Seizing His Shot: A Black History Month Post

February 4, 2021 § 1 Comment

(Check out previous years’ picks for Black History Month here, here, and here. I’ll also be sharing other new titles celebrating Black history all month long over on Instagram.)

I’ve said it before, and I’ll say it ‘till the cows come home: picture books aren’t just for little kids! Keeping picture books alive and well at home, even after our kids are reading independently, means not only continuing to expose them to arresting art and sensational storytelling, it means piquing their interest about a range of subjects they might not seek out on their own. After all, it can be much less intimidating to pick up a picture book than a chapter book, especially on a subject you don’t know much about.

I love a picture book that sneaks in a history lesson without ever feeling instructional. One of my favorite picture book biographies published last year, Above the Rim: How Elgin Baylor Changed Basketball (Ages 6-10), also happens to be an excellent primer on the Civil Rights Movement. But you’d expect nothing left from the all-star team of Sibert Medalist, Jen Bryant, and two-time Coretta Scott King Medalist, Frank Morrison.

Jen Bryant is best known for her picture book biographies of artists and writers (A River of Words: The Story of William Carlos Williams is a favorite), but she was drawn to NBA Hall of Famer, Elgin Baylor, because in addition to his undeniable talent on the court, he also fundamentally changed the game itself. “Artists change how we see things, how we perceive human limits, and how we define ourselves and our culture,” Bryant writes in the Author’s Note at the end of the book. By this definition, Elgin Baylor—who as one of the first professional African-American players broke nearly every tradition in the sport—was every bit the artist. And Bryant uses her love of language to make his story leap off the page.

In that vein, too, it seems fitting that Frank Morrison should illustrate the basketball icon, using his signature unconventional style of oil painting that distorts and elongates the human figure, giving it both elasticity and a larger-than-life aura. (Morrison illustrates one of my other favorite 2020 picture book biographies, R-E-S-P-E-C-T: Aretha Franklin, the Queen of Soul.) Morrison’s art in Above the Rim is kinetic; it buzzes like the energy on a court. But it’s also dramatic, moving from shadow into light, much like the broader social movement in which Elgin Baylor found himself a quiet but powerful participant.

Should I mention my ten-year-old daughter (mourning the loss of basketball in this pandemic) adores this book and reaches for it often?

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Sweeter Together

January 21, 2021 § 8 Comments

Yesterday, at the 59th Presidential Inauguration, as my children and your children and the world looked on, President Biden called us to the work of unity, to “uniting to fight the foes we face. Anger, resentment and hatred, extremism, lawlessness, violence, disease, joblessness and hopelessness. With unity we can do great things, important things. We can right wrongs.” He was referring to Americans coming together, though he also spoke of healing alliances around the world.

Then, the 22-year-old inaugural poet, Amanda Gorman, took the stage—who, incredibly, before the age of twenty could not pronounce the letter “R” due to a severe speech impediment—and elevated that message of unity even further. She called us to hope and light and agency. “There’s always light if only we’re brave enough to see it. If only we’re brave enough to be it.”

(Side note: moments after the inauguration, it was announced that Amanda Gorman has a children’s picture book coming out in September, illustrated by fan-favorite Loren Long. This girl is here to stay, and I am here for it!)

I haven’t yet told you about one of the most exquisite picture books published last fall—actually, if I’m being honest, one of the finest examples of bookmaking I’ve ever seen. (It would have unquestionably made my 2020 Gift Guide had I discovered it in time.) On the surface, Sugar in Milk (Ages 5-10), written by Thrity Umrigar and lushly illustrated by Khoa Le, is a story about a modern girl’s immigration and assimilation; and yet, as it recalls an ancient Persian folktale, it reads as an allegory of unity and light. It’s a story honoring individual courage alongside diversity, acceptance, and inclusion—hallmarks of the American promise. It’s a story reminding us that we are sweeter together.

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The Promise of Calm After the Storm

January 8, 2021 § 2 Comments

In the wake of Wednesday’s egregious attack on the US Capitol, I decided to postpone the post I’d initially planned for this week (cute polar bears can wait) and talk instead about a new picture book brimming with reassurance. Technically, it’s about weathering a literal storm—a tornado, a blizzard, a hurricane, and a wildfire—but its message feels deeply relevant to the place of uncertainty and fear in which we increasingly find ourselves: that in times of crises, we pull through with the help of family and community, with hope and heart and hard work. That Nature is powerful, but so are we. That, following every storm, there is always a return to calm.

Compared to most families, we spend a disproportionate amount of time obsessing about discussing the weather, owing to a fear of storms my eldest has had since he was two and a half and watched a microburst uproot a tree and send it spiraling down onto a power line, where it ignited. Previously, I’ve blogged about You’re Safe With Me, an animal-themed, folktale-like story offering a mother’s embrace as a panacea for stormy winds. Today’s book is more literal and larger in scope, showcasing scenarios that will feel familiar to children growing up at a time when weather events are larger, louder, and more frequent. It is about fear, but it’s also about a myriad of possibilities—some of them surprisingly wonderful—that can accompany that fear and pave the way for resilience.

