December 3, 2019 § 2 Comments
The three and under set doesn’t get a lot of love on the blog these days, probably because my own kids are aging so darn quickly. But that’s no excuse. These early years are where we plant the seeds in our children for a love of stories. Plus, if you’re anything like me, these early years are when books sometimes feel like our only lifeline to sanity: no matter how much we’ve been spit up on or yelled at, falling under the spell of a story alongside our little one makes us feel like all is right with the world. If you do have a toddler, be sure to follow me on Instagram; that’s where I first reviewed many of these and where you’ll see more.
June 14, 2014 Comments Off on Counting Mania
My three year old is a counting fool. She counts the little green squares on her napkins (thank you, Target); she counts the steps up to her room; she counts everyone’s matches in our endless rounds of Go Fish. “I’m out of breath of counting!” she exclaimed the other day, after numerous laps around the house counting from 1 to 50. So, it only stands to follow that she would also want to read counting books, an especially robust subject matter in the world of children’s picture books (see my complete list of favorites at the end).
Emily’s current obsession is Steve Light’s new Have You Seen My Dragon? (Ages 2-5), which I knew would be a hit the instant I felt the green metallic foil dragon on the front (ooooooh, ahhhhhh). While most counting books can’t pretend to “teach” counting (with the exception of Anno’s Counting Book, the single best presentation of counting for children that I’ve ever seen), the good ones present clever ways to practice counting and to develop the finger control that goes along with it. « Read the rest of this entry »
October 12, 2013 Comments Off on Counting Down to Halloween
Our decorations are up, the kids’ costumes are ordered, and earlier this week, right on cue, a streak of stormy weather moved in. All in all, the perfect time for getting out our Halloween-themed books and sharing tales of ghosts and goblins with my revved up trick-or-treaters (it’s not just about the sugar, my sugars). Honestly, I’ve been a bit underwhelmed by this year’s Halloween offerings. Of course, last year was particularly exceptional: we were treated to Creepy Carrots, The Monsters’ Monster, and Vampirina Ballerina—all three brilliant and all three enjoyed (since none actually mention Halloween) long past pumpkin-carving season. But speaking of pumpkins, it has been a long time since a great pumpkin book has entered the scene, and this year of slim pickings has at least given us that.
Stephen Savage’s Ten Orange Pumpkins (Ages 2-6) is billed as a counting book—and it’s true that there are opportunities to count on every page, as ten pumpkins become nine, become eight, and so on. But the “trick” of the book lies in how each pumpkin disappears, and the answers are (often quite subtly) revealed in the striking illustrations. « Read the rest of this entry »
August 8, 2013 Comments Off on August’s Birthday Pick
Sometimes we need a Crowd Pleaser. How many times have we rushed to the store (on the morning of the birthday party, no less) and stared at the shelves, thinking “What do I even know about this child, this person in my daughter’s class whose name I’d never heard until last week?” Our children are often no help: “Ummm, I don’t know, he likes Star Wars, I think…” And then there’s the latest trend in birthday parties—the book exchange—which, naturally, I find charming and all, except that now we have the additional challenge of finding a book that will appeal to any one of the number of children at the party. Enter the Crowd Pleaser: a book that’s guaranteed to make boy, girl, preschooler, first grader laugh; a book they can listen to or read themselves or read to their siblings; and, of course, a book that’s Brand New and Off the Beaten Path and all that good stuff.
Now enter Monkeys. Because if there’s any animal that’s universally loved by children (and their parents) it’s the monkey. We all call our children monkeys; we all think of them as little monkeys (incidentally, we also think that this comparison is an entirely novel notion). Anyway, monkeys are good. Monkeys are safe.
Now enter Mac Barnett, one of the most original and—conveniently, in our quest for a Crowd Pleaser—one of the funniest picture book creators around. Last year, along with the talented Adam Rex, he wrote Chloe and the Lion (Ages 4-8), a hilarious (and surprisingly educational) look at the process of writing and illustrating a picture book, whereby Barnett and Rex essentially “argue” the book into creation. This year, he teams up with Kevin Cornell to lend his deconstructionist approach to Count the Monkeys (Ages 3-7), another book that appears to take form right before our eyes. The book begins with a simple premise: “Hey, kids! Time to count the monkeys! It’s fun. It’s easy. All you have to do is turn the page…” Except that the monkeys are nowhere to be found, scared away by a king cobra, who in turn is scared away by two mongooses (“or is that 2 mongeese?”), who in turn are scared away by three crocodiles…and you get the picture.
