March 16, 2021 § 3 Comments
(This is an extra-special week on the blog, so you’re getting not one but TWO posts! First, on the day it officially releases, I’m talking about Corinna Luyken’s exquisite new picture book, The Tree in Me. Then, on Thursday, I’ll be featuring an interview I did with Corinna herself, in which we talk about her inspiration for the book, her writing process, and her favorite books to read aloud with her tween daughter. It’s the first interview I’ve done for the blog, and I’m hoping you’ll let me know if you’re excited for me to do more!)
We have been sleeping with the windows open of late. Here in Virginia, as winter takes its exit, it’s only the briefest of spells before the pollen seeps through the screens, followed by the aggressive rise in humidity, and we must shutter the windows and crank up the central air. But, right now, it’s perfection. Cocooned in blankets, with breezes dancing around my head, I embrace the fluidity between inside and outside. It awakens something within me—not unlike standing on a mountain top or in a grove of wildflowers—and puts me in mind of being a child again.
At no time more than childhood do we exhibit such a primal connection to the natural world. When I think of my own children in their early years, I think of them running barefoot in summer and catching snowflakes on their tongues in winter. I think of the sticks that never left their hands, the fairy houses they constructed from moss, the leaf piles they jumped in. I think about how picking apples off branches felt magical to them, biting into them moments later even more so. I think about how my daughter used to climb trees without reservation, even while we looked on with our hearts in our throats.
In her newest picture book, The Tree in Me (Ages 3-8), Corinna Luyken captures this childlike exuberance for the natural world with the careful intent, originality, and dazzling use of color we’ve come to adore from her. [More on previous favorites in Thursday’s interview with Corinna.] Through sparse, poetic text—each word carefully chosen and perfectly placed—and dynamic, gorgeously-saturated gouache illustrations—helllloooo, neon pink—The Tree in Me invokes the metaphor of a tree to celebrate the strength, resilience, and bounty inside all of us. It reminds us that, as part of the living world, we move and breathe and give and take in a way that binds us together. We can shutter our windows, but the natural world lives on inside us.« Read the rest of this entry »
September 14, 2012 § 1 Comment
In addition to making little botanists out of your children (see my previous post), apple picking can inspire some fascinating historical and cultural discussions, especially for the older set. As a quintessentially American pastime dating back to frontier life, apple picking speaks to some of our country’s core values.
Enter Johnny Appleseed, that larger-than-life figure who was allegedly responsible for planting and distributing the seeds for many of our country’s apple trees (that’s right, boys and girls, that apple you’re eating might have descended from a seed this guy planted!). September 26 marks the birth of Johnny Appleseed (whose real name was John Chapman). Last year at this time, I searched the libraries for a book about Chapman to bring to JP’s school; but while there are no shortage of kids books written on this topic, most struck me as inaccessible—a portrait of an historical figure presented without any meaningful context.
This fall, however, the topic has gotten a facelift by Esme Raji Codell and Lynne Rae Perkins, in their newly published and utterly captivating Seed by Seed: The Legend and Legacy of John “Appleseed” Chapman (Ages 5-10). What Seed by Seed does that no one has thought to do before is to set the stage by giving kids an up-close-and-personal account of the sights, smells, and sounds of early frontier life.
September 11, 2012 § 3 Comments
In our family—more than back-to-school, more than lightweight jackets, even more than colorful leaves—fall means apple picking! I’ve already established my obsession with using farms as a classroom for my children. Now add to that curriculum some apple picking (complete with wagon rides, ladders, and pie), and you’ve got a hands-on opportunity for kids to participate in the selection of their own food—while at the same time learning where that food comes from.
When JP turned one, we had his birthday party at an apple orchard outside Chicago. I can still envision him gripping the top of our full basket on his wobbly little legs, removing one apple at a time, taking a bite, returning it to the basket with a single set of teeth marks, and then picking up another and another—until he’d put his teeth on nearly every apple he could reach. We lost a lot of apples that year, but it seemed a small price to pay for a love of apples that has stayed with him since.
For the youngest apple pickers, my favorite introduction to the topic is One Red Apple (Ages 2-4), by Harriet Ziefert, with evocative paintings by Karla Gudeon. The book begins with a single red apple, ripe on the branch of the fall apple tree; it goes on to trace its life cycle, as it’s picked, eaten, dropped, and released back into the earth to sprout a new tree. Children are drawn into the action, as each of the single sentences comprising each page begins with an active verb: “Pick a red apple from a tree.” “Leave an apple core for the birds to eat.” “Watch tiny apple seeds scatter in the wind.” “See small sprouts peek out from the earth.”