Co-authored by mother-daughter team, Jane Yolen and Heidi E. Y. Stemple, with glorious spreads by husband-and-wife team, Kristen and Kevin Howdeshell, I am the Storm (Ages 3-7) is about the moments when Nature rears its ugly head and threatens to overpower us—and what happens next. With equal parts candor and lyricism, four different children describe their family’s response to an incidence of extreme weather and the unexpected ways they find empowerment.

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An Inclusive Take on a Christmas Classic

December 17, 2020 § 1 Comment

Traditionally on Christmas Eve, I channel my father and do a stirring rendition of Clement C. Moore’s poem “The Night Before Christmas,” before the kids head up to bed and pretend to sleep. First published in 1823, Moore’s description of St. Nicholas and his eight flying reindeer, landing on rooftops and sliding down chimneys, has shaped our Western portrait of Santa Claus for the past 200 years. And yet, in almost every case, Moore’s words have been illustrated to center a white, upper middle-class family in a small New England town.

When we first moved to Virginia, we didn’t have a fireplace. A preschool classmate asked my son how Santa would get into our home to deliver presents. My son was dumbstruck; nothing I said assuaged his anxiety. When, a few weeks later, I took my kids on our local “Santa Train” (thank you, Virginia Railway Express) to spend an afternoon with the Big Man, my son queued up to ask that most important question: “What if someone doesn’t have a chimney?” To which the white-bearded man pointed to an oversized silver key hanging from his belt. “This magical key opens every door in the world, so if I can’t enter by chimney, I simply go through the front door.” And that was that.

There is a myriad of ways that adults have revised (or eschewed completely) the Santa myth to suit diverse living situations. Addressing economic disparity is tougher. There were years when my son would ask, as we shopped for our local toy drive, “But won’t Santa bring toys to these children?” Those of us who talk to our children of Santa Claus find ourselves perpetuating a myth as privileged and problematic as it is enticing.

Children’s illustrator Loren Long—already beloved in our house for his picture books starring Otis the tractor—has breathed new life into Clement C. Moore’s The Night Before Christmas (Ages 3-10), setting the original poem to illustrations featuring four diverse families. As we page through the book, the warm, atmospheric, cleverly detailed paintings tell their own stories about what Santa’s arrival looks like for a family on a rural farm, in a mobile home, a city apartment, and an island bungalow. (Even before the poem starts, the endpapers show the different children engaged in Christmassy pursuits, like cookie making and letter writing.) The result is a fresh, if idealized, take on a Christmas classic—which, even as it doesn’t address all the paradoxes of the Santa myth, suggests that the magic of the holiday touches everyone who believes.

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Creating Community with the Vanderbeekers

December 10, 2020 § 1 Comment

Last Saturday, we got a Christmas tree. By all accounts it looked like a ho hum ordeal, much like the rest of 2020. For the first time since having kids, we didn’t drive to a bucolic farm to cut down our own tree and enjoy celebratory hot cider overlooking evergreen-studded hills. Instead, we walked the five blocks to a local nursery and paid twice as much for a tree half as big. It took us so long to get out of the house that by the time we got there, it was dark. We hoisted the tree on our shoulders and walked it back to the temporary digs we’re calling home these days, with the children trailing behind us like shivering ducklings. When we arrived at our front door, we realized the clippers were in storage; we had no way to trim the lower branches to fit the tree in the stand. Also, we had forgotten about dinner.

And yet, when I collapsed into bed several hour later, I could not stop smiling. I turned to my husband. “Why was that so fun?” I mused. Sure, it was an outing, at a time when we have fewer occasions than usual to leave our house. Yes, it was festive (who doesn’t catch the holiday spirit from the scent of evergreen?). But I suspected there was something larger at work. And then it hit me.

Standing among the outdoor crowd in that nursery—waving at neighbors we recognized over their masks, listening to the music piped through crackly speakers, heeding the frenzied calls of workers bundling trees for transport—I felt connected to something larger than myself. For the first time in a long while, I was caught up in community. We have had such few occasions to gather this year; most of the time, seeing people means turning or running the other way. But for one night, I was reminded that rituals and traditions are more meaningful when they’re shared with others. Even strangers. None of us were there for long before we retreated back inside our homes, but for a moment, we remembered what it was like to join together in celebration. (Like the Whos down in Whoville.)

This theme of community features prominently in each of the four titles (and counting!) in Karina Yan Glaser’s Vanderbeekers series, though perhaps none so strongly as in her newest, The Vanderbeekers Lost and Found (Ages 8-12, younger if reading aloud). If my son’s once-upon-a-time enthusiasm for The Penderwicks and my daughter’s continued enthusiasm for The Problim Children has been any indication, my kids are partial to read alouds with large families. But no literary family has quite united my kids’ affection like the Vanderbeekers, a contemporary, biracial family of five children and two parents living on 141st street in New York City. And no other book has elicited as many tears and cheers as the fourth. Glaser’s writing has not only strengthened with each title, she’s now dipping her toe into meatier plots and more complex emotions.