The genius of Count the Monkeys, apart from Cornell’s irresistibly mischievous drawings of gluttonous grizzly bears and “polka-dotted rhinoceroses with bagpipes and bad breath,” is the invitation for children to interact with every page. If you’ve ever read Herve Tullet’s groundbreaking Press Here to your children (and if you haven’t, please proceed immediately to your nearest independent bookstore), you are already familiar with this now trendy trick of modern picture book artists. These are books that invite children, not only into the reading process, but into the creation process as well. They make children feel like they themselves are driving the direction of the story. On every page in Count the Monkeys, the narrator (still obsessed with getting back those elusive monkeys) asks us to perform various tasks to get rid of the imposter: tell the lumberjacks to “scram” (“Say it even louder!”); don’t look the wolves in the eyes (“In fact, cover your eyes while you turn the page”); move your hand in a zigzag to “confuse” the crocodiles; etc. I triple dare any child (heck, I dare any parent) to refrain from doing any of the things Barnett demands; it’s simply too much fun to take a backseat on this one. And that, ladies and gentlemen, is a Crowd Pleaser.
April 30, 2013 § 3 Comments
A customer once said to me, “Nursery rhymes are what parents used to have to read before better books were written.” A bit harsh, maybe, but there was a time when I could very much relate to this sentiment. With my firstborn, I quickly passed up Mother Goose in favor of reading him plot-driven stories featuring animals (my choice) or construction vehicles (his choice) or Richard Scarry (our compromise).
But then my daughter was born and my opinion of these verses—albeit old-fashioned, nonsensical, and odd—changed. Emily was born with an ear for music; she hears a song once and weeks later she’s belting out a bastardized version from her bed. Early on, her musical predisposition translated to reading material. The two Mother Goose board books on our shelves, whose spines were barely cracked by her brother, became Emily’s prized possessions (the better of the two being Tomie dePaola’s Tomie’s Little Mother Goose).
March 23, 2013 § 3 Comments
“It’s bud season! It’s bud season!” chanted my children earlier this week, after some long-awaited warm sunshine had beckoned us into the backyard. Thankfully, they were referring not to the beer (although my son’s soccer team does call themselves the Silver Bullets), but rather to the discovery of tiny little green bursts on the ends of our hydrangea bushes and crape myrtles. Since this is the first spring in our new house, our backyard is full of surprises, including yellow daffodils and purple crocuses and little red berries, all of which the children were delighted to point out to me as they raced back and forth across the lawn.
This springtime exuberance is exactly why I love Ashley Wolff’s Baby Bear Sees Blue (Ages 1-4), about a baby bear venturing forth from his den to discover the colors of the world. “Who is warming me, Mama?” asks Baby Bear. “That is the sun,” Mama says, as Baby Bear steps into a pool of brilliant yellow; “Baby Bear sees yellow.” And so begins a series of introductions to different colors, from the blue of the jays to the red of the strawberries to the grey of an approaching storm cloud. For months now, I have been trying (and failing) to teach my two year old her colors; at two and a half, she knows the names of all the colors and loves to exclaim “that’s purple!” or “that’s red!” for things that are, in fact, green or blue. I’m not obsessing about this, having drunk the Montessori Kool-Aid that she’ll learn on her own time (either that or someone will eventually tell me she’s color blind). But I figured it couldn’t hurt to start reading her books about colors, a rich topic in children’s literature (see my complete list of favorites at the end of this post).
March 11, 2013 § 3 Comments
I was wrong. Occasionally, this happens. (My husband would probably debate the word “occasionally,” but this isn’t his blog and, besides, I am usually right when it comes to books.) Shortly after Kelly Bingham and Paul O. Zelinsky’s Z is for Moose (Ages 4-8) was published last year, I hastily thumbed through it at a bookstore and thought, “Another alphabet book…rudimentary drawings…simplistic-seeming text…a Bullwinkle-style moose…I’ll pass.”
Then, in January, right after the Caldecott winners were announced, the Internet was suddenly abuzz about this book: top children’s book critics were outraged that Zelinsky’s book got passed up for an award, and some went so far as to argue that it was the most revolutionary book published in 2012. “Huh?” I thought.
So ,when I happened to come across the book a second time (this time at our local library), I picked it up, brought it home, and read it to my kids. I’ll say it again: I was wrong. In my haste to judge a book by its cover, I completely blew past its cleverness, its hilarity, and its brilliant way of turning conventional alphabet books on their head.