Biking for Beginners and Pros
July 5, 2013 Comments Off on Biking for Beginners and Pros
We interrupt our Summer School Series for some good ‘ol fashioned outdoor play—and because there happens to be two seriously awesome new picture books about riding a two wheeler (the Ultimate Summer Challenge, really). The first book is for the I-Think-I-Can-Beginners; the second is for the experienced, daring, and creative bikers (especially those with a love for all things Space).
Chris Raschka’s Everyone Can Learn to Ride a Bicycle (Ages 3-6) is a simple but poignant “how to” look at mastering a two wheeler, first with training wheels and then without. Now, if I were going to write a step-by-step guide to teaching a five year old to ride a bike, it might go something like this:
Lug ten tons of second-hand steel to park, at the request of eager child.
Help eager child up into bike seat.
Become temporarily deaf by imminent screaming of “NOOOOOOO get me off get me off get me off!”
After much cajoling and pleading and promising for the 45th time that you are going to hold on the whole time, convince child to remount bike and begin pedaling forward.
After 10 minutes, whereby you are still holding fast to the training-wheeled bike and said bike has moved exactly 10 feet, suggest that he try turning.
Feel an abrupt jerk as child slams on the breaks (this, oddly, comes very naturally), jumps off bike, and announces that he is Most Definitely Not Doing This Right Now.
Lug ten tons of steel back home.
Fortunately, Everyone Can Learn to Ride a Bicycle paints a much rosier picture of a child learning to ride a bike, along with the help of her patient and gently encouraging father.
But, actually, what I love about this book is that things are not always smooth sailing: the little girl has lots of false starts, falls down again and again, and needs both hugs and Band-Aids. “Oops! You nearly had it,” the book coaches. “Don’t give up. You’ll get it. Find the courage to try it again, and again, again, and again, again, and again, and again, until by luck, grace, and determination, you are riding a bicycle!”
Rashchka’s signature watercolors, seemingly effortlessly executed with thick, breezy, rough strokes of paint, are perfectly suited to the subject at hand. Every single painting exudes movement—whether it’s the little girl pulling her father’s hand toward the bike shop, her sideways and backwards tumbles off the bike, the neighborhood kids zooming past her on their colorful two wheelers, or her triumphant forward-leaning fast-pedaling stance at the end.
Rashchka’s greatest gift has always been his ability to capture emotional expression with just a few brushstrokes; and it’s the determination, bewilderment, frustration, joy, and pride on the little girl’s face that will make this gem relatable for children—those struggling to ride and those who’ve newly mastered the skill. I’m not promising this book will work miracles, assuming there might be other parents out there who are having similar bicycling battles on the playground (please tell me I am not alone); but I can promise that your child will identify a kindred spirit on the page.
Moving on to mor
e advanced bicycling (and a longer, more sophisticated story), I fervently recommend How to Bicycle to the Moon to Plant Sunflowers: A Simple but Brilliant Plan in 24 Easy Steps, by Mordicai Gerstein (Ages 5-10). If the irreverent title alone hasn’t sold you, let me sing the praises of this most entertaining book, particularly for the kid who loves science, invention, numbers, the Moon, and bossing people around (that would be my son to a T, minus the bicycling).
First, when was the last time your child read a work of fiction that was laid out in steps? Each of this book’s 39 pages outlines a different step, numbered 1 through 24, many of them sub-categorized with letters (12a, 12b, 12c, 12d, etc.). Kids love this stuff; it’s exactly the way their mind works when they are bossing us around.
Secondly, there’s the very idea of bicycling into outer space, not to mention for the purpose of planting sunflowers to cheer up the Moon’s “big, sad clown face.” Thirdly, there’s the intricately involved and scientifically supported plan that the boy conjures up—a plan involving 2,000 used truck inner tubes, a 25-foot flagpole, a ship’s anchor, 238,900 miles of garden hoses wound tightly around a giant spool, a rented XS space suit from NASA, and various provisions, including “nourishing, flavored Glop, squirted through a straw in your space-helmet.”
