December 12, 2013 § 1 Comment
“How do I break the addiction to Goodnight Gorilla?!” a friend texted me the other day. Whether it’s Goodnight Gorilla, Goodnight Moon, or (my preference) Time for Bed, the lulling, reassuring refrains in these books become quick obsessions with little ones getting ready to tuck in for the night. And, let’s be honest, it can grow a wee bit tedious for the one doing the actual reading.
The good news is that, as your child’s attention span develops, you can start incorporating more involved bedtime stories into the mix. I’m not promising it will be love at first sight, and you may have to be a little sneaky (I’ve had great success with the “you pick one and I’ll pick one” approach as a way to introduce new titles). But help is on the way. 2013 has been a rich year for bedtime stories, beginning with Mem Fox’s Good Night, Sleep Tight (Ages 1-4), a small square hardcover illustrated by Judy Horacek—and an instant, no-tricks-necessary favorite with my Emily (the same team created the equally fabulous Where is the Green Sheep?). « Read the rest of this entry »
June 12, 2013 § 1 Comment
Summer is naturally a time for children to sharpen their senses and take notice of their bodies. Running barefoot through the freshly cut grass; relishing the pure silence underwater at the pool; feeling the sweat beads on the back of their necks; hearing the crack of thunder that sends them tearing for the house; stretching out on the earth’s back to gaze at a sky full of stars: this is what summer looks, sounds, and feels like to our children. So why not turn these grass-stained knees into a chance to study the human body? And what if we take these bodily lessons further; what if we create an awareness in our children that their bodies aren’t just little planets unto themselves but are connected to the mysteries of the greater universe?
I have long been puzzled by the lack of children’s books that bridge the scientific and natural worlds, so I was thrilled to discover a little gem published last year, written by Elin Kelsey. You Are Stardust (Ages 4-8) is that rare blend of scientific fact and poetic wonder. Beginning with the premise that “every tiny atom in your body came from a star that exploded long before you were born,” the book goes on to draw parallels between humans, animals, the earth, and the universe, from the salt water that flows through our tears like it flows through the ocean to the electricity that powers our thoughts like it powers the lightning in the sky. Every fact and connection is intended to shock and awe (and is backed up by scientific evidence). Did you know that the water we drink today is the same water that the dinosaurs drank? Or that “each time you blow a kiss to the world, you spread pollen that might grow to be a new plant?” (Both of these questions got an audible response from my son: “Is that seriously true?”)
One of my favorite things about sharing books with children is that you can never predict exactly what will rock their world. I would never have supposed that the fact which made the greatest impression upon JP was one having to do with continual renewal—specifically, that “you’ll replace your skin 100 times by the time you turn ten.” When he first heard this, JP threw back his head and roared, “I’m not a snake! Kids don’t shed their skin; that’s ridiculous!” “Not all in one piece like a snake, but in little bits at a time,” I told him, and we went on to discuss things like scrapes, sunburn, and dry skin. For the past week, he has now taken to brushing his hand across his arm 10 times a day, while declaring to his sister that “you can’t see it, but my skin is shedding RIGHT NOW!”
Prior to discovering You Are Stardust, my favorite “metaphysical” book for kids, although on a much simpler, toddler-targeted level, has been Molly Bang’s All of Me: A Book of Thanks (Ages 2-4). With loving, economical text, Bang pays tribute first to a child’s body (“thank you, hands, for gripping and throwing and patting and holding”); then to his senses (“my mouth tastes all my food before it slides down here, into my tummy”); then to his feelings (“today I felt curious, and excited, and angry, and brave…”); and, finally, to the way in which he is part of “this whole wide world…and this whole universe is inside…all of me!”).
