December 30, 2021 § Leave a comment
We had a Covid Christmas, and nothing more needs to be said about that. Except it does. Because my daughter spent most of winter break isolated in her room, showing her face only at meals over Facetime, and again at read-aloud time, but otherwise building LEGO creations and making origami and decorating her room with paper snowflakes that her brother made for her. All behind the closed door of her bedroom.
It was awful for us. Except, strangely, it did not seem that awful for her. Her symptoms were fairly mild, thankfully. She smiled the widest smiles at us through the computer screen. “My graphic novels are keeping me company,” she reassured us. One day, she was heard giggling for hours on end. “What’s so funny?” we called through the door. “I’m putting my Babas through the circus.” (That’s what she calls her stuffed sheep.) She missed cuddling with us terribly—she said so multiple times—and she was a bit nervous about how she would open her stocking on Christmas morning (we let her out and all donned masks). But she had the very fine company of her imagination, and that turned out to be a gift better than anything Santa could ever bring.
We can’t know the depth of our children’s resilience until that resilience has been tested. And without question, the past two years have put resilience on display for our children. Somehow, these children have only become more loving, more courageous, more introspective, more imaginative.
Childhood can be a solitary time. We all have memories of feeling awkward or excluded or misunderstood. We have endless memories of waiting—the minutes ticking by in excruciating slowness—for a parent to play a game with us, to do that thing with us, to stop talking on the phone already. We have memories of being sick in bed, of staring endlessly at the ceiling until shadows and cracks turned into scenes of animals to entertain us.
I think children are drawn to stories that speak to solitariness. Stories that don’t diminish the emptiness of that solitariness, or the fear or sadness that can reside inside it, but intentionally dwell on the possibilities embedded there. The wonder. Even, perhaps, the magic. Stories that demonstrate how solitariness can be a beautiful thing, a fortifying thing, so long as we are secure in the knowledge that we are still held in the strong, secure embrace of those who love us.
The Irish writer Maggie O’Frarrell, who has penned some of my favorite reads for adults (Hamnet, This Must be the Place), makes a spectacular children’s debut with Where Snow Angels Go (Ages 6-10), a longform picture book, with gorgeous illustrations by Daniela Jaglemka Terrazzini on each of its 67 pages. It’s not, at first glance, a story of solitariness; rather, it hails the companionship of a “snow angel,” born of past snowfalls, who watches quietly and mostly invisibly over a young girl through the seasons. And yet, this girl, our protagonist, is often alone. She’s sick in bed, or staring up at the night sky, or tearing down a hill on her bike. She’s marveling at the universe, she’s working out its questions in her own solitariness. Her parents are close by but rarely pictured; the snow angel maybe a figment of her imagination, maybe not.« Read the rest of this entry »
April 9, 2020 Comments Off on Read Alouds Inspired by the Pandemic
You need only consider the two chapter books I’ve just finished reading to my children to glean the wild fluctuations in mood characteristic of Home Life During the Pandemic. The first, Laurie Halse Anderson’s Fever 1793—a historical novel set during the Yellow Fever epidemic in Philadelphia—is dark, gripping, macabre, and mind-blowing. The second, Louis Sachar’s Wayside School: Beneath the Cloud of Doom—thirty interconnected stories about the students at the quirkiest school in literary history—is silly, preposterous, dry-witted, and a rip-roaring good time…while still being a tad apocalyptic, because I can’t resist a theme. If we’re doomed to spend all day, every day, in each other’s presence, while the pendulum of the wider world swings dramatically between fear and hope, heartbreak and grace, serious headlines and funny memes, it seems only appropriate that our read alouds should follow suit.