The Leaves, They Are a-Falling

October 24, 2012 Comments Off on The Leaves, They Are a-Falling

To young children, fall can be a time of bewilderment (what is happening to the leaves on my trees?!). As they get older and can remember previous falls, some of that mystery transforms into magic: soon fall becomes a season to embrace for the very changeability that was once so puzzling.

My two children are on opposite ends of this spectrum of discovery. On the one hand, there’s two-year-old Emily, who at times can’t refrain from picking up and examining every leaf she comes across. On our walks to school, I’ll point out a magnificent crimson maple leaf lying on the ground, freshly fallen and perfectly preserved in its flatness and shape: “Look at that huge red leaf—let’s grab it!” I’ll encourage. But she’ll stop short and pick up part of a shriveled brown leaf, holey from bugs and tinged with black spots. She’ll gaze at it with a furrowed brow before proudly handing it to me and demanding that I put it in her backpack. On the other hand, there’s five-year-old JP, whose seasoned eye searches out only the most unusual spectacles: “Whoa, that tree is totally orange! It looks like fire exploding out of a rocket ship!”

Regardless of where they fall on the spectrum, their excitement about fall is contagious. Tonight, the kids and I curled up together in our jammies to read my all-time favorite picture book about fall: Fletcher and the Falling Leaves (Ages 2.5-6), with text by Julia Rawlinson and watercolors by Tiphanie Beeke (side note: if you fall deeply in love with this book, as I know you will, make sure to get your hands on the sequels, Fletcher and the Snowflake Christmas and Fletcher and the Springtime Blossoms, which are equally captivating).

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Monsters With Manners

October 11, 2012 Comments Off on Monsters With Manners

I recently asked my five-year-old son: “What do you think monsters are like?” His answer: “They have big teeth and sharp claws and they eat little kids.” Oh. Well, the good news is that there’s a new(ish) genre afoot in children’s literature: not-too-scary scary stories (my recent posts on Creepy Carrots and Vampirina Ballerina are great examples). There are also some fantastic monster-themed books, featuring a new generation of what I will call Funny Monsters.

What makes kids find the monsters in these books so funny? Precisely because our little ones, occasionally monstrous themselves, can identify with these monsters’ unpredictable bursts of rage and destruction. On some level, they recognize a shared vulnerability, a shared quest to fit in and make sense of a complex world.

Author and illustrator Patrick McDonnell (best known for his Mutts comic strip) has a knack for creating deceptively simple picture books that get right to the heart of what it means to be human. In the beginning of his brand new The Monsters’ Monster (Ages 3-7), we are introduced to three tiny nay-saying monsters, named Grouch, Grump, and little Gloom ‘n’ Doom (how can you not immediately love this book?). The trio relishes their job of being monsters: they have tantrums, their favorite word is “NO,” and they love crashing, smashing, and bashing (sound familiar yet?).

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Anyone Can Learn to Dance

October 3, 2012 Comments Off on Anyone Can Learn to Dance

Calling all wannabe ballerinas! If you’re headed to a girl’s birthday party this month, you must give this irresistibly charming (and seasonally appropriate) new book, Vampirina Ballerina (Ages 3-7), by Anne Marie Pace, with pictures by LeUyen Pham. This book has everything ballerinas-in-the-making (and their supportive parents) would want in a book: tutus, pirouettes, a Swan Lake-inspired recital, encouragements about practice and effort (as opposed to perfection), and a subtle but poignant message about accepting someone who looks different.

In addition, this book has something most people don’t associate with ballet: a family of vampires. That’s right, Pace’s text reads like a “how to succeed in ballet” handbook, only it’s directed at a young vampire girl, who is eager and nervous to begin her ballet education alongside a troupe of human girls and their instructing Madame. Along with some predictable directives about form and style (“a true ballerina is always on pointe” and “always move with your head held high”), our young Vampirina is given some important life lessons: “Whatever happens, don’t be discouraged. The road to ballerinadom can be bumpy.”

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