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2020 Gift Guide: Middle-Grade Fiction for Ages 8-14, Part Two

November 13, 2020 § 2 Comments

Today, I’m back with my other ten 2020 favorites for the middle-grade audience. As with part one, I’ve taken care to hit a range of interests, styles, and reading levels, while never sacrificing beautiful writing or complex character development (my motto remains: childhood’s too short for mediocre books).

This year’s middle-grade list was compiled with the intimate involvement of my daughter (10) and son (13). While you can always count on my having read any book I review on this blog, nearly every one of the books in today’s and yesterday’s post was also read and loved by one or both my kids. While we’re in that glorious window of sharing books, I’m milking it.

Another friendly reminder that you won’t find graphic novels here, because they got their own post earlier. And if the twenty titles between today and yesterday aren’t enough, check out 2019’s Middle-Grade Gift Guide post, filled with other treasures (many of which are now out in paperback), or my Summer Reading Round Up from earlier this year. And, of course, as soon as I publish this, the fates guarantee I’ll read something I wish I’d included here, so keep your eyes peeled on Instagram, where I’m regularly posting middle-grade updates.

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2020 Gift Guide: Middle-Grade Fiction for Ages 8-14, Part One

November 12, 2020 § 1 Comment

As evidenced by the massive stack I’m bringing to you today and tomorrow, 2020 delivered some fantastic middle-grade fiction, including a number of novels by debut authors your kids won’t forget anytime soon. (It delivered non-fiction as well, as evidenced by my earlier endorsement of the astounding All Thirteen.)

One could make a case that storytelling has never been more essential. The stories below will take children far beyond the four walls of their home. They will entertain and inspire, while also eliciting empathy for those with different lived experiences. They will comfort, nurture, even heal. They’re the hope our children need to go forth into a brighter 2021.

A few of the novels I blogged about earlier in the year but mention again because I live in fear that you might miss them. The rest are new to these pages. (Remember, you won’t find any 2020 graphic novels here, because they got their own post.)

Below are the first ten. The second ten will follow tomorrow. I’ve taken particular care in noting the suggested age range below each title. Some of these skew younger, others older. I hope I’ve found something for every tween and young teen in your life.

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2020 Gift Guide: Favorite Graphic Novels for Ages 6-15

November 5, 2020 § 6 Comments

Back by popular demand: an installment of my Gift Guide devoted entirely to my favorite graphic novels of the year! Graphic novels make some of the best gifts. Not only are they coveted among emerging readers, tween readers, and teen readers alike, but they invite repeat readings. I’ve watched my kids race through a new graphic novel as soon as they get it, then a few days later start it over again, spending more time on each page. After that, they might set it down for a few weeks or months or years, only to pick it up again with fresh eyes. It’s no wonder many of the graphic novels below took over a year to create; they are packed with visual nuance, literary allusions, and layered meanings. Like treasured friends, graphic novels grow with their readers.

I read dozens and dozens of graphic novels in preparation for this post. Below are the ones that rose to the top in originality, beauty, fun, diversity, or impact. A few of these you’ll remember from a blog post I did earlier this year, but they bear repeating because they’re that good. There are others, like the new graphic adaptation of Roald Dahl’s The Witches, which my daughter was horrified wasn’t included here. I simply had to draw the line somewhere.

The list begins with selections for younger kids and concludes with teens. Enjoy and happy gifting!

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2020 Gift Guide: Picture Book Round-Up

October 29, 2020 § Leave a comment

Last week, I told you about my two verrrrry favorite picture books of the year: The Bear and the Moon (Ages 2-6) and Girl on a Motorcycle (Ages 5-9). Today, I’m telling you about others I like a whole heck of a lot. I’ve selected titles, both fiction and non-fiction, for a range of ages, from two to ten years old. Some of them are jaw-droppingly beautiful; others elicit laughter; many invite wonder and compassion. All of them are deserving of a permanent home, where they can be enjoyed again and again and again.

Before we start, there are several I’ve already blogged about this year. Rather than repeating myself, I’m going to link to my original posts. The ones with mega gift potential from earlier in the year are Me and Mama (Ages 2-6), The Ocean Calls (Ages 4-8), Madame Bedobedah (Ages 5-9), Swashby and the Sea (Ages 3-7), The Fabled Life of Aesop (Ages 5-9), In a Jar (Ages 4-8), and The Oldest Student (Ages 6-10).

And now, here are ones new to these pages:

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2020 Gift Guide: My Favorite Picture Book for the Elementary Crowd

October 22, 2020 § 3 Comments

As a nervous flyer, I never thought I’d write this, but I really miss getting on airplanes. Traveling is something I’ve never taken for granted, but I’m not sure I realized just how much I crave it until it wasn’t an option. I miss stepping off a plane, filled with the adrenaline of adventures ahead. I miss unfamiliar restaurants and museums. I miss natural wonders so far from my everyday environs it’s hard to believe they’re on the same planet. I miss squishing into a single hotel room, each of us climbing into shared beds after a day of sensory overload and, one by one, closing our eyes. I can’t wait until we can travel again.