Finally, there’s the climactic adventure itself, Boy On Bike, pedaling up miles of garden hoses that have been anchored into the Moon’s surface, stopping to wonder at “the trillions of stars.” Within the largely comic narrative, written in the boy’s instructive voice, there are also many clever descriptions, my favorite being the notion that the Moon looks “like a coloring book that hasn’t been colored yet.”
Gerstein’s pen and ink drawings have a comic-book feel, but the crudely colored line art is mixed with grace and subtlety (the Moon’s changing expressions are a particular delight). This is the same Gerstein who wrote and illustrated one of my (and my son’s) favorite books: The Man Who Walked Between the Towers (Ages 4-8), the true and serious story of Phillipe Petit’s dramatic tightrope walk between the World Trade Towers in 1974. The two books could not look or feel more different (a rare feat for a picture book artist); yet, oddly, they both involve moving atop a skinny, rope-like material suspended over great heights.
Gerstein writes books about dreams—about the mystery, wonder, and excitement in planning for and achieving those dreams. I have a dream that my children will both ride two wheelers some day, that they will taste the victory that comes from balancing up high on their own, and (as I vividly remember doing as a young girl) that they’ll speed around the block, dreaming and scheming and making their own Big Plans.
Learning From History’s Many Heroes
May 30, 2013 § 3 Comments
Just because the school year ends shortly doesn’t mean that our children’s minds have to shrivel up like apples left out too long in the sun. Last week, I gave some ideas for great read-aloud novels to share with your kids. Now, I’m going to encourage you to add some non-fiction into the mix—specifically, historical biographies posing as picture books. In previous posts about Martin Luther King Jr. and Abraham Lincoln, I’ve hailed the rise of today’s picture book biographies, which (unlike the static, black-and-white books of our school days) read like interesting, action-packed stories accompanied by vibrant paintings and intriguing designs. But I’m not merely talking about the Most Obvious Historical Figures; there are lesser known but equally captivating true stories of ordinary boys and girls, men and women, who shaped the world with extraordinary acts of courage, defiance, or creativity.
Where picture book biographies are concerned, contemporary illustrator Melissa Sweet has been on a roll, creating the art for several of my favorite non-fiction books in recent years. Although these biographies are written by different authors, they are unified by Sweet’s signature style—at once instantly recognizable but also entirely unexpected for the historical genre. In place of photographic-like paintings in somber tones, Sweet uses fun colors, whimsical patterns, and collage elements specific to the person whose story she is bringing to life. In Jen Bryant’s A River of Words: The Story of William Carlos Williams (Ages 7-12), Sweet peppers her background collages with excerpts from Williams’ poems, opening up kids’ eyes to these words and thoughts as an art form unto itself. In Alicia Potter’s Mrs. Harkness and the Panda (Ages 5-8), an account of the first person to capture a wild panda in China and bring it to an American zoo for study, Sweet creates frames for her watercolors out of authentic Chinese decorative papers, lending an other-wordly, almost mystical charm to this already fascinating story.
One of Sweet’s most recent triumphs is even more captivating for its portrayal not of an adult but of a young girl. Michelle Markel’s Brave Girl: Clara and the Shirtwaist Makers’ Strike of 1909 (Ages 6-10) tells the mind-boggling story of a Jewish immigrant girl, forced to endure long hours, harsh treatment, and poor pay, while sewing alongside hundreds of other girls in factories (her family’s only hope of putting food on the table.) Clara Lemlich’s “got grit,” and she “knows in her bones what is right and what is wrong”; ultimately, she leads the largest walkout of women workers in American history, inspiring thousands of male and female workers across the country to strike for better working conditions and the right to organize unions. « Read the rest of this entry »
Beholding the Trees
April 17, 2013 § 1 Comment
“I’m thankful for the trees,” my five year old blurted out last Thanksgiving, as we were going around the table giving thanks for the usual holiday stuff (togetherness, food, health, etc.). His comment was so unexpected that I’ll admit we all burst out laughing (being a child must feel like a thankless job at times). But for all its randomness, I believe his comment was 100% genuine. JP has always had a special place in his heart for trees (plus his favorite color has been green since he could talk—see last year’s post in honor of Earth Day).