What All of Me starts, You Are Stardust expands on for the older child, grounding wondrous observations about the body-universe connection with scientific data (the book’s afterward also cites a website for those who want to learn more about the science behind the book). Perhaps not just coincidentally, both Bang and Kelsey’s books are illustrated with collage, a fitting medium for a lesson on how we are greater than the sum of our parts. The collages in You Are Stardust, done by Soyeon Kim, are actually dioramas, combining rocks, dried flowers, painted leaves, string, tissue paper, and watercolor cut-outs to create a tactile, three-dimensional effect. The illustrations feel youthful and free-form, and I think my son immediately connected with them as something he could approximate with materials gathered from our backyard. I would love for my children (as the author similarly wishes in her afterward) to cart this book outside all summer long, to read it by flashlight in their tee-pee or while propped up on their elbows in the grass. I would like for them to look at the trees and the birds and the snails and the clouds—and to feel their own heartbeat answering back.
Other Favorites for a More In-Depth Study of the Human Body (and with a more traditionally fact-based presentation):
The Skeleton Inside You; Why I Sneeze, Shiver, Hiccup and Yawn; A Drop of Blood; Hear Your Heart; My Five Senses, all part of the wonderful Let’s-Read-And-Find-Out Science Series (Ages 4-8)
See Inside Your Body, by Usborne Publishing (Ages 5-10)
First Human Body Encyclopedia, by DK Pubishing (Ages 6-12)
Bones: Skeletons and How They Work, by Steve Jenkins (Ages 6-12)
Picture This! Human Body, by Margaret Hynes (Ages 8-14)
May 17, 2013 § 3 Comments
I’m often asked to recommend chapter books that lend themselves to reading aloud, either for a classroom setting or for a parent reading to an elementary-aged child. This is no small order: you need something where the subject matter isn’t too frightening or mature for the 5-8 year old set; you need something that’s going to engage the adult reader as much as the child (there’s no law that says this can’t be enjoyable for us!); and you need something that transcends the plot-driven, early-reader books that kids are reading on their own and helps them develop a taste for the kind of diverse language and emotionally-rich storytelling that will hopefully influence their reading choices in the future. This past winter, we read to my son the classic Little House on the Prairie series, which I adored as a child and whose themes feel just as timeless and important as ever (family values, the rewards of hard work, celebrating the non-material joys in life). But Laura Ingalls Wilder’s writing can also be quite tedious to read aloud, packed with lengthy explanations (twenty pages devoted to smoking a pig?) and repetitive sentence structures. There were moments when I could feel JP’s attention wandering, despite his avid assurance each night that he wanted to read more, more, more.
But then we finished that series and began Marion Dane Bauer’s stand-alone novel Little Dog, Lost (Ages 8-12, younger if reading aloud), published just last year, and it felt like a breath of fresh air. Here’s a book where not a single word is wasted, a book whose text flows off the tongue with such buttery smoothness that most of the time I couldn’t bring myself to stop when I got to the end of a chapter (that’s right, I was actually choosing in those moments to delay bedtime). Bauer achieves this incredible richness of language by breaking with a major narrative tradition: she writes her novel in free verse, creating chapters out of short, staccato poems, which loosely string together and sometimes even repeat words and phrases, all the while telling a very clear and cohesive story. There are 44 of these untitled poem-chapters; and they switch off narrating from the viewpoints of children, adults, and animals—all of whom live in a small contemporary town called Erthly and whose lives are forever touched by an incident involving a lost dog searching for someone to love him.
Freed from the confines of conventional narration, Bauer is able to cut straight to the emotional core of her characters—and the result is a story that children will feel deep in their hearts. Animal stories inherently engender sympathy from children (not coincidentally, some of JP’s favorite moments in the Little House books revolve around the Ingalls’ faithful dog, Jack). At the center of Little Dog, Lost is Buddy, an orphaned dog with “ears like airplane wings,” who “dances” along the sidewalk, longing for a home with “chasing balls,/ ear scratches,/ kisses.” Children will easily relate to Mark, a young boy “who had wanted a dog for as long as he could remember./ He had asked for a dog./ He had begged for a dog./ He had pleaded and prayed and whined for a dog./ Once he’d even tried barking for a dog.” And who wouldn’t be intrigued by a mysterious old man named Charles Larue, who lives alone in a pointy-towered mansion and never speaks to anyone? Throughout the story’s suspenseful twists and turns, even amidst the humorous touches (many coming from a bossy tabby cat who thinks he’s a dog), the story never strays from the hopes and dreams of its relatable, big-hearted characters. It’s fair to say that my son had a full-body experience while listening to this book. He chuckled, gasped, and emitted little exasperated grunts; he covered his eyes and held his breath; he beat his fists on the bed; he cheered; he hugged my arm to pieces; and he shed more than a tear or two (as he says, “I have a little water in my eyes right now because I’m so happy.”). Now that’s a chapter book.