In the meantime, we look to books to fuel our longing to see the world, to keep alive this thirst for the unfamiliar and the undiscovered. No picture book this year delivers on this promise quite like Girl on a Motorcycle (Ages 5-9), by Amy Novesky, illustrated by Julie Morstad, based on the actual adventures of Anne-France Dautheville, the first woman to ride a motorcycle around the world alone. From her hometown of Paris to Canada, India, Afghanistan, Turkey, and other exotic destinations, we travel alongside this inquisitive, fiercely independent girl as she heeds the call of the open road.

Morstad is no stranger to illustrating picture book biographies—It Began With a Page: How Gyo Fujikawa Drew the Way made last year’s Gift Guide—and part of her remarkable talent stems from adapting her illustrative style to the subject at hand, while still creating a look and feel entirely her own. In Girl on a Motorcycle, Morstad infuses a ’70s palette of glowy browns and moody mauves onto the dusty backdrops of the Middle East, the dense evergreens of the Canadian countryside, and the ethereal sunrises. Additionally, Morstad gives the protagonist herself a kind of badass glamour every bit as alluring as the scenery itself. How can we not fall for someone who packs lipstick next to a “sharp knife”? It’s as if Vogue jumped on the back of a motorcycle, slept in a tent at night, and made friends with locals along the way.

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2020 Gift Guide Kicks Off: My Favorite Chapter Book

October 15, 2020 § 2 Comments

Yes, it’s time! With supply chain challenges predicted towards the end of the year, and reading one of the few escapes we’re allowed these days, I’m kicking off this year’s Gift Guide a few weeks early, and you can expect weekly posts through Thanksgiving. There will be lots of round-ups with lists for all ages, littles through teens. (And yes, there will be one exclusively on graphic novels.) But I’m beginning today by highlighting one verrrrrry special book that came out this week. Usually, I kick off my Gift Guide with my favorite picture book of the year (and we’ll get to that, I promise), but I’m turning tradition on its head (it’s 2020, after all) and we’re going to start with a book for older readers and listeners. If you keep your eyes on my Instagram this week, you could even win a copy!

Let me start by saying that I am not, by nature, a nonfiction fan. Let me add that I don’t think my ten-year-old daughter has ever picked up a nonfiction book of her own volition. (She rarely lets me read the Author’s Note in a picture book!) Then there’s the fact that this book chronicles a story whose ending most of us already know. In fact, it’s one our family has already encountered in two previous kids’ books. So, how on earth did this nonfiction book—229 pages before the additional 40 pages of footnotes—end up a favorite 2020 read of our entire family?

I remember like it’s yesterday: picking up my son at camp the first week of July, 2018, and having him greet me every afternoon with, “Are they out yet?” Since June 23, our family—like millions around the world—had been glued to the news coverage of the twelve young soccer players and their coach, trapped inside a rapidly flooding cave in Northern Thailand after a field trip went wrong. The successful seventeen-day rescue mission that followed, where thousands of rescuers from around the world tackled one seemingly impossible obstacle after another, captivated people not only because of its tremendous scope and scale, but because at the center was a group of sweet, soccer-loving kids.

As it turns out, Thai-American children’s author Christina Soontornvat was visiting family in Thailand at the time, her plane touching down the same day the children went missing. We may have been riveted by the story on our other side of the globe, but the Thai people were consumed by it. Life as they knew it was temporarily suspended. Schools were closed; vigils were held. Farmers voluntarily sacrificed their land to the drainage operation, while others led drillers through the wild jungles surrounding the cave, and still others cooked food for volunteers. The experience for Soontornvat was such that, a few months later, she returned to Northern Thailand to spend time with the rescued boys and their coach, paving the way for an exhaustive undertaking of interviews with nearly all the key figures in the rescue.

In All Thirteen: The Incredible Cave Rescue of the Thai Boys Soccer Team (Ages 10-16), Soontornvat has written a chapter book that reads like fiction while telling the most textured, suspenseful, holistic version of this incredible true story to date. If there was ever a year when we needed a story that showcases the very best of humanity—the strength, ingenuity, and kindness exhibited when we come together as helpers—it is 2020.

Give this book to the tweens and teens in your life. If they won’t pick it up, read it to them, because there’s a particular power in hearing Soontornvat’s words spoken aloud. My teenage son inhaled this book on his own, but I read it aloud to my daughter, and it was she who kept exclaiming, “I know what’s going to happen, and I’m still on the edge of my seat!” I’ve often heralded how fun it is to learn alongside our children, and All Thirteen is a brilliant example of a book that has something to teach us—about Thai culture, about science and engineering, about the nail-biting niche of cave diving, and about the nature of teamwork and the human capacity for survival—on every single page.

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When You Don’t Have a Mute Button

October 1, 2020 § 2 Comments

If Tuesday’s presidential debate has taught us anything, it’s that 2020 should have come with a mute button. Because meditation alone isn’t going to cut it. Ditto to stocking our freezers with double-chocolate brownie ice cream. Adulting is hard enough right now without adding parenting (and schooling) to the mix. And yet, our children are bystanders to this hot mess unfolding around them. With our own blood pressure camped out at dangerously high levels, how do we offer some semblance of sanity for our precious little ones?