I like to think that a tiny bit of his appreciation for these living, breathing, magnificent things, which line our streets and fill our forests, is owing to me. You see, as much as I want my children to grow up with the deepest love and appreciation for their planet, as much as I believe that the future of this planet lies heavily in the choices their generation will make, I can be lazy. I would like to be the kind of mom who plants a vegetable garden every summer with her children, who participates in volunteer days picking up litter at inner-city parks, who turns banana peels into compost. Instead, my kids get a single tomato plant and some herbs in planters on our deck.
April’s Birthday Pick
April 14, 2013 § 1 Comment
Spring is a time of rebirth: a time of budding trees, sprouting seeds, and birthday parties. As for the last, you’re in luck, because there is a brand new Otis story on the shelves! Whether or not you’re familiar with Loren Long’s stunningly illustrated and action-packed picture books about Otis (see previous posts here), a happy-go-lucky tractor who always comes through for his friends, the new Otis and the Puppy (Ages 3-6) is a slam-dunk. Get your local bookstore to wrap up a copy for every one of your spring birthday parties; and don’t worry about whether the recipient has read the original Otis or Otis and the Tornado because, like its predecessors, Otis and the Puppy stands alone.
This new book has it all: heart, empathy, heroism, and a doe-eyed, playful-eared puppy. When the puppy arrives on the farm, he develops an immediate fondness for the tractor; he eagerly joins in Otis’ games of Hide and Seek and sleeps each night against the purring tractor. Otis quickly learns that the puppy and him have something in common: they’re both afraid of the dark. So when the puppy strays too far from the farm one afternoon and is not recovered by bedtime, Otis’ “heart ached deep inside his engine. He knew how scared of the dark his new friend was and…he knew his friend needed him.” But can Otis muster up the courage to leave the safety of the barn to search for his friend in the dark?
Seeing the World in Color
March 23, 2013 § 3 Comments
“It’s bud season! It’s bud season!” chanted my children earlier this week, after some long-awaited warm sunshine had beckoned us into the backyard. Thankfully, they were referring not to the beer (although my son’s soccer team does call themselves the Silver Bullets), but rather to the discovery of tiny little green bursts on the ends of our hydrangea bushes and crape myrtles. Since this is the first spring in our new house, our backyard is full of surprises, including yellow daffodils and purple crocuses and little red berries, all of which the children were delighted to point out to me as they raced back and forth across the lawn.
This springtime exuberance is exactly why I love Ashley Wolff’s Baby Bear Sees Blue (Ages 1-4), about a baby bear venturing forth from his den to discover the colors of the world. “Who is warming me, Mama?” asks Baby Bear. “That is the sun,” Mama says, as Baby Bear steps into a pool of brilliant yellow; “Baby Bear sees yellow.” And so begins a series of introductions to different colors, from the blue of the jays to the red of the strawberries to the grey of an approaching storm cloud. For months now, I have been trying (and failing) to teach my two year old her colors; at two and a half, she knows the names of all the colors and loves to exclaim “that’s purple!” or “that’s red!” for things that are, in fact, green or blue. I’m not obsessing about this, having drunk the Montessori Kool-Aid that she’ll learn on her own time (either that or someone will eventually tell me she’s color blind). But I figured it couldn’t hurt to start reading her books about colors, a rich topic in children’s literature (see my complete list of favorites at the end of this post).
March’s Hot-Off-the-Press Birthday Pick
March 6, 2013 Comments Off on March’s Hot-Off-the-Press Birthday Pick
This one goes out to all the little girls out there—or rather, to their little friends who have spring birthdays. Debut author-illustrator You Byun’s brand new Dream Friends (Ages 2.5-6) is full of the stuff of little girls’ dreams. I’m talking about sugar and spice and everything nice—or, more specifically, bunny rabbits and tea parties and baby chicks and Santa Claus and cupcakes and flowers and, of course, friendship.
Melody has a friend, a best friend, only he’s not your typical friend: for starters, he’s big and white and furry (an ambiguous but lovable dog-cat-raccoon looking thing that my daughter has taken to kissing on the nose each time he makes an appearance). The bigger problem is that this magical friend only visits the little girl in her dreams (although these dreams are filled with such delights as dancing on flower-shaped clouds or watching fireworks explode in the shape of ice cream cones and lollipops).