Other Favorite Read-Aloud Chapter Books With Animals & Lots of Heart:
The Cricket in Times Square, by George Selden (Ages 5 & up*)
Charlotte’s Web, by E.B. White (Ages 5 & up)
The Trumpet of the Swan, by E.B. White (Ages 5 & up)
Mr. Popper’s Penguins, by Richard Atwater (Ages 5 & up)
Ginger Pye, by Eleanor Estes (Ages 6 & up)
The One and Only Ivan, by Katherine Applegate & Patricia Castelao (Ages 6 & up)
*Please note that these ages are assuming the reading is being done by an adult. For a child reading independently, the age range would be closer to eight and up.
March 23, 2013 § 3 Comments
“It’s bud season! It’s bud season!” chanted my children earlier this week, after some long-awaited warm sunshine had beckoned us into the backyard. Thankfully, they were referring not to the beer (although my son’s soccer team does call themselves the Silver Bullets), but rather to the discovery of tiny little green bursts on the ends of our hydrangea bushes and crape myrtles. Since this is the first spring in our new house, our backyard is full of surprises, including yellow daffodils and purple crocuses and little red berries, all of which the children were delighted to point out to me as they raced back and forth across the lawn.
This springtime exuberance is exactly why I love Ashley Wolff’s Baby Bear Sees Blue (Ages 1-4), about a baby bear venturing forth from his den to discover the colors of the world. “Who is warming me, Mama?” asks Baby Bear. “That is the sun,” Mama says, as Baby Bear steps into a pool of brilliant yellow; “Baby Bear sees yellow.” And so begins a series of introductions to different colors, from the blue of the jays to the red of the strawberries to the grey of an approaching storm cloud. For months now, I have been trying (and failing) to teach my two year old her colors; at two and a half, she knows the names of all the colors and loves to exclaim “that’s purple!” or “that’s red!” for things that are, in fact, green or blue. I’m not obsessing about this, having drunk the Montessori Kool-Aid that she’ll learn on her own time (either that or someone will eventually tell me she’s color blind). But I figured it couldn’t hurt to start reading her books about colors, a rich topic in children’s literature (see my complete list of favorites at the end of this post).
March 11, 2013 § 3 Comments
I was wrong. Occasionally, this happens. (My husband would probably debate the word “occasionally,” but this isn’t his blog and, besides, I am usually right when it comes to books.) Shortly after Kelly Bingham and Paul O. Zelinsky’s Z is for Moose (Ages 4-8) was published last year, I hastily thumbed through it at a bookstore and thought, “Another alphabet book…rudimentary drawings…simplistic-seeming text…a Bullwinkle-style moose…I’ll pass.”
Then, in January, right after the Caldecott winners were announced, the Internet was suddenly abuzz about this book: top children’s book critics were outraged that Zelinsky’s book got passed up for an award, and some went so far as to argue that it was the most revolutionary book published in 2012. “Huh?” I thought.
So ,when I happened to come across the book a second time (this time at our local library), I picked it up, brought it home, and read it to my kids. I’ll say it again: I was wrong. In my haste to judge a book by its cover, I completely blew past its cleverness, its hilarity, and its brilliant way of turning conventional alphabet books on their head.
February 21, 2013 § 4 Comments
Let me be clear: I am not a snake person. Just ask my husband about the time our former neighbor’s grandson misplaced his yellow and black striped rubber snake in our driveway. My hysteria, combined with the Internet, had half the street convinced that a rare and deadly species of snake (I believe we had landed on the Eastern King Snake) had invaded our DC suburb. My husband finds this an enlightening story about my disposition to overreact (I prefer to think of it as strong survival instincts).