Back in July, I came across a blog post written by a practicing psychotherapist out of Colorado named Sara Waters. She was addressing the stress parents were feeling while waiting for schools to announce their reopening plans (HA, remember when we thought that was worth losing sleep over?). Like many parents at the time, I was spending way too much time crawling along the bottom of the Internet, desperate for someone to reassure me that my children would be safe this fall. Waters surfaced with the reassuring reminder that, while we might not be in control of what happens outside our front door, we can control what happens inside:

The number one most determining factor of your child’s 2020 experience is YOUR ability to manage your OWN discomfort.  Mirror neurons are real and even children who haven’t yet learned to understand or speak language will pick up on the quantum vibrational frequencies of distress that you emit.  Your children hear you talk, even when you aren’t talking to them.  They hear you complain.  They hear you vent.  They watch your facial expressions when you are on a phone call or responding to an email or social media post on your computer.  They can feel whether you are relaxed or whether you are in a state of stress when you wake them up in the morning, sit down for a family meal, or tuck them into bed at night. […] Whether you like it or are aware of it or not, they will feel what you feel.

I’ve thought about this reminder many times since that last week in July, including and especially when I picked up Cozbi A. Cabrera’s joyous new picture book, Me & Mama (Ages 2-6), a lyrical celebration of the bond between one daughter and her mother. Reading this story is like wrapping yourself in a cocoon of domestic love. Reminiscent of one of last year’s favorites—Oga More’s Saturday—this book speaks directly to the power we hold as parents to set tone, to cue young children’s feelings about the world and their place in it.

We sometimes forget that motherhood comes with its own special set of superpowers. We can smile at our children; we can dance in their presence; we can light up when they walk in the room. None of the stressors in the world can compete with that.

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At Home in the Ocean

September 3, 2020 § 3 Comments

My son’s favorite sport is swimming, but it wasn’t always this way. For five years after he was born, he refused to put his head under water. He was delighted to be held in water, or to float with a floatie, but none of us—not me, not his dad, not his grandfather, not his aunt—could convince him to submerge his face.

Eventually, I got the name of a private swim instructor who was supposed to have a magic touch. I phoned her but she was fully booked. A few weeks later, she phoned back. She had a cancellation on an upcoming Thursday at 7pm. JP’s bedtime was 7pm, so this seemed like poor parenting at best, but I was a mother on a mission, with a zeal often reserved for firstborns. I told her we’d see her Thursday.

What happened next is a story our family loves to tell. While I watched from deck, the instructor, clad in a black wet suit, took JP’s hand and led him down the ramp of the zero-entry pool. When the water hit JP’s waist, she stopped. “So, JP,” she said, “do you go under water?”

“No,” my son replied.

“Would you like to try?” she asked.

Barely a pause. “OK,” he said. And then, right before my eyes, this child with a stubbornness to match mine, threw himself face down into the water.

He threw himself face down into the water. Part of me was overjoyed. And part of me had to keep from screaming, ARE YOU KIDDING ME?!

My husbands like to joke that this was when we realized that our son has no interest in learning from his family. Our teaching is inherently suspect, probably flawed, because what do we know? This instructor—who went on to teach him very fine strokes for the next five years—was an expert in his eyes, and so he instantly trusted her. (We consider it a major triumph that we did not have to hire a professional to teach him to ride a bicycle.)

Still, I don’t think the swim teacher’s trust was won just because JP regarded her as an expert (whereas we were just flailing novices). Truth be told, she exuded calm. You had only to spend ten seconds with her to understand that she was more at home in the water than out of it. She loved the water, she trusted herself in the water, and when she directed her full attention onto my son, he felt like he’d come home, too.

“The ocean is calling me today,” says the grandmother at the beginning of Tina Cho’s new picture book, The Ocean Calls: A Haenyeo Mermaid Story (Ages 4-8), one of the most fascinating and exquisite examples of a symbiotic relationship with water that I have ever seen. Set on the shores of Jeju Island in South Korea and luminously illustrated in jewel tones by Jess X. Snow, the story is about the relationship between a girl, struggling with her fear of the ocean, and her grandmother, a haenyeo mermaid, who holds her breath for two minutes at a time and dives up to thirty meters to bring back armfuls of shellfish for eating and selling. Here’s the coolest thing: the haenyeo tradition is real! It goes back centuries among indigenous Pacific islanders, remains alive today, and plays a vital role in ocean ecology.

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All in a Name: A Back-to-School Post

August 20, 2020 Comments Off on All in a Name: A Back-to-School Post

When our kids return to school this fall, whether in person with a mask or at home over a computer, there will be unusual circumstances to navigate. But for many children, pandemic or not, the start of school is already fraught with potential landmines. Will I make a friend? Will I like my teacher? Will I understand the rules?

Will my name be mispronounced?