January’s Birthday Pick
January 8, 2013 § 1 Comment
For this month’s birthday pick, I’m doing something a little different: 1) I’m focusing on the youngest ages for a change; 2) I’ve chosen not one but two books (which make a perfect pairing); and 3) I’m encouraging you to throw caution to the wind and take a chance on books that aren’t brand new but are commonly unknown.
In short, the next time you are headed to a birthday party for a one or two year old, you’re in luck. I Took the Moon for a Walk (Ages 1-4) and Listen, Listen (Ages 1-4) are both illustrated by the supremely talented Alison Jay, whose praises I have sung here before. With their over-sized 9” by 9” format, these hefty board books mirror another favorite by Jay, her ABC: A Child’s First Alphabet Book (which tends to be well known and for good reason: it may just be the best alphabet book ever illustrated).
Alison Jay’s books are the ultimate gift. Packed with hidden surprises, layered with detail, and shimmering in vivid colors underneath a “crackle” finish, Jay’s paintings beg to be poured over again and again.
Holiday Gift Guide 2012 (No. 3): Books for Future Zoologists
December 13, 2012 § 1 Comment
If you have an animal lover in your life, allow me to introduce you to the amazing Steve Jenkins, whose stunning paper collages are the basis for highly engaging and informative books about animals. Why do these books make great gifts? For starters, most parents don’t know about them! Jenkins’ books are more likely to end up on the non-fiction shelves of bookstores and libraries than in places where parents would be likely to bump into them; and while they are technically non-fiction, these gems read like picture books.
The other reason they make great gifts is because they play directly into children’s inherent curiosity about the world around them. Jenkins uses the animal kingdom as a vehicle through which to introduce all kinds of scientific topics—and he does so while keeping kids as absorbed as if they were listening to stories featuring animal characters. He tackles all the obvious themes, like anatomy, food chains, adaptations, symbiotic relationships, and basic survival. But he also tackles more abstract concepts, like time, proportion, and scale—all through gorgeous spreads of animals and fascinating tidbits (see my complete list of favorite Jenkins titles below, including some for younger and older audiences).
“Mommy, you know what? You know what? You know what?”
November 20, 2012 § 1 Comment
My five year old loves to tell stories. Most of the time, his stories are a blend of autobiographical truth and nonsensical make-believe, and most of the time they are his way of working through whatever he’s trying to make sense of in the world (“There was this hurricane, and the winds were swirling around outside like a tornado, and then the roofs of the houses blasted off to Outerspace, and then…). As a parent, I know that I’m supposed to dedicate my ears to him when he’s narrating life’s inexplicable phenomena, but golly if his stories don’t always seem to come at a time when I’m desperately trying to corral him into putting on his coat or swallowing a few bites of food (the fork goes up, then stops, millimeters from the mouth, then comes down again: “Mommy, you know what?”). But I get it. I do. We all want to narrate our lives, and we all want an appreciative audience.
That’s why I’m not surprised that JP’s sister, now a full-fledged two year old, has decided that she too has verbal musings of her own to share. Suddenly, our family dinners are filled with Emily’s terrorizing screams—“I talking here!”—followed by JP’s despairing moans, “Emil-ee, I haven’t finished my story yet!”
Alas, tonight seemed like a good time to introduce my clan to the latest treasure from Philip and Erin Stead, the husband and wife duo that wrote and illustrated two of my all-time favorites, A Sick Day for Amos McGee and And Then It’s Spring. Their newest gem, Bear Has a Story to Tell (Ages 2-6), has all of the subtle charm, all of the understated quietness, of their earlier works, and this makes it perfectly suited for the subject at hand: hibernation.
My Good Pal Mo (I Like to Pretend We’re On a First Name Basis)
November 10, 2012 § 1 Comment
No one gets straight to the heart of kids like Mo Willems. It seems almost criminal that I’ve been at this blog for several months now and have yet to sing the praises of one of the most original author-illustrators of all time. While he’s best known for the Don’t Let the Pigeon Drive the Bus series (which, despite its popularity, is not my or my children’s favorite), Mo is at his best with one-off masterpieces, like Edwina, the Dinosaur Who Didn’t Know She Was Extinct and Leonardo the Terrible Monster (see my complete list at the end). And now we get to add his newest creation, Goldilocks and the Three Dinosaurs (Ages 4-8), in which three scheming dinosaurs lure Goldilocks into the wrong fairy tale in an effort to make “chocolate-filled-little-girl-bonbons” out of her.
