November 5, 2020 § 7 Comments
Back by popular demand: an installment of my Gift Guide devoted entirely to my favorite graphic novels of the year! Graphic novels make some of the best gifts. Not only are they coveted among emerging readers, tween readers, and teen readers alike, but they invite repeat readings. I’ve watched my kids race through a new graphic novel as soon as they get it, then a few days later start it over again, spending more time on each page. After that, they might set it down for a few weeks or months or years, only to pick it up again with fresh eyes. It’s no wonder many of the graphic novels below took over a year to create; they are packed with visual nuance, literary allusions, and layered meanings. Like treasured friends, graphic novels grow with their readers.
I read dozens and dozens of graphic novels in preparation for this post. Below are the ones that rose to the top in originality, beauty, fun, diversity, or impact. A few of these you’ll remember from a blog post I did earlier this year, but they bear repeating because they’re that good. There are others, like the new graphic adaptation of Roald Dahl’s The Witches, which my daughter was horrified wasn’t included here. I simply had to draw the line somewhere.
The list begins with selections for younger kids and concludes with teens. Enjoy and happy gifting!« Read the rest of this entry »
April 16, 2020 § 2 Comments
When our eldest was a newborn, he screamed bloody murder whenever we bathed him. It didn’t matter what we tried. We sang to him. We playfully splashed him. We made funny faces at him. Aren’t babies supposed to love bath time? we asked ourselves. Does he hate water? Does he hate us? Night after night, he’d scream, his face turning purple, his fists tightly clenched, his tiny legs kicking furiously.
A few weeks later, a friend gave us a baby gift. Tied to the top was a yellow rubber ducky. A duck, a duck! Surely a toy would be the golden ticket. That night, after we’d filled the oblong plastic tub from the kitchen tap, we tossed in the duck—and watched with horror as it turned from yellow to fire-engine red. Apparently, the duck had a sensor designed to gauge the proper temperature for itty bitty newborns unaccustomed to bathing outside utero. We thought we were running a nice, soothing, warm bath for our baby boy every night. Instead, we were scalding him. We turned on the cold for a few minutes, slowly lowered JP into the tub, and he smiled like he had never smiled before.
Earlier this week, a delightful picture book was birthed into the world by Kara LaReau and Matthew Cordell. Baby Clown (Ages 3-6) is about a newborn circus clown who wails and wails and wails, despite the attempts of his adults to hush, soothe, distract, or entertain him. It got me thinking: maybe the reason children relish hearing stories about babies crying is because they seem to defy the natural order of things. How is it possible that these tiny, helpless, innocent beings can wield so much power over their wise, capable, fully-grown adults?
May 14, 2015 § 4 Comments
There’s an undeniable thrill that comes from binge reading a series that has already been published in its entirety. But it can be equally exciting to read through a series in real time, anticipating the next installment for months, then rediscovering characters like old friends. One of our family’s greatest literary pleasures over the past 18 months has been the Three-Ring Rascals series (Ages 7-11, younger if reading aloud), by sister duo Kate Klise (author) and M. Sarah Klise (illustrator). Perhaps you heard our squeals a few weeks ago, when my kids and I walked into our local bookstore and discovered that the fourth installment, Pop Goes the Circus!, was out (with still more on the way!).
What has made this early-chapter book series such a joy in our house is that it has been enjoyed equally and together by my four and seven year old. In fact, it hits every criteria on my Must-Find-Chapter-Book-That-Appeals-to-Both-Hooligans agenda. « Read the rest of this entry »
May 5, 2014 § 2 Comments
Most parents have some part of the morning routine that they dread. For me, it’s not convincing my kids to get dressed; it’s not getting them to sit still long enough to finish their oatmeal; it’s not even brushing their teeth or standing by as they wrestle with any amount of outdoor attire. No, the moment that requires the most patience, that threatens to unravel me almost every day, comes at the very end—ironically, when the finish line is so close that I can almost taste it. It’s the simple, straightforward 10 foot walk from our front door to the car.
Getting my children into the car is like herding sloths. To look at them, you would think they had never stepped foot in the Great Outdoors before, the way they suddenly stop, stare off blankly into space, and eventually fix upon some object (a leaf, a truck, a worm misplaced from last night’s rainstorm), which inevitably prompts 25 questions Of The Utmost and Immediate Importance. At some point, they will begin to walk ever so slowly to the car, wedging themselves through the open car door with their overstuffed backpacks still on (will it ever occur to them to take off the bag before climbing in?), then struggling with car straps in some kind of slow-motion agony (my youngest: “You do it! No, I do it! Wait, what day is it?”), until finally 94 minutes have passed (which in actuality is only 4 minutes but feels like 94) and you pull out of the driveway. I adore my children. But.
Perhaps given my children’s tendency to stallllllllll, or perhaps just because it’s a darling story from start to finish, I am totally taken with Jenny Offill and Chris Appelhans’ Sparky! (Ages 4-8), a new picture book about a girl’s ambivalence surrounding her pet sloth’s inability to perform on command (or, frankly, do much of anything). « Read the rest of this entry »
February 26, 2014 § 6 Comments
The lovely new picture book, ExtraOrdinary Jane (Ages 3-100), by first time author-illustrator Hannah E. Harrison, has me all fired up—but in a good way. Jane, a fluffy little white circus dog, “was ordinary, in a world that was extraordinary.” She isn’t “mighty” like her elephant-lifting father, or “graceful” like her ballerina mother. She isn’t “daring” enough to be shot out of a cannon like her six canine brothers. Try as she does to “find her special talent,” she encounters either mediocrity (her paintings lack “pizzazz”) or failure (her musical renditions send others running).
While the book may be set in a circus, its poignant, carefully worded message is clearly intended to transcend the Big Top. Recently, I’ve been thinking a lot about what it means to be ordinary in our increasingly supercharged, achievement-obsessed society. Bringing up kids today means confronting talent at seemingly every turn: the athlete that tears down the soccer field; the six year old who is already in her third year of violin; the kid who reads at three grade levels above her peers. It’s not enough for children to be good at something; they are expected to be the best. When I was growing up, it wasn’t until I was applying to college that I was asked to think about the concept of “expertise.” Today, the question is on preschool applications: “What special skills/talents does your child have?” « Read the rest of this entry »