Those of us with Anglo-Saxon names may have never considered this last question, but those with African, Asian, Black-American, Latinx, and Middle Eastern names know how commonly, if unintentionally, their names are mispronounced. What does it feel like to be on the receiving end of a teacher or classmate stumbling through your name? What does it feel like to be expressly teased for your name? What does it feel like to be asked to shorten or alter your name to make it easier for classmates to say?

For many, personal names play a central role in cultural identity and identification. If we don’t put in the work to pronounce a name correctly, we’re not allowing that person—in this case, that young child—to be seen. At best, we are belittling them; at worst, we are erasing them.

One of my daughter’s dearest school friends has a name whose South Asian pronunciation is different than English phonetics would suggest. The difference is subtle, but my daughter will correct anyone—especially me—who doesn’t say it with the right cadence. I’ve been touched by this gesture of loyalty over the years, and I know it’s owing to the care the girls’ teachers have taken to create a space where students are actively working to understand and appreciate one another.

What I’ve also frequently noted is how musical my daughter’s voice sounds when she speaks her friend’s name. The idea that all names can be celebrated for their musicality is the inspiration behind Jamilah Thompkins-Bigelow’s new picture book, Your Name is a Song (Ages 4-8), a fast favorite with my daughter. Tenderly illustrated by Luisa Uribe, the story centers a Black American Muslim girl, who leaves her first day of school dejected and angry because “No one could say my name.” As her mother works to rebuild the girl’s confidence, she creatively and thoughtfully debunks many of the negative stereotypes associated with non-Anglo names, especially those with African or Middle Eastern origins: they’re hard to pronounce; they’re cacophonous; they signal danger; they’re made-up nonsense.

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When the Sea Works its Magic

August 6, 2020 § 3 Comments

The value of a change of scenery during this pandemic cannot be overstated. Last week, we spent five nights in a rental on the Chesapeake Bay, our front door just steps to a tiny slice of sand, a bank of beautiful rocks, two kayaks, and a half mile of clear shallow water for wading, before dropping off to deeper water and stunning sunrises beyond.

The entire trip felt like a brief return to normalcy (look, we’re a family who vacations!). It was also a gift which arrived at precisely the right time. In the weeks leading up to our departure, I felt a heaviness descend on our family, the sum total of weariness from the past five months and the grinding uncertainty of the new school year.

The sea knew what we needed. For a few magical days, it drew us out of our heads and into our bodies, then engulfed us in a delicious weightlessness. It gave us expanses of space—so much space—at which to marvel, after staring at the inside of four walls for too long.

The sea didn’t get everything right (we didn’t need the jellyfish), but it reminded us that there is beauty in the world, that it hasn’t gone anywhere, and that in connecting to this beauty we can connect to the best in ourselves. We can be a little looser. A little messier. Smile a little more.

As it turns out, one of my favorite picture books of the year also features some welcome meddling by the sea. It has been awhile since I hailed a beachy picture book (last were here and here), and this one proves well worth the wait. Swashby and the Sea (Ages 3-7), written by Beth Ferry and illustrated by Juana Martinez-Neal (quickly becoming one of my favorite contemporary illustrators), reminds us that sometimes the sea knows what we need even before we do.

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Zoe Washington’s “Good Trouble”

July 23, 2020 § 1 Comment

When John Lewis passed away last weekend—ending a 60-plus-year career of social activism and civil rights legislation—I was struck by how many tributes invoked the Congressman’s tweet from 2015, in which he shared a mugshot from his time in prison 54 years earlier, arrested for using a “white” bathroom in Jackson, Mississippi. The photo was captioned: Even though I was arrested, I smiled bc I was on the right side of history. Find a way to get in the way #goodtrouble

Another of his tweets in 2018 further underscores this notion of “good trouble”—a phrase Lewis became known for:

Do not get lost in a sea of despair. Be hopeful, be optimistic. Our struggle is not the struggle of a day, a week, a month, or a year, it is the struggle of a lifetime. Never, ever be afraid to make some noise and get in good trouble, necessary trouble.

If you’ve asked me for a middle-grade book recommendation in the past two months, you’ve probably heard me go on and on and on about Janae Marks’ debut novel, From the Desk of Zoe Washington (Ages 9-13). If you follow me on Instagram, you may know I chose this title for a summer book club, after my third graders (bless them) begged me to continue hosting Zoom meetings. The book was not only a favorite of the year for most of the kids, nearly every parent emailed me to report that the story was yielding rich, important, anti-racist conversations around the dinner table.

If you are looking for a book to start a conversation about systemic racism, this one’s a gem. It’s not just that it offers awareness about the bias in our criminal justice system—the story features a Black character (Zoe’s father) serving time for a crime he may not have committed—it’s that it offers hope for a more just world. It’s a story about a girl who asks hard questions, who isn’t content to accept things as they are, and who makes some “good trouble” of her own when the adults in her life fail to step up.