All this is to say that if I am telling you that Nic Bishop’s Snakes (Ages 5-12) is not only A-MA-ZING but that I have been volunteering to read this book to my son, then you should take me very, very seriously. You should march straight out to your local bookstore and buy this book (actually, you should buy all the books in Bishop’s series, even those about tamer animals like butterflies and frogs).
February 12, 2013 Comments Off on Eyes on Abraham Lincoln
You might expect that my children, living so close to Washington DC, have many opportunities to learn about our nation’s history. But mere proximity does not a future scholar make. The Lincoln Memorial, for example, is consistently celebrated by my five year old as “the place where we picnic in the summer!” If you ask him the name of the president that sits in stone behind him during said picnics, he is likely to throw you a disinterested look and recommence staring out the car window, pointing out other landmarks whose names he boasts correctly but whose significance he understands not. Which begs the question: How do we get our kids to care about the past presidents that have shaped our country?
The biographies we read as kids were filled with dry facts and black-and-white photographs that made their content feel all too disconnected from our daily lives; too often we were encouraged to memorize names and dates for tests, only to forget them a week later. Thankfully, our own kids have access to a whole new generation of fresh reading material, including picture books that breathe colorful new life into historic periods and events.
February 5, 2013 § 4 Comments
Is there a better way to shower our children with love this Valentine’s Day than by snuggling under a blanket with them and sharing a new story? And yet, I’m never thrilled with the list of books that the media typically puts forth as gift ideas for V-Day. Chances are you already have your fair share of books about parental affection (the Guess How Much I love You? sort). If I’m being totally honest, I feel a tad exploited by these lovey-dovey books about hugging and kissing and eternal love; too often they’re lacking in imagination and art and feel instead like a cheap move by publishers to go after our vulnerability as parents (I’ll get off my soapbox now). There are some wonderful classics, like Judith Viorst’s Rosie and Michael and Sandal Stoddard Warbug’s I Like You, but their content is arguably more appropriate for grown-ups to give one another.
So when it comes to Valentine’s Day, I like to think outside the box. In the past, I’ve given my son the glorious Red Sings from the Treetops (hey, there’s red in the title) and The Jolly Postman (Valentines are like letters, right?). But this year, I have an especially good one pegged for my two-year-old daughter; I’ve been hiding it under my bed since it came out last fall and biding my time to spring it on her.
December 18, 2012 § 1 Comment
Benjamin Franklin once penned: “If you would not be forgotten/ As soon as you are dead and rotten,/ Either write things worth reading,/ Or do things worth the writing.” OK, that might not be a quote we need to read aloud to our young children, but its sentiment can and should inform the books we choose to share with them.
The genre of biographies written for children is taking off like never before; it seems not only are parents and educators seizing the chance to inspire our young ones with tales of historical figures, but kids themselves are embracing these literary opportunities to inform their own choices, to pave their own paths worth living. And it’s no accident that many of this past year’s biographies are picture books: against a backdrop of beautiful art and poetic text, stories about scientists, writers, inventors, artists, and peacemakers become that much more gripping. The books listed at the end of this post are treasures worth giving and owning; their artistic caliber alone makes them a far cry from the dry, fact-filled paperbacks that we once suffered through for school reports.
December 10, 2012 § 1 Comment
There are days, OK months, OK years, when it feels like everything is about airplanes and rockets in our house. Last year, JP chose a space-themed birthday party; this year he chose an airplane-themed one. We’ve been to air shows. I chop vegetables in the kitchen while large LEGO creations go whizzing by on little pattering feet. I have even been known to spend rainy days hanging out at Reagan National Airport, just so my kids can watch airplanes take off and land (a.k.a. Richard Scarry’s A Day at the Airport, minus the bratwurst balloon). For my five year old, it seems, life above ground is infinitely more fascinating than terra firma. And his enthusiasm is contagious: even my two-year-old daughter can’t resist squealing when she spots an airplane in the sky. Children’s bookstores aren’t lacking in books about air or space travel, but the trick is to choose ones that don’t compromise on art or narrative. At the end of this post, I’ve listed some fantastic fiction and non-fiction picture books guaranteed to wow any young aviator.
