Spring Break Reading: New Graphic Novels for Ages 7-14!
March 14, 2023 § Leave a comment

Today, I’m kicking off a few posts to help you gear up for Spring Break. Whether you’re staycationing or jet setting, a change in routine and a lack of homework can be the perfect chance to (re)engage kids with reading. Maybe you have time for a family read aloud. (I’ll have suggestions in Thursday’s post.) Maybe, while you’re all sharing a tiny hotel room, you can mandate quiet reading time before bed, a chance for you to model your own reading as your child snuggles in beside you with their own book. (A person can dream, right?)
As always, links will take you to Old Town Books in Alexandria, VA, where I’m the kids’ buyer (thanks for supporting us!), though I’m very happy for you to support an indie closer to you if you have one you love.
First up are my favorite graphic novels released in the first three months of 2023! Your kiddos should have no problem diving straight into these, a mix of realistic fiction, superhero lore, comedic horror, inspiring stories, and nail-biting non-fiction.
Before we get started, there are a couple titles not below that will likely pique the interest of your readers. First, the third in the Batpig series (ages 7-10) comes out later this month; our family are huge fans of Rob Farrell’s wildly clever series, and I believe it to be one of the best (and most underrated!) “things to read after Dog Man.” While we’re on the subject of hooking readers with humor, you’ll thank me for mentioning that the hugely popular Investigators series (also 7-10) has a new spin-off, titled Agents of S.U.I.T., which focuses on Mango and Brash’s eccentric co-workers. Oh, and did I mention the new Hilo is out?
Without further ado, the titles below are arranged from youngest to oldest, so if you have middle schoolers, scroll to the end!
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February 4, 2021 § 1 Comment
(Check out previous years’ picks for Black History Month here, here, and here. I’ll also be sharing other new titles celebrating Black history all month long over on Instagram.)
I’ve said it before, and I’ll say it ‘till the cows come home: picture books aren’t just for little kids! Keeping picture books alive and well at home, even after our kids are reading independently, means not only continuing to expose them to arresting art and sensational storytelling, it means piquing their interest about a range of subjects they might not seek out on their own. After all, it can be much less intimidating to pick up a picture book than a chapter book, especially on a subject you don’t know much about.
I love a picture book that sneaks in a history lesson without ever feeling instructional. One of my favorite picture book biographies published last year, Above the Rim: How Elgin Baylor Changed Basketball (Ages 6-10), also happens to be an excellent primer on the Civil Rights Movement. But you’d expect nothing left from the all-star team of Sibert Medalist, Jen Bryant, and two-time Coretta Scott King Medalist, Frank Morrison.
Jen Bryant is best known for her picture book biographies of artists and writers (A River of Words: The Story of William Carlos Williams is a favorite), but she was drawn to NBA Hall of Famer, Elgin Baylor, because in addition to his undeniable talent on the court, he also fundamentally changed the game itself. “Artists change how we see things, how we perceive human limits, and how we define ourselves and our culture,” Bryant writes in the Author’s Note at the end of the book. By this definition, Elgin Baylor—who as one of the first professional African-American players broke nearly every tradition in the sport—was every bit the artist. And Bryant uses her love of language to make his story leap off the page.
In that vein, too, it seems fitting that Frank Morrison should illustrate the basketball icon, using his signature unconventional style of oil painting that distorts and elongates the human figure, giving it both elasticity and a larger-than-life aura. (Morrison illustrates one of my other favorite 2020 picture book biographies, R-E-S-P-E-C-T: Aretha Franklin, the Queen of Soul.) Morrison’s art in Above the Rim is kinetic; it buzzes like the energy on a court. But it’s also dramatic, moving from shadow into light, much like the broader social movement in which Elgin Baylor found himself a quiet but powerful participant.
Should I mention my ten-year-old daughter (mourning the loss of basketball in this pandemic) adores this book and reaches for it often?
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