Of course, none of these messages would be nearly as effective if the story itself wasn’t fan-freakin-tastic. This is not a heavy-handed “issues” book. It checks every box of a perfect tween story: it’s well-paced; the protagonist is immensely likable; there’s mystery, intrigue, and no shortage of fun and relatable sub-plots (baking! music! friendship drama!). It’s a book nearly impossible to put down, but it’s also a story packed with nuggets ripe for pulling apart and discussing. Read this book to or alongside your tween; you’ll both be better for it. (And may I recommend you encourage your child to make a playlist of the songs Zoe discovers from her father, because isn’t it high time our kids started listening to Stevie Wonder? Also: Fruit Loops cupcakes. Yup, it’s a thing.)

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Love, Pride, and Acceptance

June 30, 2020 § 1 Comment

With Pride parades canceled because of the pandemic, we have to work a little harder to see the rainbows. I didn’t want June to end before I had a chance to raise up one of my favorite recent discoveries (although it came out last year), a book so full of love that when I first got it, I couldn’t stop hugging it to my chest. It’s impossible to read this book without the biggest smile. Not just because the main character is a radiant beam of sunshine in and of himself. Not just because it has some of the most beautiful illustrations I have ever seen (Kaylani Juanita, where have you been all my life?). But because the love these parents shine down on their son is the very best—albeit most difficult—kind of love. It’s a love which sees him, not for who they expect or want him to be, but for who he actually is. It’s a love taught to them by this son—and one echoed in the way he prepares to welcome his new sibling.

It’s a tall order, but the world would be a vastly improved place if we all rose to follow the example of love in this book.

When Aidan Became a Brother (Ages 3-8), written by Kyle Lukoff and illustrated by Kaylani Juanita, is not just another book about welcoming a new sibling. True, in many ways, it’s the “new sibling” book we didn’t realize we were missing. But the book is equally pertinent whether you’re expecting a new family member or not. Aidan doesn’t simply tail his pregnant mom, fantasizing about a new playmate or worrying he’ll suddenly fall to second place. Nope, Aidan’s sets his sights on a larger question: what can he do to ensure his younger sibling feels understood and accepted right out of the gate?

Aidan’s fervent and sometimes nervous desire to become a caring big brother is intimately informed by the struggle he faced in his own first years. “When Aidan was born, everyone thought he was a girl.” The story’s opening spread—a look back into Aidan’s recent past—reveals a pink-decorated room with traditional girl fare: a canopy bed, a dollhouse, and an array of flowery dresses held up by Aidan’s doting mother. Aidan sits before a pink tea set in a pink dress, wearing a look of misery.

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Moving Past Color-Blindness

June 25, 2020 § 2 Comments

I have been drafting this post in my head for two weeks, terrified to put pen to paper for the dozens of ways I will certainly mis-step. Raising children dedicated to equity and justice has always been important to me—if you’ve been following my blog, you’ll recognize it as a frequent theme here—but only lately have I pushed myself to consider the ways my own privilege, upbringing, and anxiety have stood in the way of that. It is clear that I cannot raise my children to be antiracist if I am not prepared to do the work myself.

When my daughter was three, I brought her to the pediatrician’s office for a rash. As we sat in the waiting room, watching and remarking on the colorful fish swimming in the aquarium, my daughter suddenly turned to me. “Mommy, is the nurse going to be black-skinned?”

Embarrassment rose in my cheeks. “Oh honey, I’m sure any nurse here is a good nurse. Let’s not—”

Her interrupting voice rose about ten decimals. “Because I am not taking off my clothes for anyone with black skin!”

Just typing this, my hands are shaking. I am back, seven years ago, in that waiting room, aware of all eyes upon us. Aware of the brown-skinned couple with their newborn baby sitting directly across from us. This can’t be happening, I thought. This can’t be my child. She goes to a preschool with a multicultural curriculum. We read books with racially diverse characters. She plays with children who look different than her. Shock, outrage, and humiliation flooded every inch of my being.

Caught off guard and determined to rid myself of my own shame, I fell into a trap familiar to many white parents. For starters, I came down hard on her. I took my shame and put it squarely onto her. I was going to stop this talk immediately. I was going to prove to everyone listening that this was unacceptable behavior in our family. I was going to make it…all about me.

“Stop it!” I said firmly. “We do not say things like that.” Then, I started rambling about how we shouldn’t judge people by how they look, how underneath skin color we’re all the same, how we’re all one big human family, and so on. You know: the speech. The color-blind speech. The one where white parents tell their children to look past skin tone to the person underneath. The one where we imply that because skin color is something we’re born with, something “accidental,” we shouldn’t draw attention to it. The one where we try and push on our children a version of the world we’d like to inhabit, as opposed to the one we actually do.

My three year old was observing—albeit not kindly or subtly—that not everyone looked the way she did. And she wasn’t sure if that was OK. She was scared. She was uncomfortable. Because we weren’t talking about skin tone or race with her at home, because our conversations (however well-intentioned) steered mainly towards platitudes of kindness and acceptance, she had begun to internalize the racial assumptions around her. She had used the descriptor “black-skinned,” I later realized, whereas if she had simply been observing skin tone, she would have said brown skin or dark skin. The word she chose was a reference to race. A loaded word. Something she had heard. Something she didn’t understand. Something she was beginning to associate with something less than.

