Biking for Beginners and Pros

July 5, 2013 Comments Off on Biking for Beginners and Pros

"Everyone Can Learn to Ride a Bicycle" Chris RaschkaWe interrupt our Summer School Series for some good ‘ol fashioned outdoor play—and because there happens to be two seriously awesome new picture books about riding a two wheeler (the Ultimate Summer Challenge, really). The first book is for the I-Think-I-Can-Beginners; the second is for the experienced, daring, and creative bikers (especially those with a love for all things Space).

Chris Raschka’s Everyone Can Learn to Ride a Bicycle (Ages 3-6) is a simple but poignant “how to” look at mastering a two wheeler, first with training wheels and then without. Now, if I were going to write a step-by-step guide to teaching a five year old to ride a bike, it might go something like this:

Lug ten tons of second-hand steel to park, at the request of eager child.

Help eager child up into bike seat.

Become temporarily deaf by imminent screaming of “NOOOOOOO get me off get me off get me off!”

After much cajoling and pleading and promising for the 45th time that you are going to hold on the whole time, convince child to remount bike and begin pedaling forward.

After 10 minutes, whereby you are still holding fast to the training-wheeled bike and said bike has moved exactly 10 feet, suggest that he try turning.

Feel an abrupt jerk as child slams on the breaks (this, oddly, comes very naturally), jumps off bike, and announces that he is Most Definitely Not Doing This Right Now.

Lug ten tons of steel back home.

Fortunately, Everyone Can Learn to Ride a Bicycle paints a much rosier picture of a child learning to ride a bike, along with the help of her patient and gently encouraging father.

But, actually, what I love about this book is that things are not always smooth sailing: the little girl has lots of false starts, falls down again and again, and needs both hugs and Band-Aids. “Oops! You nearly had it,” the book coaches. “Don’t give up. You’ll get it. Find the courage to try it again, and again, again, and again, again, and again, and again, until by luck, grace, and determination, you are riding a bicycle!”

Rashchka’s signature watercolors, seemingly effortlessly executed with thick, breezy, rough strokes of paint, are perfectly suited to the subject at hand. Every single painting exudes movement—whether it’s the little girl pulling her father’s hand toward the bike shop, her sideways and backwards tumbles off the bike, the neighborhood kids zooming past her on their colorful two wheelers, or her triumphant forward-leaning fast-pedaling stance at the end.

Rashchka’s greatest gift has always been his ability to capture emotional expression with just a few brushstrokes; and it’s the determination, bewilderment, frustration, joy, and pride on the little girl’s face that will make this gem relatable for children—those struggling to ride and those who’ve newly mastered the skill. I’m not promising this book will work miracles, assuming there might be other parents out there who are having similar bicycling battles on the playground (please tell me I am not alone); but I can promise that your child will identify a kindred spirit on the page.

Moving on to morHow to Bicycle to the Moone advanced bicycling (and a longer, more sophisticated story), I fervently recommend How to Bicycle to the Moon to Plant Sunflowers: A Simple but Brilliant Plan in 24 Easy Steps, by Mordicai Gerstein (Ages 5-10). If the irreverent title alone hasn’t sold you, let me sing the praises of this most entertaining book, particularly for the kid who loves science, invention, numbers, the Moon, and bossing people around (that would be my son to a T, minus the bicycling).

First, when was the last time your child read a work of fiction that was laid out in steps? Each of this book’s 39 pages outlines a different step, numbered 1 through 24, many of them sub-categorized with letters (12a, 12b, 12c, 12d, etc.). Kids love this stuff; it’s exactly the way their mind works when they are bossing us around.

Secondly, there’s the very idea of bicycling into outer space, not to mention for the purpose of planting sunflowers to cheer up the Moon’s “big, sad clown face.” Thirdly, there’s the intricately involved and scientifically supported plan that the boy conjures up—a plan involving 2,000 used truck inner tubes, a 25-foot flagpole, a ship’s anchor, 238,900 miles of garden hoses wound tightly around a giant spool, a rented XS space suit from NASA, and various provisions, including “nourishing, flavored Glop, squirted through a straw in your space-helmet.”