This fall, Brian Biggs came out with Everything Goes: In the Air (Ages 3-6), a follow-up to last year’s successful Everything Goes: On Land (which we also have at our house, for when we get tired of reading about planes). This is young non-fiction at its best, a perfect combo of action and information. Blending a kind of comic book layout with bright cartoon-like illustrations (think Schoolhouse Rock), the simple storyline of a father and son navigating a busy airport is jazzed up by zillions of sub-plots, from the mom of quintuplets whose babies have escaped (lots of seek-and-find opportunities here) to the pirate who’s trying to take his sword through security.
December 6, 2012 § 3 Comments
When it comes to picking gifts this holiday season, it’s no surprise I vote books all the way (and I’ll have posts all month long with recommendations for everyone on your list). But I thought I’d kick off my Holiday Gift Guide with a more unusual approach.
What about making an impact through sheer weight? I’m talking about reference books: those meaty treasures filled with mind-blowing facts, stunning photography, and encyclopedia-rich knowledge. We normally associate these books with schools, while we focus on stocking our shelves at home with storybooks (why clutter up our houses with reference books when we have the Internet?). But there’s a reason that educational philosophies like Montessori and Waldorf advocate strongly for encouraging children to find answers the old-fashioned way (after all, you learn nothing about alphabetization when you look up a definition on dictionary.com).
A good dictionary or atlas or encyclopedia can grow with your child for years and years. It will make your child a better student, and it will make you a better teacher (come on, we can’t let our children get smarter than us!).
November 29, 2012 § 1 Comment
The best parenting advice I ever received—and didn’t listen to—came when I was in the throes of sleep training my six month old. The advice was: “Make sure you pick a short bedtime ritual, because you’ll be doing it for a long time.” Of course, when you’re knee-deep in sleep deprivation, it’s not easy to see into the future and predict that five years later, your son will still expect a book, water, two songs (one being a made-up “Curious George” song, don’t ask), a hug, a kiss, and a very involved tucking in of the covers every single night.
We all get wiser the second time around; and consequently, I have a five year old who takes 45 minutes to put to bed, and a two year old who takes 45 seconds. But one thing remains the same: I love a good bedtime story.
The best bedtime stories are filled with gentle, lulling rhymes; jewel-toned illustrations; and ample opportunities for whispers and kisses (see my full list at the end of this post). The witching hours of dinner and bath time behind us, pajamas donned and teeth brushed, our collective bodies relax as the first words are read. No matter what madness has just transpired in the moments leading up to this one, peace is now restored; those big juicy bonds of love can flow freely once more (because, let’s face it, it’s almost over).
November 20, 2012 § 1 Comment
My five year old loves to tell stories. Most of the time, his stories are a blend of autobiographical truth and nonsensical make-believe, and most of the time they are his way of working through whatever he’s trying to make sense of in the world (“There was this hurricane, and the winds were swirling around outside like a tornado, and then the roofs of the houses blasted off to Outerspace, and then…). As a parent, I know that I’m supposed to dedicate my ears to him when he’s narrating life’s inexplicable phenomena, but golly if his stories don’t always seem to come at a time when I’m desperately trying to corral him into putting on his coat or swallowing a few bites of food (the fork goes up, then stops, millimeters from the mouth, then comes down again: “Mommy, you know what?”). But I get it. I do. We all want to narrate our lives, and we all want an appreciative audience.
That’s why I’m not surprised that JP’s sister, now a full-fledged two year old, has decided that she too has verbal musings of her own to share. Suddenly, our family dinners are filled with Emily’s terrorizing screams—“I talking here!”—followed by JP’s despairing moans, “Emil-ee, I haven’t finished my story yet!”
Alas, tonight seemed like a good time to introduce my clan to the latest treasure from Philip and Erin Stead, the husband and wife duo that wrote and illustrated two of my all-time favorites, A Sick Day for Amos McGee and And Then It’s Spring. Their newest gem, Bear Has a Story to Tell (Ages 2-6), has all of the subtle charm, all of the understated quietness, of their earlier works, and this makes it perfectly suited for the subject at hand: hibernation.