We don’t want our children to use race to make judgments about people, so we’d rather them dismiss race completely. Except, in a society where race is embedded into nearly every policy and practice, it is impossible not to see race. So instead, what we are really communicating to our young children is, I know you notice these differences, but I don’t want you to admit it. (Including to yourself). Good white liberal children don’t talk about their black and brown friends as being different from them. Even more problematic, good white liberal children love their black and brown friends in spite of these differences.

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Sharing a Love of Travel (A Father’s Day Post)

June 11, 2020 § 1 Comment

This Father’s Day, my own father will have been gone for twenty-six years.  Twenty-six years. One of the most devastating things about losing a parent when you’re eighteen is that you never get to know that parent through an adult lens. I knew my father intimately, from his scratchy mustache to his eye-rolling wisecracks to his endless patience as I described every painstaking detail of my day. But I knew him as a child knows a parent. How I wish I could have known him as an adult.

In times of great upheaval and unrest, I feel my father’s absence most keenly. Every seismic shift in our world puts that much more space between him and me. How would he be participating in this national conversation about race? Would he be marching with a Black Lives Matter sign? What candidate would he have supported in the last Democratic primary? How would social distancing have impacted his life in retirement—or would he still be practicing law? What kinds of things would he enjoy doing with his grandchildren?

I can’t pretend to know the answers to these questions, though I ask them quietly to myself all the time.

What I do know is that there are certain things which always bring him back to me. And one of them is travel. My father’s love of travel was legendary. When I was very young and he would travel internationally for work, he’d always bring me souvenirs—usually dolls—from places like Brazil, Mexico, and Germany. I loved gazing at the tiny porcelain faces or printed fabric clothes and imagining where they had been. Our house was full of black-and-white photographs from before my time: my father on a camel in the Sahara, my father on a motorcycle in Greece. When I decided to spend a gap year in Vietnam after high school, he jumped at the chance to accompany me across the ocean. When, weeks later, it came time for him to return to the States, his parting words were, “It looks like you’ve got the travel bug now, too.” I beamed with pride.

It seems fated that I would fall deeply in love with Jenny Sue Kostecki-Shaw’s new picture book, Papa Brings Me the World (Ages 3-7), in which a young girl describes her affection for a father who travels the world and brings pieces of it back to her. I’ve long been a fan of Kostecki-Shaw’s (my daughter still pulls out Luna & Me), but this book positively transported me. Maybe because it’s inspired by the author-illustrator’s own father; maybe it’s because the theme of found objects lends itself beautifully to mixed-media collage; or maybe it’s because the voice of the little girl reminds me of my young self, brimming with tenderness and curiosity and admiration and longing for my father’s stories of adventure.

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What Does It Mean to Be Woke?

June 4, 2020 Comments Off on What Does It Mean to Be Woke?

In the preface to her scintillating picture book of poems for young readers, Mahogany L. Browne provides this definition of “woke”:

It means to be aware. It means to see your surroundings and challenge how we strengthen our relationship with the government, the community, and nature. To be WOKE is to fight for your civil rights and to fight for the rights of your neighbors…The idea of being aware of your surroundings, especially in a time when we are taught to be quiet and not rock the boat, can be difficult to embrace, but this is where our freedom begins.

The events of the last week are calling us to become woke. They are calling us to listen, especially to Black voices unleashing decades of pain and injustice. They are calling us to expand our bookshelves and our social media feeds to include more voices of color (@hereweeread and @theconsciouskid are a great place to start for parents). They are calling us to talk to our children about difficult topics like race, privilege, and racism and help them revise their summer reading lists to include stories by people of color. They are calling us to begin the uncomfortable and long-overdue work of examining the way our own whiteness makes us complicit in the sickness of systemic racism, because until we change what’s in our hearts, we can’t lead our children to do the same.

Topics like police brutality and racial profiling can be overwhelming and frightening to children of all races, but we can also use these conversations to empower them. “Rocking the boat” starts with finding the words to describe what’s happening and how it makes us feel—and then turning these words into beacons of inspiration, hope, and change.

We are being called to help our children find their voice, and I can think of no better vehicle than Woke: A Young Poet’s Call to Justice (Ages 8-12). Historically, poets have been on the forefront of social movements. Here, Mahogany L. Browne’s poems sit alongside those from Elizabeth Acevedo and Olivia Gatwood, serving as “instruction manuals and anthems,” as “literary heartbeats and blueprints of survival,” for our children to sift through cruelty and injustice and find the words and courage to speak out about them. Several of the poems address racial history and discrimination. Others speak to gender bias, immigration, activism, body image, physical disability, intersectionality, and our relationship with nature. Taken as a whole, the poems celebrate a definition of community that’s richer for its diversity of voices, skin colors, and genders. Double-page illustrations by Theodore Taylor III enhance the vibrancy of the poems. As “Instructions on Listening to the Trees” concludes, “We are all part of someone else’s journey/ That’s the way communities are built/ Each root sprawling toward the edge of an infinite smile.”

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