March 12, 2020 § 1 Comment
My daughter has had the same best friend for nine years. She met her when she was just beginning to run and climb, when I used to swing by our local playground—what we called the “Tot Lot”—after dropping her brother off at preschool. It was an instant connection, the likes of which I had never experienced with my son, and it stopped me in my tracks. Child development literature would have placed my daughter squarely in the realm of “parallel play.” So how to explain that she never let fall the hand of this other little girl, that they climbed and descended the small slide, crawled through plastic boulders, and scampered up and down artificial hills as one?
After spending nearly every day together for years, the girls don’t see each other as often now; they live about an hour apart. Still, when they get together, they pick up like no time has passed. They disappear into their own world: talking in whispers, inventing elaborate games, often so wrapped in each other’s arms that it’s hard to tell where one stops and the other begins. To witness their togetherness feels like being in the presence of something magical, something almost miraculous.
Julie Fogliano and Jillian Tamaki’s my best friend (Ages 3-7) came out only a week ago, but so enthusiastic has the response been from the kid lit world, I feel like the last person to sing its praises. (Still, wild horses couldn’t keep me from joining in the fun.) An homage to the giddy abandon exhibited in early childhood friendships—particularly those born on the playground—the book has all the makings of a classic. Fogliano’s free verse sings and soars with the stream of consciousness of a child tasting the deliciousness of friendship for the first time. (i have a new friend/ and her hair is black/ and it shines/ and it shines/ and she always laughs at everything) Tamaki’s muted palette of rusty pink and olive green lends the book a timeless, vintage feel, while the figures themselves spill and explode off the page, their excitement literally uncontainable.
December 15, 2016 § 2 Comments
Perhaps the most hopeful thing I’ve read on the Internet lately is BookRiot’s series of interviews with middle-grade authors regarding a renewed commitment—in response to the misogynistic rhetoric that seemed to win out in this past election—to writing strong female protagonists, of giving our daughters literary role models of persistence, resilience, compassion, and action. The future can only be bright if our girls see themselves as integral to every part of it. Or, in the more poetic words of Lindsay Egan, author of Hour of Bees (on my list to read):
“We writers are implored to write characters with goals, characters who want things, characters who act to move forward. But in light of the current political climate, I feel it’s a real imperative now for me to write female characters who do things. Girls who speak up, girls who defend others, girls who make mistakes and ask for forgiveness, girls who dream and think and work for the world they wish they had. Girls who don’t accept hate or unfairness and fight to make things better. Girls who sacrifice their own comforts for the safety of others. Girls who know that showing kindness is never weakness. Girls who DO things. The future is coming, and I want the girls of the future to remember that change is in their hands.”