November 10, 2012 § 1 Comment
No one gets straight to the heart of kids like Mo Willems. It seems almost criminal that I’ve been at this blog for several months now and have yet to sing the praises of one of the most original author-illustrators of all time. While he’s best known for the Don’t Let the Pigeon Drive the Bus series (which, despite its popularity, is not my or my children’s favorite), Mo is at his best with one-off masterpieces, like Edwina, the Dinosaur Who Didn’t Know She Was Extinct and Leonardo the Terrible Monster (see my complete list at the end). And now we get to add his newest creation, Goldilocks and the Three Dinosaurs (Ages 4-8), in which three scheming dinosaurs lure Goldilocks into the wrong fairy tale in an effort to make “chocolate-filled-little-girl-bonbons” out of her.
During the 46 times that I’ve been asked by my son to read this book in the past month, I’ve started to put my finger on what it is that unites Mo’s seemingly disparate stories. Mo gives children A LOT of credit (probably more than us parents do). He doesn’t employ traditional literary devices (in fact, in Goldilocks he actually turns them on their head), and he offers few explanations; instead, he writes with the expectation that kids will pick up on the subtlety, the irony, the little side jokes, and the sophisticated vocabulary through their repeated readings. Over the years, I’ve had more than one person ask me whether Mo’s multi-layered storytelling is accessible enough to children or simply intended to amuse the parent who’s reading it. In response, let me give you an account of how my five year old experienced Goldilocks and the Three Dinosaurs:
November 2, 2012 § 2 Comments
If there’s something all kids can agree on, it’s the thrill of being in the driver’s seat. Getting their choice—heck, coming up with the choices in the first place—seeds the adrenaline that drives our little ones forward in their quest for independence and control. Perhaps no author-illustrator understands this better than Chris Van Dusen, who has a knack for knowing what kids (especially boys) want and serving it up in rollicking rhyme and neo-futuristic illustrations. Years ago, when If I Built a Car was published, it instantly became my shop’s “go to” book for anyone headed to a four or five year old’s birthday party; we only stopped stocking it when virtually every family in a 15-mile radius owned the book.
The good news is that Van Dusen has now written an equally captivating follow-up—and one with an arguably broader appeal (girls will dig this, too). In If I Built a House (Ages 3-6), a young boy named Jack describes with contagious enthusiasm his dream house. I challenge any child to come up with a TV show or video game with more allure than a house containing an anti-gravity room, an underwater chamber, an art room with walls made of drawing paper, a bedroom atop a high tower with the world’s longest spiraling tunnel slide for descent, and a jet-powered Plexiglass Playroom that detaches to fly around the neighborhood.
October 11, 2012 Comments Off on Monsters With Manners
I recently asked my five-year-old son: “What do you think monsters are like?” His answer: “They have big teeth and sharp claws and they eat little kids.” Oh. Well, the good news is that there’s a new(ish) genre afoot in children’s literature: not-too-scary scary stories (my recent posts on Creepy Carrots and Vampirina Ballerina are great examples). There are also some fantastic monster-themed books, featuring a new generation of what I will call Funny Monsters.
What makes kids find the monsters in these books so funny? Precisely because our little ones, occasionally monstrous themselves, can identify with these monsters’ unpredictable bursts of rage and destruction. On some level, they recognize a shared vulnerability, a shared quest to fit in and make sense of a complex world.
Author and illustrator Patrick McDonnell (best known for his Mutts comic strip) has a knack for creating deceptively simple picture books that get right to the heart of what it means to be human. In the beginning of his brand new The Monsters’ Monster (Ages 3-7), we are introduced to three tiny nay-saying monsters, named Grouch, Grump, and little Gloom ‘n’ Doom (how can you not immediately love this book?). The trio relishes their job of being monsters: they have tantrums, their favorite word is “NO,” and they love crashing, smashing, and bashing (sound familiar yet?).
October 3, 2012 Comments Off on Anyone Can Learn to Dance
Calling all wannabe ballerinas! If you’re headed to a girl’s birthday party this month, you must give this irresistibly charming (and seasonally appropriate) new book, Vampirina Ballerina (Ages 3-7), by Anne Marie Pace, with pictures by LeUyen Pham. This book has everything ballerinas-in-the-making (and their supportive parents) would want in a book: tutus, pirouettes, a Swan Lake-inspired recital, encouragements about practice and effort (as opposed to perfection), and a subtle but poignant message about accepting someone who looks different.