Finally, there’s the climactic adventure itself, Boy On Bike, pedaling up miles of garden hoses that have been anchored into the Moon’s surface, stopping to wonder at “the trillions of stars.” Within the largely comic narrative, written in the boy’s instructive voice, there are also many clever descriptions, my favorite being the notion that the Moon looks “like a coloring book that hasn’t been colored yet.”

Gerstein’s pen and ink drawings have a comic-book feel, but the crudely colored line art is mixed with grace and subtlety (the Moon’s changing expressions are a particular delight). This is the same Gerstein who wrote and illustrated one of my (and my son’s) favorite books: The Man Who Walked Between the Towers (Ages 4-8), the true and serious story of Phillipe Petit’s dramatic tightrope walk between the World Trade Towers in 1974. The two books could not look or feel more different (a rare feat for a picture book artist); yet, oddly, they both involve moving atop a skinny, rope-like material suspended over great heights.

Gerstein writes books about dreams—about the mystery, wonder, and excitement in planning for and achieving those dreams. I have a dream that my children will both ride two wheelers some day, that they will taste the victory that comes from balancing up high on their own, and (as I vividly remember doing as a young girl) that they’ll speed around the block, dreaming and scheming and making their own Big Plans.

Learning From History’s Many Heroes

May 30, 2013 § 3 Comments

Brave GirlJust because the school year ends shortly doesn’t mean that our children’s minds have to shrivel up like apples left out too long in the sun. Last week, I gave some ideas for great read-aloud novels to share with your kids. Now, I’m going to encourage you to add some non-fiction into the mix—specifically, historical biographies posing as picture books. In previous posts about Martin Luther King Jr. and Abraham Lincoln, I’ve hailed the rise of today’s picture book biographies, which (unlike the static, black-and-white books of our school days) read like interesting, action-packed stories accompanied by vibrant paintings and intriguing designs. But I’m not merely talking about the Most Obvious Historical Figures; there are lesser known but equally captivating true stories of ordinary boys and girls, men and women, who shaped the world with extraordinary acts of courage, defiance, or creativity.

Where picture book biographies are concerned, contemporary illustrator Melissa Sweet has been on a roll, creating the art for several of my favorite non-fiction books in recent years. Although these biographies are written by different authors, they are unified by Sweet’s signature style—at once instantly recognizable but also entirely unexpected for the historical genre. In place of photographic-like paintings in somber tones, Sweet uses fun colors, whimsical patterns, and collage elements specific to the person whose story she is bringing to life. In Jen Bryant’s A River of Words: The Story of William Carlos Williams (Ages 7-12), Sweet peppers her background collages with excerpts from Williams’ poems, opening up kids’ eyes to these words and thoughts as an art form unto itself. In Alicia Potter’s Mrs. Harkness and the Panda (Ages 5-8), an account of the first person to capture a wild panda in China and bring it to an American zoo for study, Sweet creates frames for her watercolors out of authentic Chinese decorative papers, lending an other-wordly, almost mystical charm to this already fascinating story.

One of Sweet’s most recent triumphs is even more captivating for its portrayal not of an adult but of a young girl. Michelle Markel’s Brave Girl: Clara and the Shirtwaist Makers’ Strike of 1909 (Ages 6-10) tells the mind-boggling story of a Jewish immigrant girl, forced to endure long hours, harsh treatment, and poor pay, while sewing alongside hundreds of other girls in factories (her family’s only hope of putting food on the table.) Clara Lemlich’s “got grit,” and she “knows in her bones what is right and what is wrong”; ultimately, she leads the largest walkout of women workers in American history, inspiring thousands of male and female workers across the country to strike for better working conditions and the right to organize unions. « Read the rest of this entry »

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