During the 46 times that I’ve been asked by my son to read this book in the past month, I’ve started to put my finger on what it is that unites Mo’s seemingly disparate stories. Mo gives children A LOT of credit (probably more than us parents do). He doesn’t employ traditional literary devices (in fact, in Goldilocks he actually turns them on their head), and he offers few explanations; instead, he writes with the expectation that kids will pick up on the subtlety, the irony, the little side jokes, and the sophisticated vocabulary through their repeated readings. Over the years, I’ve had more than one person ask me whether Mo’s multi-layered storytelling is accessible enough to children or simply intended to amuse the parent who’s reading it. In response, let me give you an account of how my five year old experienced Goldilocks and the Three Dinosaurs:
In the Driver’s Seat
November 2, 2012 § 2 Comments
If there’s something all kids can agree on, it’s the thrill of being in the driver’s seat. Getting their choice—heck, coming up with the choices in the first place—seeds the adrenaline that drives our little ones forward in their quest for independence and control. Perhaps no author-illustrator understands this better than Chris Van Dusen, who has a knack for knowing what kids (especially boys) want and serving it up in rollicking rhyme and neo-futuristic illustrations. Years ago, when If I Built a Car was published, it instantly became my shop’s “go to” book for anyone headed to a four or five year old’s birthday party; we only stopped stocking it when virtually every family in a 15-mile radius owned the book.
The good news is that Van Dusen has now written an equally captivating follow-up—and one with an arguably broader appeal (girls will dig this, too). In If I Built a House (Ages 3-6), a young boy named Jack describes with contagious enthusiasm his dream house. I challenge any child to come up with a TV show or video game with more allure than a house containing an anti-gravity room, an underwater chamber, an art room with walls made of drawing paper, a bedroom atop a high tower with the world’s longest spiraling tunnel slide for descent, and a jet-powered Plexiglass Playroom that detaches to fly around the neighborhood.
Monsters With Manners
October 11, 2012 Comments Off on Monsters With Manners
I recently asked my five-year-old son: “What do you think monsters are like?” His answer: “They have big teeth and sharp claws and they eat little kids.” Oh. Well, the good news is that there’s a new(ish) genre afoot in children’s literature: not-too-scary scary stories (my recent posts on Creepy Carrots and Vampirina Ballerina are great examples). There are also some fantastic monster-themed books, featuring a new generation of what I will call Funny Monsters.
What makes kids find the monsters in these books so funny? Precisely because our little ones, occasionally monstrous themselves, can identify with these monsters’ unpredictable bursts of rage and destruction. On some level, they recognize a shared vulnerability, a shared quest to fit in and make sense of a complex world.
Author and illustrator Patrick McDonnell (best known for his Mutts comic strip) has a knack for creating deceptively simple picture books that get right to the heart of what it means to be human. In the beginning of his brand new The Monsters’ Monster (Ages 3-7), we are introduced to three tiny nay-saying monsters, named Grouch, Grump, and little Gloom ‘n’ Doom (how can you not immediately love this book?). The trio relishes their job of being monsters: they have tantrums, their favorite word is “NO,” and they love crashing, smashing, and bashing (sound familiar yet?).
Things That Go Bump in the Night
September 23, 2012 § 3 Comments
There’s no better time than the fall for reading spooky stories! Now, before you start worrying, let me preface by saying that my almost five year old is the ultimate Nervous Nelly; so, if he’s not scared by these stories (and actually demands to read them again and again), rest assured that your kids won’t be either. In fact, if you have a child that’s scared of the dark, even better: books like these can be an invaluable tool for empathizing with kids about their own nervousness (and helping them understand the role their imagination plays).
