My Good Pal Mo (I Like to Pretend We’re On a First Name Basis)
November 10, 2012 § 1 Comment
No one gets straight to the heart of kids like Mo Willems. It seems almost criminal that I’ve been at this blog for several months now and have yet to sing the praises of one of the most original author-illustrators of all time. While he’s best known for the Don’t Let the Pigeon Drive the Bus series (which, despite its popularity, is not my or my children’s favorite), Mo is at his best with one-off masterpieces, like Edwina, the Dinosaur Who Didn’t Know She Was Extinct and Leonardo the Terrible Monster (see my complete list at the end). And now we get to add his newest creation, Goldilocks and the Three Dinosaurs (Ages 4-8), in which three scheming dinosaurs lure Goldilocks into the wrong fairy tale in an effort to make “chocolate-filled-little-girl-bonbons” out of her.
During the 46 times that I’ve been asked by my son to read this book in the past month, I’ve started to put my finger on what it is that unites Mo’s seemingly disparate stories. Mo gives children A LOT of credit (probably more than us parents do). He doesn’t employ traditional literary devices (in fact, in Goldilocks he actually turns them on their head), and he offers few explanations; instead, he writes with the expectation that kids will pick up on the subtlety, the irony, the little side jokes, and the sophisticated vocabulary through their repeated readings. Over the years, I’ve had more than one person ask me whether Mo’s multi-layered storytelling is accessible enough to children or simply intended to amuse the parent who’s reading it. In response, let me give you an account of how my five year old experienced Goldilocks and the Three Dinosaurs:
September’s Birthday Pick (Arthurian Style)
September 7, 2012 § 1 Comment
What do you buy the rough-and-tumble kid (the kid that turns everything into a sword)? And how do you simultaneously appeal to his mom, who grows a bit weary of this violent play-acting?
Never fear: everyone wins with the newly-published King Arthur’s Very Great Grandson, by Kenneth Kraegel (Ages 4-7), which is equal parts perfect for child and parent.
On the morning of his sixth birthday, Henry Alfred Grummorson is determined to honor his heritage as the “great-great-great-great-great-great-great-grandson” of King Arthur, “the noblest knight ever to wield a sword.” Armed and seated on the back of his trusty donkey Knuckles, our precocious protagonist sets off to battle the great and terrible monsters of the British countryside.
The appeal to kids is obvious. You’ve got a knight in shining armor (with a sword). You’ve got a fire-breathing dragon (and a Cyclops and a Griffin). You’ve got ten fanciful ways to say “fight” (as in, “Now unsheathe your claws and let us have ado!”). And you’ve got large amounts of text in all-caps, demanding only the most dramatic of readings (“BEHOLD, VILE WORM! I, HENRY ALFRED GRUMMORSON, A KNIGHT OF KING ARTHUR’S BLOOD, DO HEREBY CHALLENGE YOU TO A FIGHT TO THE UTTERMOST!”).
The Best Reason to Read Fairy Tales?
August 30, 2012 Comments Off on The Best Reason to Read Fairy Tales?
I’ve always felt a bit ambivalent about traditional fairy tales. True, I buy into the argument made by many literary and child development scholars that our children are reassured by seeing young heroes and heroines persevere through creepy, frightening situations. True, out of the hundreds of books I loved as a kid, it was a fairy tale—Hansel and Gretel, to be precise—that made the most lasting impression on me. And yet, with the sheer wealth of original, high quality children’s books being published today, I tend to forget about reading fairy tales to my kids.
Until I remember what may be the very best reason to read them: if your kids don’t know the original stories, how will they appreciate all the fantastic fractured versions that have popped up in recent years? My new favorite is one that was actually discovered by my husband (that’s right, he recently took the kids to a bookstore and managed to buy a book that I didn’t know about—and a brilliant one at that!).
Hot off the presses, it’s an urbanized retelling of Jack and the Beanstalk, titled Jack and the Baked Beanstalk, by Colin Stimpson (Ages 4-8). This debut author-illustrator is a Brit (like him already) and a former art director for Walt Disney; the latter is relevant because his impressive cinematic illustrations combine the grittiness of a cityscape with a Disney-esque glossiness.
Food: Not Just for Eating
June 1, 2012 Comments Off on Food: Not Just for Eating
What do you get the kid who has everything (including an extensive library filled with storybooks)? How about a brand new book that’s unlike any other, a rhyme-filled romp through magical lands made entirely out of—wait for it—FOOD! Carol Warner, a London-based still-life photographer, has created a clever and engaging picture book, titled A World of Food (Ages 2.5-8).
I like food. My kids like food. Really now, who doesn’t like looking at gorgeous photographs of food? Organized by color, each double-page spread reveals a fantastical scene where watermelons become boats (with asparagus as masts), dried cornflakes resemble falling foliage, chocolate KitKat bars stand in for train tracks, and pork ribs morph into jagged mountains (OK, you might want to pass this up for your vegetarian friends).
Chapter-a-Night Adventure
May 4, 2012 § 2 Comments
How do chewing gum, hair ribbons, and six magnifying glasses help a little boy rescue an enslaved baby dragon on a wild island of ferocious talking animals? There are few early chapter books written with as much wit, cleverness, and heart as Ruth Stiles Gannett’s beloved trilogy, first published over 60 years ago: My Father’s Dragon, Elmer and the Dragon, & The Dragons of Blueland (Ages 4-9). With short digestible chapters, about 200 words per page, and enchanting black-and-white sketches peppered throughout, they are perfect for reading aloud.
JP and I started these books on a recent train ride to New York and finished them a few days later, only to start them over again. At the heart of the stories is the relationship between Elmer and his dragon, an evolving friendship that brings out the best in both parties. But the real draw for kids is the adventure (no shortage of “close-calls”) and the magic (who doesn’t love thinking about riding on the back of a flying dragon?).
Alison Jay, Cloud Creator
April 25, 2012 § 3 Comments
If you haven’t discovered the amazing British children’s artist Alison Jay, you’re in for a real treat. Or, if you’re as obsessed with her as I am, you’ll love her latest masterpiece, a fairy tale of sorts titled The Cloud Spinner (Ages 3-6), by Michael Catchpool (a fellow Brit).
The Brits have an unparalleled knack for creating books that feel Quintessentially Childlike, seamlessly blending fantasy with realism, and sprinkling on a quirkiness that makes these stories memorable for a lifetime. Alison Jay’s artistic signature, which she employs in all her work, is a “crackle finish” layered over her paintings, a technique which gives them a vintage look. In contrast, her animals, landscapes, and people feel anything but old-fashioned (here’s where that endearing quirkiness comes into play).
It seems that Jay’s artistic style has not gone unnoticed by JP, my four year old. Our favorite alphabet book is Jay’s ABC: A Child’s First Alphabet Book, which I’ve been reading to him since he was a baby (and which is jam packed with hidden surprises), along with a handful of her other storybooks (see my list at the end). A few months ago, while perusing the shelves at our local library, JP stumbled upon an Alison Jay book he’d never seen before (William and the Night Train), and he called out, “Look Mommy, it’s one of those books with the crazy clouds!” I had never thought of it that way before, but he was right: Alison Jay does have a very specific way of painting clouds.
What to Read to Your Kids 