What to Read to Your Kids

When I was almost ten, our family moved from a large, ramshackle house in the lush green suburbs of Milwaukee, Wisconsin, to the fifteenth floor of an apartment building in Manhattan, and I did not handle it well. My parents adored New York City—they had lived there before having kids and couldn’t wait to return—but all I saw was no backyard, a shared bedroom with my younger sister, and more people and noise in a single day than I’d known in the decade I’d been alive. In a memory that still makes me cringe—though I was a deeply feeling child I prided myself on my poise—I pitched a fit in front of our realtor, yelling to my parents about how dirty and smelly and noisy the city’s streets were, while we rode an elevator to another prospective apartment, from which the sounds of car horns and ambulance sirens and buses pulling away from the curb would only be slightly dampened.

Kids generally underestimate their ability to adapt, and I quickly grew to love the city. But I never entirely shed the feeling that I was an outdoor kid living in an indoor city, and I sought out changes of scenery whenever I could. Sometimes, the escape was literal, like the summers I spent at sleepaway camp in Vermont. Mostly, I escaped through books—or through my imagination, spurred on by the stories I read. A handful of tap water before bed was the icy, life-saving stream water from My Side of the Mountain. The six-block concrete walk to school was an enchanted yellow-brick road, visible only when I looked down at my quickly advancing feet. I was a dreamy child, something I’ve never been sorry about passing along to my daughter, even when her liberal interpretations of reality have been known to try my patience.

With it being Asian American Pacific Islander Heritage Month, the timing seems perfect to share one of the most beautiful picture books of the year, as it is both written and illustrated by Dan-ah Kim, born in Seoul, South Korea and now living in Brooklyn, New York. I dare you not to gasp aloud as you page through these glorious spreads. But I don’t only adore the book for its artwork. Its story speaks directly to that child I once was, the one who never kicked and screamed in an elevator again but definitely felt like it, even as she found love and belonging and wonder in city life. That the book is inspired by real subway stops in New York City doesn’t hurt, either, though its message of creativity and imagination is undoubtedly universal.

The Train Home (ages 4-8) is an inventive story about a girl who conjures up a train for a magical journey away from the noisy reality of her city apartment. Along the way, amidst the alluring, refreshing, fantastical scenery of her imagination, she surprises herself by yearning for the home she has left behind. Ultimately, like the dichotomy that exists in the art—some spreads fancifully populated, others pared way back—the story is a reassuring validation that the desire to escape and the desire to return home are never mutually exclusive. Rather, they exist in a tug-of-war dance alongside our own journeys of growing up.