Without further ado, I give you my favorite new spooky story of the fall: Creepy Carrots! (Ages 4-7), by Aaron Reynolds, with illustrations by Peter Brown. I have loved everything Peter Brown has ever done, beginning with his first book, Flight of the Dodo, which is a quirky story about bird poop (remember: my son has a thing for poop books). What impresses me most about Brown is that none of his books feel derivative: for each story, he perfectly tailors his illustrative style to the topic at hand. In Creepy Carrots!, he sets his witty, cartoon-like drawings against a backdrop reminiscent of film noir, invoking a Hitchcockian play of black and white frames accented by splashes of orange.
Imagination Turbo Edition
July 3, 2012 Comments Off on Imagination Turbo Edition
When you watch your children practicing yoga moves in their kiddie pool, it’s easy to be struck by how differently today’s children entertain themselves than when we were growing up (yoga?). But then there are the things that never change from one generation to the next—like kids’ uncanny ability to lose themselves in imaginary play, especially if there are action figures involved.
That’s why you can’t go wrong by gifting one of Mini Grey’s picture books about a combat-boots-sporting action figure named Traction Man. In the hands and imagination of one little boy, Traction Man embarks on daring missions with the help of his trusty sidekick Scrubbing Brush. The latest installment in this original series, Traction Man and the Beach Odyssey (Ages 4-7), has just been published and is perfect for your summer birthday gifts (although why not bundle it with the original Traction Man for the Best Gift Ever?).
Show Me the Moon
June 28, 2012 § 1 Comment
“Moon” was one of the very first words uttered by both of my children. When they’re playing outside at dusk, they will shriek at the top of their lungs—“MOOOOOOON!”—upon catching sight of it emerging in the still-blue sky.
If the sheer volume of children’s storybooks dedicated to this subject is any indication, my children are not alone in their enthrallment with the moon. It’s nearly impossible for me to choose one favorite story to profile here (see my lengthy list below), so I will simply go with the newest addition to this already impressive repertoire: Red Knit Cap Girl (Ages 2-5), written by first-time author Naoko Stoop. I’ve mentioned before my weakness for Japanese-influenced picture books; and, like so many of her predecessors, Stoop (who grew up in Japan and now lives in Brooklyn) has created a work that holds together like a perfectly wrapped present: each word is chosen with the utmost care, each picture serves a clear purpose. In a wholly original move, Stoop’s expressive, whimsical watercolors of a little girl and her woodland friends, on a quest to speak to the moon, are painted on pieces of plywood; children can actually see the grain of the wood shining through the paintings, an effect which is especially fitting for a story set in the forest.
You’ve Got a Friend in Me
June 5, 2012 Comments Off on You’ve Got a Friend in Me
Before homework and competitive athletics, long before college essays and declaring majors, there’s preschool. And, in preschool, there’s one thing all parents hope for: that our little ones will learn how to make a friend…or two. So I can’t help but get a little choked up every time I read a story about the blossoming of a young friendship, like the one that saves the day in Otis and the Tornado (Ages 3-7), by the incredibly talented Loren Long.
Otis and the Tornado is actually the second story Long has written about an old tractor named Otis, rundown in age but not in spirit (the equally charming first book is titled simply Otis). No one can match Loren Long’s ability to engender sympathy in his readers for inanimate objects; and he does this by endowing them with a range of soft, subtle, but highly emotive facial expressions (see also his spectacular adaptation of The Little Engine That Could). Whether he looks joyful, bashful, worried, or brave, we can’t help but love this tractor and his “putt puff puttedy chuff”s (say that three times fast). Otis is also a hit on the farm, beloved by geese and sheep alike; together they enjoy hours of rounds of Follow the Leader, with everyone taking a turn to lead (it’s a regular preschool class!).
Rain, Rain, Here for a Day (Or Two…)
May 14, 2012 § 1 Comment
As a mom of young children, I will admit to feeling a little dread, even a touch of panic, when I wake up and it’s raining. Trapped inside with my kids? Anything but that! Naturally, my kids think it is a treat, since they have activities reserved for rainy days (“Pillows off the couch! Pillows off the couch!”). Over time, I’ve discovered that if I can live in the moment and give in to the calm and quiet of a rainy day (and, yes, the subsequent moments of cooped-up mania), then there is much to be gained for me as well.