In addition, this book has something most people don’t associate with ballet: a family of vampires. That’s right, Pace’s text reads like a “how to succeed in ballet” handbook, only it’s directed at a young vampire girl, who is eager and nervous to begin her ballet education alongside a troupe of human girls and their instructing Madame. Along with some predictable directives about form and style (“a true ballerina is always on pointe” and “always move with your head held high”), our young Vampirina is given some important life lessons: “Whatever happens, don’t be discouraged. The road to ballerinadom can be bumpy.”
September 23, 2012 § 3 Comments
There’s no better time than the fall for reading spooky stories! Now, before you start worrying, let me preface by saying that my almost five year old is the ultimate Nervous Nelly; so, if he’s not scared by these stories (and actually demands to read them again and again), rest assured that your kids won’t be either. In fact, if you have a child that’s scared of the dark, even better: books like these can be an invaluable tool for empathizing with kids about their own nervousness (and helping them understand the role their imagination plays).
Without further ado, I give you my favorite new spooky story of the fall: Creepy Carrots! (Ages 4-7), by Aaron Reynolds, with illustrations by Peter Brown. I have loved everything Peter Brown has ever done, beginning with his first book, Flight of the Dodo, which is a quirky story about bird poop (remember: my son has a thing for poop books). What impresses me most about Brown is that none of his books feel derivative: for each story, he perfectly tailors his illustrative style to the topic at hand. In Creepy Carrots!, he sets his witty, cartoon-like drawings against a backdrop reminiscent of film noir, invoking a Hitchcockian play of black and white frames accented by splashes of orange.
September 14, 2012 § 1 Comment
In addition to making little botanists out of your children (see my previous post), apple picking can inspire some fascinating historical and cultural discussions, especially for the older set. As a quintessentially American pastime dating back to frontier life, apple picking speaks to some of our country’s core values.
Enter Johnny Appleseed, that larger-than-life figure who was allegedly responsible for planting and distributing the seeds for many of our country’s apple trees (that’s right, boys and girls, that apple you’re eating might have descended from a seed this guy planted!). September 26 marks the birth of Johnny Appleseed (whose real name was John Chapman). Last year at this time, I searched the libraries for a book about Chapman to bring to JP’s school; but while there are no shortage of kids books written on this topic, most struck me as inaccessible—a portrait of an historical figure presented without any meaningful context.
This fall, however, the topic has gotten a facelift by Esme Raji Codell and Lynne Rae Perkins, in their newly published and utterly captivating Seed by Seed: The Legend and Legacy of John “Appleseed” Chapman (Ages 5-10). What Seed by Seed does that no one has thought to do before is to set the stage by giving kids an up-close-and-personal account of the sights, smells, and sounds of early frontier life.
September 7, 2012 § 1 Comment
Never fear: everyone wins with the newly-published King Arthur’s Very Great Grandson, by Kenneth Kraegel (Ages 4-7), which is equal parts perfect for child and parent.
On the morning of his sixth birthday, Henry Alfred Grummorson is determined to honor his heritage as the “great-great-great-great-great-great-great-grandson” of King Arthur, “the noblest knight ever to wield a sword.” Armed and seated on the back of his trusty donkey Knuckles, our precocious protagonist sets off to battle the great and terrible monsters of the British countryside.
The appeal to kids is obvious. You’ve got a knight in shining armor (with a sword). You’ve got a fire-breathing dragon (and a Cyclops and a Griffin). You’ve got ten fanciful ways to say “fight” (as in, “Now unsheathe your claws and let us have ado!”). And you’ve got large amounts of text in all-caps, demanding only the most dramatic of readings (“BEHOLD, VILE WORM! I, HENRY ALFRED GRUMMORSON, A KNIGHT OF KING ARTHUR’S BLOOD, DO HEREBY CHALLENGE YOU TO A FIGHT TO THE UTTERMOST!”).