth, this dinner can actually end! Although, if I’m being honest with myself, it’s more than mere efficiency that I seek. It’s more than a desire to control the chaos around me. Doing something for my daughter is as much about the sheer pleasure of my feeling needed. (Remember this?)
As parents, we know we’re supposed to nurture a drive for independence in our children, to prepare them for the day when they won’t need us anymore. At the same time, parenting has become this Super Important Identity that we’ve assumed—at times it feels like it has obliterated all other identities!—and it’s natural to feel validated, encouraged, and protected each time our little ones seem to need our help. Even though our head reminds us that we’re supposed to get out of their way, our heart just can’t keep from meddling.
Introducing my daughter’s new favorite book: Little Red Henry (Ages 3-6), by author Linda Urban and illustrator Madeline Valentine. I challenge you to find a preschooler who won’t instantly relate to this tale of a little boy, the youngest of three, whose well-intentioned but incessantly doting family never lets him do anything himself. (The title is a nod to the moralistic fable, The Little Red Hen, about the bread-making hen whom no one will help—only here, it’s the opposite.) « Read the rest of this entry »
May 17, 2013 § 3 Comments
I’m often asked to recommend chapter books that lend themselves to reading aloud, either for a classroom setting or for a parent reading to an elementary-aged child. This is no small order: you need something where the subject matter isn’t too frightening or mature for the 5-8 year old set; you need something that’s going to engage the adult reader as much as the child (there’s no law that says this can’t be enjoyable for us!); and you need something that transcends the plot-driven, early-reader books that kids are reading on their own and helps them develop a taste for the kind of diverse language and emotionally-rich storytelling that will hopefully influence their reading choices in the future. This past winter, we read to my son the classic Little House on the Prairie series, which I adored as a child and whose themes feel just as timeless and important as ever (family values, the rewards of hard work, celebrating the non-material joys in life). But Laura Ingalls Wilder’s writing can also be quite tedious to read aloud, packed with lengthy explanations (twenty pages devoted to smoking a pig?) and repetitive sentence structures. There were moments when I could feel JP’s attention wandering, despite his avid assurance each night that he wanted to read more, more, more.
But then we finished that series and began Marion Dane Bauer’s stand-alone novel Little Dog, Lost (Ages 8-12, younger if reading aloud), published just last year, and it felt like a breath of fresh air. Here’s a book where not a single word is wasted, a book whose text flows off the tongue with such buttery smoothness that most of the time I couldn’t bring myself to stop when I got to the end of a chapter (that’s right, I was actually choosing in those moments to delay bedtime). Bauer achieves this incredible richness of language by breaking with a major narrative tradition: she writes her novel in free verse, creating chapters out of short, staccato poems, which loosely string together and sometimes even repeat words and phrases, all the while telling a very clear and cohesive story. There are 44 of these untitled poem-chapters; and they switch off narrating from the viewpoints of children, adults, and animals—all of whom live in a small contemporary town called Erthly and whose lives are forever touched by an incident involving a lost dog searching for someone to love him.
Freed from the confines of conventional narration, Bauer is able to cut straight to the emotional core of her characters—and the result is a story that children will feel deep in their hearts. Animal stories inherently engender sympathy from children (not coincidentally, some of JP’s favorite moments in the Little House books revolve around the Ingalls’ faithful dog, Jack). At the center of Little Dog, Lost is Buddy, an orphaned dog with “ears like airplane wings,” who “dances” along the sidewalk, longing for a home with “chasing balls,/ ear scratches,/ kisses.” Children will easily relate to Mark, a young boy “who had wanted a dog for as long as he could remember./ He had asked for a dog./ He had begged for a dog./ He had pleaded and prayed and whined for a dog./ Once he’d even tried barking for a dog.” And who wouldn’t be intrigued by a mysterious old man named Charles Larue, who lives alone in a pointy-towered mansion and never speaks to anyone? Throughout the story’s suspenseful twists and turns, even amidst the humorous touches (many coming from a bossy tabby cat who thinks he’s a dog), the story never strays from the hopes and dreams of its relatable, big-hearted characters. It’s fair to say that my son had a full-body experience while listening to this book. He chuckled, gasped, and emitted little exasperated grunts; he covered his eyes and held his breath; he beat his fists on the bed; he cheered; he hugged my arm to pieces; and he shed more than a tear or two (as he says, “I have a little water in my eyes right now because I’m so happy.”). Now that’s a chapter book.
Other Favorite Read-Aloud Chapter Books With Animals & Lots of Heart:
The Cricket in Times Square, by George Selden (Ages 5 & up*)
Charlotte’s Web, by E.B. White (Ages 5 & up)
The Trumpet of the Swan, by E.B. White (Ages 5 & up)
Mr. Popper’s Penguins, by Richard Atwater (Ages 5 & up)
Ginger Pye, by Eleanor Estes (Ages 6 & up)
The One and Only Ivan, by Katherine Applegate & Patricia Castelao (Ages 6 & up)
*Please note that these ages are assuming the reading is being done by an adult. For a child reading independently, the age range would be closer to eight and up.