And if not, well, there are always rainy day books to read inside our blanket forts! A good rain book should make you feel wet and cozy at the same time. Uri Shulevitz does this to perfection in his 1969 gem Rain Rain Rivers (Ages 2-6), where pen and ink drawings mix with watercolors in an almost haunting monochromatic exhibit of rain, first falling outside a little girl’s bedroom window, then (as she imagines it) trailing through the city streets, out into the countryside, and into the open, swelling oceans.
Send-Off for Sendak
May 8, 2012 Comments Off on Send-Off for Sendak
Today we remember Maurice Sendak (1928-2012), arguably the most game-changing children’s author and illustrator of the 20th century; he took age-old storytelling conventions and turned them on their head (or, rather, sent them on a wild rumpus through the forest). His beloved Where the Wild Things Are has topped more recommended book lists than any other children’s book in history—as much for its glorious depiction of a boy’s uninhibited reign over his imagination as for its foray into previously shushed subjects like parental abandonment and night terrors. Sendak’s later books took even more risks, got simultaneously darker and more brilliant (and not without their fair share of controversy).
But for me and my family, Sendak’s “sweet spot” lies in his earliest works–no less memorable, even if they didn’t upset the status quo at the time. Before his characters were banished to their rooms without supper or left to wander the streets of New York without clothes, there were the deliciously sweet, make-me-want-to-read-to-my-children-all-day-long moments between a little bear, his parents, and a quirky ensemble of friends. I’m referring, of course, to the Little Bear books (Ages 3-7) by Else Holmelund Minarik, which Sendak illustrated in his 30s.
Your Budding Naturalist
April 28, 2012 Comments Off on Your Budding Naturalist
Right now in preschools across the country, little eyes are glued to screened containers perched on shelves, waiting to behold one of nature’s most wondrous life cycles: the caterpillar’s transformation into a butterfly. (“Mommy, when the chrysalis shakes, that’s how you know there’s a lot of action going on inside!”)
I grew up reading Eric Carle’s The Very Hungry Caterpillar (and really, who doesn’t love a book with holes for sticking tiny fingers through?); but in my opinion, Ten Little Caterpillars (Ages 2-6), written by Bill Martin Jr. and illustrated by the great collage artist Lois Ehlert, has topped this subject matter.
Apart from its stunning visual feast for the eyes, the book speaks to children on a multitude of levels. First, there’s the simple rhyme, each double-page spread focusing on a single caterpillar’s unique journey: “The first little caterpillar crawled into a bower./ The second little caterpillar wriggled up a flower.” A few of the caterpillars don’t fare so well (it’s a dog-eat-dog world, after all): one meets with a “hungry wren,” another is “frightened by a hen.” It’s the tenth caterpillar that we get to watch hang patiently among the apple blossoms for three pages, until her chrysalis hatches to reveal a stunning orange-and-black “tiger swallowtail.”
Alison Jay, Cloud Creator
April 25, 2012 § 3 Comments
If you haven’t discovered the amazing British children’s artist Alison Jay, you’re in for a real treat. Or, if you’re as obsessed with her as I am, you’ll love her latest masterpiece, a fairy tale of sorts titled The Cloud Spinner (Ages 3-6), by Michael Catchpool (a fellow Brit).
The Brits have an unparalleled knack for creating books that feel Quintessentially Childlike, seamlessly blending fantasy with realism, and sprinkling on a quirkiness that makes these stories memorable for a lifetime. Alison Jay’s artistic signature, which she employs in all her work, is a “crackle finish” layered over her paintings, a technique which gives them a vintage look. In contrast, her animals, landscapes, and people feel anything but old-fashioned (here’s where that endearing quirkiness comes into play).
It seems that Jay’s artistic style has not gone unnoticed by JP, my four year old. Our favorite alphabet book is Jay’s ABC: A Child’s First Alphabet Book, which I’ve been reading to him since he was a baby (and which is jam packed with hidden surprises), along with a handful of her other storybooks (see my list at the end). A few months ago, while perusing the shelves at our local library, JP stumbled upon an Alison Jay book he’d never seen before (William and the Night Train), and he called out, “Look Mommy, it’s one of those books with the crazy clouds!” I had never thought of it that way before, but he was right: Alison Jay does have a very specific way of painting clouds.
What to Read to Your Kids 